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Who's Afraid of Red, Yellow and Blue?

Who's Afraid of Red, Yellow and Blue? PDF Author: Emily Glass (Art teacher)
Publisher:
ISBN:
Category : Color in art
Languages : en
Pages : 28

Book Description


Who's Afraid of Red, Yellow and Blue?

Who's Afraid of Red, Yellow and Blue? PDF Author: Emily Glass (Art teacher)
Publisher:
ISBN:
Category : Color in art
Languages : en
Pages : 28

Book Description


Who's afraid of red, yellow and blue?

Who's afraid of red, yellow and blue? PDF Author: Staatliche Kunsthalle Baden-Baden
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 178

Book Description
Curated by Karola Grasslin, this exhibition and the accompanying catalogue takes as its theme the beginings of minimalist art and the development of colour field painting. It represented a fundamental and at the same time radical enquiry into the traditional concept of the picture in painting.

Who's Afraid of Red, Yellow & Blue?.

Who's Afraid of Red, Yellow & Blue?. PDF Author: Waldemar Januszczak
Publisher:
ISBN:
Category :
Languages : en
Pages : 4

Book Description


Pictures of Nothing

Pictures of Nothing PDF Author: Kirk Varnedoe
Publisher: Princeton University Press
ISBN: 0691252963
Category : Art
Languages : en
Pages : 302

Book Description
An illuminating exploration of the meaning of abstract art by acclaimed art historian Kirk Varnedoe "What is abstract art good for? What's the use—for us as individuals, or for any society—of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the past five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and as the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction—showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour through a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works. Please note: All images in this ebook are presented in black and white and have been reduced in size.

The Painter's Keys

The Painter's Keys PDF Author: Robert Genn
Publisher: Studio Beckett Publications
ISBN: 9781550564792
Category : Art
Languages : en
Pages : 164

Book Description


Who's Afraid of Contemporary Art?

Who's Afraid of Contemporary Art? PDF Author: Kyung An
Publisher: Thames & Hudson
ISBN: 0500773807
Category : Art
Languages : en
Pages : 201

Book Description
A smart and playful introduction to the often-mystifying world of contemporary art What is contemporary art? What makes it contemporary? What is it for? And why is it so expensive? From museums and the art market to biennales and the next big thing, Who’s Afraid of Contemporary Art? offers concise and pointed insights into today’s art scene, decoding “Artspeak," explaining what curators do, demystifying conceptual art, exploring emerging art markets, and more. In this easy-to-navigate A to Z guide, the authors’ playful explanations draw on key artworks, artists, and events from around the globe, including how the lights going on and off won the Turner Prize, what makes the likes of Marina Abramovic and Ai Weiwei such great artists, and why Kanye West would trade his Grammys to be one. Packed with behind-the-scenes information and completely free of jargon, Who’s Afraid of Contemporary Art? is the perfect gallery companion and the go to guide for when the next big thing leaves you stumped.

Who's Afraid of Post-Blackness?

Who's Afraid of Post-Blackness? PDF Author: Touré
Publisher: Simon and Schuster
ISBN: 1439177554
Category : Social Science
Languages : en
Pages : 274

Book Description
How do we make sense of what it means to be Black in a world with room for both Michelle Obama and Precious? Tour , an iconic commentator and journalist, defines and demystifies modern Blackness with wit, authority, and irreverent humor. In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Americans are searching for new ways of understanding Blackness, partly inspired by a President who is unlike any Black man ever seen on our national stage. This book aims to destroy the notion that there is a correct or even definable way of being Black. It’s a discussion mixing the personal and the intellectual. It gives us intimate and painful stories of how race and racial expectations have shaped Tour ’s life as well as a look at how the concept of Post-Blackness functions in politics, psychology, the Black visual arts world, Chappelle’s Show, and more. For research Tour has turned to some of the most important luminaries of our time for frank and thought-provoking opinions, including Rev. Jesse Jackson, Henry Louis Gates Jr., Cornel West, Michael Eric Dyson, Melissa Harris-Lacewell, Malcolm Gladwell, Harold Ford, Jr., Kara Walker, Kehinde Wiley, Chuck D, and many others. Their comments and disagreements with one another may come as a surprise to many readers. Of special interest is a personal racial memoir by the author in which he depicts defining moments in his life when he confronts the question of race head-on. In another chapter—sure to be controversial—he explains why he no longer uses the word “nigga.” Who’s Afraid of Post-Blackness? is a complex conversation on modern America that aims to change how we perceive race in ways that are as nuanced and spirited as the nation itself.

Some aspects of color in general and red and black in particular

Some aspects of color in general and red and black in particular PDF Author: Donald Judd
Publisher:
ISBN: 9789074957014
Category :
Languages : en
Pages : 35

Book Description


Concerning the Spiritual in Art

Concerning the Spiritual in Art PDF Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111

Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.

Blue and Yellow Don't Make Green

Blue and Yellow Don't Make Green PDF Author: Michael Wilcox
Publisher:
ISBN: 9780958789196
Category : Color
Languages : en
Pages : 120

Book Description
For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.