Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download When Rock Met Disco PDF full book. Access full book title When Rock Met Disco by Steven Blush. Download full books in PDF and EPUB format.
Author: Steven Blush Publisher: Rowman & Littlefield ISBN: 1493063901 Category : Music Languages : en Pages : 299
Book Description
Disco began as a gay, black, and brown underground New York City party music scene, which alone was enough to ward off most rockers. The difference between rock and disco was as sociological as it was aesthetic. At its best, disco was galvanizing and affirmative. Its hypnotic power to uplift a broad spectrum of the populace made it the ubiquitous music of the late '70s. Disco was a primal and gaudy fanfare for the apocalypse, a rage for exhibitionism, free of moralizing. Disco was an exclamatory musical passageway into the future. 1978 was the apex of the record industry. Rock music, commercially and artistically, had never been more successful. At the same time, disco was responsible for roughly 40% of the records on Billboard's Hot 100, thanks to the largest-selling soundtrack of all time in Saturday Night Fever. The craze for this music by The Bee Gees revived The Hustle and dance studios across America. For all its apparent excesses and ritual zealotry, disco was a conservative realm, with obsolete rules like formal dress code and dance floor etiquette. When most '70s artists "went disco," it was the relatively few daring rockers who had the most impact, bringing their intensity and personality to a faceless phenomenon. Rock stars who "went disco" crossed a musical rubicon and forever smashed cultural conformity. The ongoing dance-rock phenomenon demonstrates the impact of this unique place and time. The disco crossover forever changed rock.
Author: Steven Blush Publisher: Rowman & Littlefield ISBN: 1493063901 Category : Music Languages : en Pages : 299
Book Description
Disco began as a gay, black, and brown underground New York City party music scene, which alone was enough to ward off most rockers. The difference between rock and disco was as sociological as it was aesthetic. At its best, disco was galvanizing and affirmative. Its hypnotic power to uplift a broad spectrum of the populace made it the ubiquitous music of the late '70s. Disco was a primal and gaudy fanfare for the apocalypse, a rage for exhibitionism, free of moralizing. Disco was an exclamatory musical passageway into the future. 1978 was the apex of the record industry. Rock music, commercially and artistically, had never been more successful. At the same time, disco was responsible for roughly 40% of the records on Billboard's Hot 100, thanks to the largest-selling soundtrack of all time in Saturday Night Fever. The craze for this music by The Bee Gees revived The Hustle and dance studios across America. For all its apparent excesses and ritual zealotry, disco was a conservative realm, with obsolete rules like formal dress code and dance floor etiquette. When most '70s artists "went disco," it was the relatively few daring rockers who had the most impact, bringing their intensity and personality to a faceless phenomenon. Rock stars who "went disco" crossed a musical rubicon and forever smashed cultural conformity. The ongoing dance-rock phenomenon demonstrates the impact of this unique place and time. The disco crossover forever changed rock.
Author: Steven Blush Publisher: Rowman & Littlefield ISBN: 1493074482 Category : Biography & Autobiography Languages : en Pages : 281
Book Description
Bringing the same incisive, cross-genre perspective he offered in When Rock Met Disco, Steven Blush gives a spirited survey of the crossover of Jamaican, British, and American sounds that changed the face of popular music in When Rock Met Reggae. The inspiration of ska, rock-steady, dub, and reggae—heard on independent recordings played on “soundsystems” from Kingston and Brixton—created a new rock tonality and attitude, spanning from Eric Clapton to The Clash. Meanwhile, the “Two Tone” sounds—traversing The Specials, Madness, and UB40—fueled the ‘90s ska revival of Sublime, No Doubt, The Mighty Mighty Bosstones, and beyond. Attentive to the racial, political, and artistic aspects of this intricate story, Blush gives a memorable account of one of the most fertile cross-pollinations in pop music history.
Author: James Arena Publisher: McFarland ISBN: 0786475811 Category : Music Languages : en Pages : 268
Book Description
The female vocalists who pioneered the disco genre in the '70s and early '80s were an extraordinarily talented group who dazzled the world with an exciting blend of elegance, soulful passion and gutsy fire. In this book of original interviews, 32 of these women tell their stories, explaining how they view their music, careers, connection to gay audiences, and their places in dance music history. Interviewed artists include: The Andrea True Connection; Claudja Barry; Pattie Brooks; Miquel Brown; Linda Clifford; Carol Douglas; Yvonne Elliman; Rochelle Fleming (First Choice); Gloria Gaynor; Debbie Jacobs-Rock; Madleen Kane; Evelyn "Champagne" King; Audrey Landers; Suzi Lane; Cynthia Manley (Boys Town Gang); Kelly Marie; Maxine Nightingale; Scherrie Payne; Wardell Piper; The Ritchie Family, 1975-1978: Gwendolyn Wesley, Cassandra Wooten and Cheryl Mason-Dorman; The Ritchie Family, 1978-1982: Theodosia "Dodie" Draher; Barbara Roy (Ecstasy Passion & Pain); Pamala Stanley; Evelyn Thomas; Jeanie Tracy; Anita Ward; Martha Wash; Carol Williams; Jessica Williams and Norma Jean Wright.
Author: Steven Blush Publisher: Feral House ISBN: 193259518X Category : Biography & Autobiography Languages : en Pages : 178
Book Description
Extravagant visual tribute to the spandex, rouge and eyeliner days of 80s glam rock glory. Colour photographs, interviews, lyrics and keepsakes of the uninhibited teased-hair days of sex, drugs and rock 'n' roll. Steven Blush edited the successful punk rock history American Hardcore (Feral House) and also wrote the screenplay to the feature-length documentary of the same name that debuted at Sundance and will be distributed by Sony Pictures Classics.
Author: Noel Hankin Publisher: ISBN: 9781736614914 Category : Languages : en Pages : 278
Book Description
Mid-town Buppies, big-time mobsters, fabulous dancing queens, and unscrupulous promoters all come together in After Dark, a first-hand account of the birth and growth of the disco movement in the 1970s. Disco music has earned an unflattering reputation for being garish and flashy; however, it was the voice of a generation that spoke using the power of dance to unite people. Now, for the first time you can hear the compelling, never-been-told story of the rise of the New York disco scene. In the late 1960s, a group of college students formed a social club called "The Best of Friends" (TBOF) and learned to monetize their love of dancing and music by building a multi-million-dollar network of discotheques. Their innovative DJing techniques transported dancers into a carefree state of euphoria that paved the way for "Saturday Night Fever," Studio 54, and the nationwide explosion of disco in the late '70s. TBOF discotheques attracted everyone from CEOs to mailroom clerks, from Rick James to Elizabeth Taylor, and from big-time mobsters to FBI agents. This unprecedented collection of humanity made it impossible to know what excitement would unfold each night. What the partners in TBOF did know is that After Dark, they had to be on their toes.
Author: David F. Ross Publisher: Disco Days Trilogy ISBN: Category : Fiction Languages : en Pages : 276
Book Description
Early in the decade that taste forgot, Fat Franny Duncan is on top of the world. He is the undoubted King of the Ayrshire Mobile Disco scene, controlling and ruling the competition with an iron fist. From birthdays to barn dances, Franny is the man to call. He even played 'My Boy Lollipop' at a funeral and got away with it. But the future is uncertain. A new partnership is coming and is threatening to destroy the big man's Empire ... Bobby Cassidy and Joey Miller have been best mates since Primary School. Joey is an idealist; Bobby just want to get laid and to avoid following his brother Gary to the Falklands. A partnership in their new mobile disco venture seems like the best way for Bobby to do both at the same time ... With compensation from an accident at work, Bobby's dad Harry invests in the fledgling business. His marriage to Ethel is coming apart at the seams and the disco has given him something to focus on. Tragic news from the other side of the world brings all three strands together in a way that no one could have predicted. The Last Days Of Disco is a eulogy to the beauty and power of the 45rpm vinyl record and the small but significant part it played in a small town Ayrshire community in 1982.
Author: Louis Niebur Publisher: Oxford University Press ISBN: 0197511074 Category : Music Languages : en Pages : 289
Book Description
"Menergy tells the story of a "post-disco" recording industry in San Francisco between the years 1978-1984. For most of America, disco died in 1979. Gay men, however, continued to dance, and in the gay enclave of the Castro neighborhood in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. These independent labels' music did more than copy what the larger industry had been doing, however. Instead, the upstart companies built upon the musical experiments their roster of local musicians and producers had been exploring over the last several years, developing a distinctive style of its own. Known as "high energy," the music reveled in electronics, fast tempos, disco and DJ culture, and, above all, gay liberation as it had emerged over the previous decade in the Castro neighborhood by so called "Castro clones" (a gay subculture of exaggerated masculinity with a strong presence in the city's nightlife). The sound, like the new revolutionary ethos, derived its aesthetic from San Francisco's unique configuration of elements, but immediately this music had a reach far beyond the Bay, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success with San Francisco artists such as Sylvester, Patrick Cowley, Paul Parker, Lisa, Loverde, and Jolo, creating the world's first gay-owned, gay-produced music for a dancing audience"--
Author: Nile Rodgers Publisher: Spiegel & Grau ISBN: 0679644032 Category : Biography & Autobiography Languages : en Pages : 354
Book Description
NAMED ONE OF THE TOP 10 ROCK MEMOIRS OF ALL TIME BY ROLLING STONE From Chic to Daft Punk, Nile Rodgers is the creative force behind some of the biggest hits ever recorded. Here is the story of how global pop’s greatest genius transformed his own dramatic life into the brilliantly joyful playlist of a generation. You will hear a Nile Rodgers song today. It will make you happy. In the 1970s and 1980s, Nile Rodgers wrote and produced the songs that defined the era and everything that came after: “Le Freak,” “Good Times,” “We Are Family,” “Like a Virgin,” “Let’s Dance,” “I’m Coming Out,” “Rapper’s Delight”—and worked with every influential pop star to create a string of enduring hits, from Diana Ross and Madonna to Duran Duran and David Bowie. Even today, he is still musically relevant: writing and performing record-breaking hits like “Get Lucky” with Daft Punk and Pharrell. But before he reinvented pop music, Nile Rodgers invented himself. From jamming with Jimi Hendrix in a Greenwich Village haze to the decadence of the disco era to witnessing the birth of Madonna on the Danceteria dance floor, Le Freak traces one of the greatest musical journeys of our time. Praise for Le Freak “[An] amazing memoir . . . steeped in the incestuous energy of the times: Punk, funk and art rock mixed it up in the downtown clubs, where musicians partied together and shared ideas. . . . Le Freak has plenty of sex and drugs. But it’s the music that makes it essential. . . . Rodgers gave those dreams a beat—and helped invent pop as we know it today.”—Rob Sheffield, Rolling Stone “This book is an absolute knockout: exhilarating, warm, and courageous, deeply moving and deeply funny. Le Freak is as much about the greatness of life as it is about Nile Rodgers’s extraordinary musical journey. As Rodgers well knows, the best music is the stuff we feel, the stuff that speaks to us and won’t let go. Le Freak does all that and much more. This is truly one of the best books ever written about art, music, life, and the way we grow to be exactly who we are. Actually, one of the best books period.”—Cameron Crowe “A coming-of-age tale every bit as impressive as the musical insights and star-time chronicles that follow.”—The New York Times Book Review “Consistently entertaining . . . His legacy as a funk-rock visionary is assured, and his autobiography serves as further proof that disco does not suck.”—San Francisco Chronicle “An unforgettable, gripping book.”—The Sunday Times (UK) “Name a star and you can bet they’re in this book, playing or partying with Rodgers. But far from being a succession of name-dropping anecdotes, this autobiography is a wonderfully funny, moving and wise reflection upon the important things in life: the people you love and the things you create.”—The Sunday Telegraph (UK) “Rodgers’s page-turning memoir is packed with emotionally charged vignettes of a tumultuous childhood and equally dramatic adulthood that found him awash in cash, cars, and celebrities. . . . His storytelling skills propel the reader through the book, making the ending all the more jarring. Remarkable for its candor, this rags-to-riches story is on the year’s shortlist of celebrity memoirs.”—Publishers Weekly (starred review)
Author: Peter Shapiro Publisher: Macmillan + ORM ISBN: 1466894121 Category : Music Languages : en Pages : 502
Book Description
A long-overdue paean to the predominant musical form of the 70s and a thoughtful exploration of the culture that spawned it Disco may be the most universally derided musical form to come about in the past forty years. Yet, like its pop cultural peers punk and hip hop, it was born of a period of profound social and economic upheaval. In Turn the Beat Around, critic and journalist Peter Shapiro traces the history of disco music and culture. From the outset, disco was essentially a shotgun marriage between a newly out and proud gay sexuality and the first generation of post-civil rights African Americans, all to the serenade of the recently developed synthesizer. Shapiro maps out these converging influences, as well as disco's cultural antecedents in Europe, looks at the history of DJing, explores the mainstream disco craze at it's apex, and details the long shadow cast by disco's performers and devotees on today's musical landscape. One part cultural study, one part urban history, and one part glitter-pop confection, Turn the Beat Around is the most comprehensive study of the Me Generation to date.
Author: Steven Blush
Author: Steven Blush
Author: Steven Blush
Author: James Arena
Author: Steven Blush
Author: Noel Hankin
Author: Steven Blush
Author: David F. Ross
Author: Louis Niebur
Author: Nile Rodgers
Author: Peter Shapiro