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Author: Elizabeth Muir-Lewis Publisher: Austin Macauley Publishers ISBN: 1398429430 Category : Biography & Autobiography Languages : en Pages : 144
Book Description
These are the recollections of the life and work of a great singer. They explore the true accounts of great happenings following the Second World War when a Renaissance of British music took place, giving birth to several great composers, producers and conductors and a school of singers that led the way to rival the Europeans. Richard Lewis was among the main architects of that Renaissance. His wife Elizabeth was with him for many years, and her reminiscences showcase what a singer’s life is like, its dramas, its humour, and what happens When the Last Note Sounds.
Author: Elizabeth Muir-Lewis Publisher: Austin Macauley Publishers ISBN: 1398429430 Category : Biography & Autobiography Languages : en Pages : 144
Book Description
These are the recollections of the life and work of a great singer. They explore the true accounts of great happenings following the Second World War when a Renaissance of British music took place, giving birth to several great composers, producers and conductors and a school of singers that led the way to rival the Europeans. Richard Lewis was among the main architects of that Renaissance. His wife Elizabeth was with him for many years, and her reminiscences showcase what a singer’s life is like, its dramas, its humour, and what happens When the Last Note Sounds.
Author: Barbara Linn Probst Publisher: Simon and Schuster ISBN: 164742013X Category : Fiction Languages : en Pages : 339
Book Description
A 2021 Kirkus Reviews' Best Indie Book of the Year 2021 Sarton Book Awards: Gold Medal Winner in Contemporary Women's Fiction The highly anticipated new novel from the multiple award-winning author of Queen of the Owls . . . What if you had a second chance at the very thing you thought you’d renounced forever? How steep a price would you be willing to pay? Susannah’s career as a pianist has been on hold for nearly sixteen years, ever since her son was born. An adoptee who’s never forgiven her birth mother for not putting her first, Susannah vowed to put her own child first, no matter what. And she did. But now, suddenly, she has a chance to vault into that elite tier of “chosen” musicians. There’s just one problem: somewhere along the way, she lost the power and the magic that used to be hers at the keyboard. She needs to get them back. Now. Her quest—what her husband calls her obsession—turns out to have a cost Susannah couldn’t have anticipated. Even her hand betrays her, as Susannah learns that she has a progressive hereditary disease that’s making her fingers cramp and curl—a curse waiting in her genes, legacy of a birth family that gave her little else. As her now-or-never concert draws near, Susannah is catapulted back to memories she’s never been able to purge—and forward, to choices she never thought she would have to make. Told through the unique perspective of a musician, The Sound Between the Notes draws the reader deeper and deeper into the question Susannah can no longer silence: Who am I, and where do I belong?
Author: Daphne Oram Publisher: ISBN: 9781910221112 Category : Electronic music Languages : en Pages : 0
Book Description
Daphne Oram (1925-2003) was one of the central figures in the development of British experimental electronic music. Having declined a place at the Royal College of Music to become a music balancer at the BBC, she went on to become the co-founder and first director of the BBC Radiophonic Workshop. In 1972, she authored her only book, 'An Individual
Author: Peter Herborn Publisher: Emanobooks ISBN: 3038360511 Category : Music Languages : en Pages : 986
Book Description
Most people in the Western world listen to music because of emotions. They want to create or experience emotions. But music is made of tones, tones are sound waves and sound waves are physics. How is it possible that physics becomes psychology, because emotions are a psychological phenomenon? When people like a certain piece of music, they usually want to listen to it again and again. Not infrequently for years and decades. What could be the reasons for this? When people like a piece of music, it is primarily the melody that they like. For most people, the melody is the face of a piece. More than anything else, it is the element of music they remember. What are the characteristics of melodies that make them to be remembered by listeners? What features of the melody could it be that ensure being liked by listeners? Based on more than 300 keywords, over 160 musical examples, and 39 charts, answers to these and many other questions are sought and offered in this book. This book is always two-in-one. By illuminating how melodies are built that enjoy great popularity, it is a book of music theory. In this way, it addresses readers who are primarily interested in the book because they themselves invent melodies. By illuminating what psychological mechanisms and physiological responses trigger the melodic operations of composers and improvisers, it is an introduction to music psychological thinking. It combines fundamental considerations from cognitive science, psychology, anthropology, and linguistics. Thus, it is addressed not only to music theorists and musicologists, but ultimately to all readers who wish to expand their knowledge of how melodies work.
Author: Theodor W. Adorno Publisher: Stanford University Press ISBN: 1503615332 Category : Music Languages : en Pages : 250
Book Description
Theodor Adorno is one of this century's most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical. Adorno's insistence on the social character of aesthetic works will come as no surprise to those familiar with his writings, although many may be surprised by the volume's somewhat colloquial tone. This colloquialism, in dialogue with Adorno's unceasing rigor, stems from the occasional sources of many of the essays, mainly public lectures and radio addresses. As such, this volume represents an important and, for English-language readers, largely unfamiliar side to Adorno. His arguments move more quickly than in his more formal and extended musicological works, and the writing is much more accessible and generous than his usually dense and frequently opaque prose. This volume includes essays on prominent figures in music (Alban Berg, Anton von Webern, Arturo Toscanini), compositional technique (the prehistory of the twelve-tone row, the function of counterpoint in new music), and the larger questions of musical sociology for which Adorno is most famous, including the relation of interpretation to audience, the ideological function of opera, and the historical meaning of musical technique. The essay on the sociology of music, for example, represents an early statement of what would soon become trademark principles of his mode of musical analysis, serving as a catalyst for his famous study Introduction to the Sociology of Music. Some forty years after most of these essays were written, they remain fresh and relevant. In part, this is because Adorno's method has only recently begun to make substantial inroads into Anglo-American musicology. And the interdisciplinary nature of his thought provides a precursor for today's interdisciplinary studies.
Author: Elizabeth Muir-Lewis
Author: Elizabeth Muir-Lewis
Author: Barbara Linn Probst
Author: Daphne Oram
Author: Arthur Cleveland Bent
Author: 
Author: Peter Herborn
Author: John Heywood
Author: Karen Desmond
Author: Michael Miller
Author: Theodor W. Adorno