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Author: Emily Zazulia Publisher: Oxford University Press ISBN: 0197551912 Category : Musical notation Languages : en Pages : 345
Book Description
"The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down, or at a reduced speed-to produce sounds whose relationship to the written notes is anything but obvious. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informed-sometimes erroneously-ideas about the premodern era. By viewing notation as a complex technology that did more than record sound, the book revolutionizes the way we think about music's literate traditions"--
Author: Emily Zazulia Publisher: Oxford University Press ISBN: 0197551912 Category : Musical notation Languages : en Pages : 345
Book Description
"The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down, or at a reduced speed-to produce sounds whose relationship to the written notes is anything but obvious. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informed-sometimes erroneously-ideas about the premodern era. By viewing notation as a complex technology that did more than record sound, the book revolutionizes the way we think about music's literate traditions"--
Author: Emily Zazulia Publisher: ISBN: 9780197551929 Category : Musical notation Languages : en Pages : 308
Book Description
Late-medieval composers delighted in complicating the relationship between their music's written and sung forms, often tasking singers with reading their music in unusual ways-from slowing down a melodic line, to turning it backwards or upside down, even omitting certain notes or rests. These manipulations increasingly yielded music that was aurally all but unrecognizable as a derivative of the notated original. This book uses these unorthodox applications of notation to understand how late-medieval composers thought about the tool of musical notation. It argues that these compositions foregro.
Author: Emily Zazulia Publisher: Oxford University Press ISBN: 0197551939 Category : Music Languages : en Pages : 345
Book Description
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
Author: Herbert Zettl Publisher: ISBN: 9780495502203 Category : Cinematography Languages : en Pages : 422
Book Description
Media aesthetics have gained prominence with the dramatic advances in the digital technology of video and electronic cinema. In this dynamic field, Herb Zettl's Sight Sound Motion/Applied Media Aesthetics, Fifth Edition is more applicable than ever. This new edition of Sight Sound Motion continues to be the most comprehensive book on the market, not only describing the major aesthetic image elements - light and color, space, time-motion, and sound - but also presenting in-depth coverage on the creative ways that they are used in television and film. Zettl's thorough coverage of aesthetic theory and the application of that theory place this contemporary and highly relevant text in a class by itself. Richly illustrated, this edition features strong visuals that often draw on traditional art forms, such as painting, sculpture, and dance.
Author: Emily Zazulia
Author: Emily Zazulia
Author: Emily Zazulia
Author: Emily Zazulia
Author: Michel Chion
Author: National Education Association of the United States
Author: Leon White
Author: Mark Seidenberg
Author: American Ophthalmological Society
Author: Herbert Zettl![Proceedings of the ... Meeting[s] of the American Association of Instructors of the Blind PDF](https://books.google.com/books/content/images/frontcover/qFAxAQAAMAAJ?fife=w80-h100)
Author: American Association of Instructors of the Blind