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Author: Adam Głaz Publisher: Cambridge Scholars Publishing ISBN: 1443838136 Category : Language Arts & Disciplines Languages : en Pages : 295
Book Description
Numerous linguists of various orientations, translators and literary scholars share an interest in text. As students of language with very diverse interests and aims, they ask themselves, if only subconsciously, the following questions: What kind(s) of texts do we study? Why do we study them? What are we looking for? What do and don’t we find? What do we do with whatever we do find? What does it tell us about language, its speakers or the human mind? Generally, what is (a) text for me as a linguist and/or translator? In the present volume, the questions are brought onto the level of the conscious and addressed by several practitioners in the fields of linguistics and translation – contributions with a literary slant also have a linguistic orientation. Although ultimate answers to these questions may not exist, the ambition of the book is to help the reader appreciate the richness of text and the variety of texts as a treasure-trove for scholars representing multifarious approaches to language.
Author: Adam Głaz Publisher: Cambridge Scholars Publishing ISBN: 1443838136 Category : Language Arts & Disciplines Languages : en Pages : 295
Book Description
Numerous linguists of various orientations, translators and literary scholars share an interest in text. As students of language with very diverse interests and aims, they ask themselves, if only subconsciously, the following questions: What kind(s) of texts do we study? Why do we study them? What are we looking for? What do and don’t we find? What do we do with whatever we do find? What does it tell us about language, its speakers or the human mind? Generally, what is (a) text for me as a linguist and/or translator? In the present volume, the questions are brought onto the level of the conscious and addressed by several practitioners in the fields of linguistics and translation – contributions with a literary slant also have a linguistic orientation. Although ultimate answers to these questions may not exist, the ambition of the book is to help the reader appreciate the richness of text and the variety of texts as a treasure-trove for scholars representing multifarious approaches to language.
Author: Michael Toolan Publisher: Routledge ISBN: 1317224590 Category : Language Arts & Disciplines Languages : en Pages : 284
Book Description
This book takes the following question as its starting point: What are some of the crucial things the reader must do in order to make sense of a literary narrative? The book is a study of the texture of narrative fiction, using stylistics, corpus linguistic principles (especially Hoey’s work on lexical patterning), narratological ideas, and cognitive stylistic work by Werth, Emmott, and others. Michael Toolan explores the textual/grammatical nature of fictional narratives, critically re-examining foundational ideas about the role of lexical patterning in narrative texts, and also engages the cognitive or psychological processes at play in literary reading. The study grows out of the theoretical questions that stylistic analyses of extended fictional texts raise, concerning the nature of narrative comprehension and the reader’s experience in the course of reading narratives, and particularly concerning the role of language in that comprehension and experience. The ideas of situation, repetition and picturing are all central to the book’s argument about how readers process story, and Toolan also considers the ethical and emotional involvement of the reader, developing hypotheses about the text-linguistic characteristics of the most ethically and emotionally involving portions of the stories examined. This book makes an important contribution to the study of narrative text and is in dialogue with recent work in corpus stylistics, cognitive stylistics, and literary text and texture.
Author: Wojciech Malec Publisher: Cambridge Scholars Publishing ISBN: 1443882070 Category : Language Arts & Disciplines Languages : en Pages : 260
Book Description
This is the third volume in the series Within Language, Beyond Theories, which focuses on current linguistic research that surpasses the limits of contemporary theoretical frameworks in order to gain new insights into the structure of the language system and to offer more explanatorily adequate accounts of linguistic phenomena taken from a number of the world’s languages. This book offers a collection of fourteen chapters organized into three parts and serves as a vehicle for the survey of new voices in discourse analysis, pragmatics and corpus-based studies. Part I addresses a panorama of topics related to different discourse types, such as talk show discourse, multimodal discourse, and everyday spoken discourse, as well as written academic discourse. Part II covers a range of highly controversial issues in pragmatics, including the status of ad-hoc concepts, linguistically encoded meaning, explicit content, and the lexicographic treatment of modality. Part III encompasses chapters which offer an overview of some of the recent phenomena covered in the area of corpus-based research, including the semantic functions of the temporal meanings of selected prepositions; the diffusion of gerundive complements; the institutionalization and de-institutionalization of neologisms; contextual factors in the placement of the adverb “well”; the behaviour of the verb “bake” in copular constructions; the syntactic flexibility of English idioms and their thematic composition; tendencies in the formation of nouns in tabloids; and the application of cluster analysis to the categorization of linguistic data. Drawing on recent advances in discourse analysis, pragmatics and corpus-based studies, the majority of the issues discussed here are approached and investigated from a dual perspective. While on the theoretical side, an array of different theoretical models is surveyed, in the analytical parts, the practical applications of the models examined are tested against data from English (both British and American), Estonian and Polish. The wide range of theoretical and empirical issues discussed in this book will help to provoke further academic discussion on the study of language in the areas of discourse analysis, pragmatics, and corpus-based research.
Author: Konrad Żyśko Publisher: Cambridge Scholars Publishing ISBN: 1443860964 Category : Language Arts & Disciplines Languages : en Pages : 177
Book Description
Even though the ability to create witty puns seems to be an inherent skill of humankind, an apt explanation of their linguistic nature has evaded many academic descriptions. This monograph offers a novel conceptual perspective on the creation of meaning observable beneath the surface of wordplay. The rationale for such an approach lies in the fact that language, and hence wordplay, is a cognitive phenomenon which involves some underlying complex mental processes, such as thinking in terms of image schemas, conceptual metaphor and metonymy, or blending, to mention just a few. The book provides a survey of relevant linguistic research, introduces the main tenets of cognitive linguistics, and offers an analysis of wordplay in the light of available cognitive literature. The final outcome of this work is an array of intricate mechanisms that govern creation and comprehension of wordplay. The book will be of interest to anybody who finds wordplay research appealing, no matter their level of expertise in the field.
Author: Angelika Zirker Publisher: John Benjamins Publishing Company ISBN: 9027265186 Category : Language Arts & Disciplines Languages : en Pages : 367
Book Description
This volume addresses five different Dimensions of Iconicity. While some contributions examine the phonic dimensions of iconicity that are based on empirical, diachronic and theoretical work, others explore the function of similarity from a cognitive point of view. The section on multimodal dimensions takes into account philosophical, linguistic and literary perspectives in order to analyse, for example, the diagrammatic interplay of written texts and images. Contributions on performative dimensions of iconicity focus on Buddhist mantras, Hollywood films, and the dynamics of rhetorical structures in Shakespeare. Last but not least, the volume also addresses new ways of considering iconicity, including notational iconicity, the interplay of iconicity, ambiguity, interpretability, and the iconicity of literary analysis from a formal semanticist point of view.
Author: Emily Klein Publisher: Routledge ISBN: 1135087733 Category : Drama Languages : en Pages : 177
Book Description
American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex and Spiderwoman Theater’s openly political Lysistrata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholarship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysistrata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Drama at Saint Mary's College of California. Her work has appeared in Women and Performance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).
Author: Barbara Cassin Publisher: Princeton University Press ISBN: 1400849918 Category : Language Arts & Disciplines Languages : en Pages : 1339
Book Description
Characters in some languages, particularly Hebrew and Arabic, may not display properly due to device limitations. Transliterations of terms appear before the representations in foreign characters. This is an encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy—or any—translation from one language and culture to another. Drawn from more than a dozen languages, terms such as Dasein (German), pravda (Russian), saudade (Portuguese), and stato (Italian) are thoroughly examined in all their cross-linguistic and cross-cultural complexities. Spanning the classical, medieval, early modern, modern, and contemporary periods, these are terms that influence thinking across the humanities. The entries, written by more than 150 distinguished scholars, describe the origins and meanings of each term, the history and context of its usage, its translations into other languages, and its use in notable texts. The dictionary also includes essays on the special characteristics of particular languages--English, French, German, Greek, Italian, Portuguese, Russian, and Spanish. Originally published in French, this one-of-a-kind reference work is now available in English for the first time, with new contributions from Judith Butler, Daniel Heller-Roazen, Ben Kafka, Kevin McLaughlin, Kenneth Reinhard, Stella Sandford, Gayatri Chakravorty Spivak, Jane Tylus, Anthony Vidler, Susan Wolfson, Robert J. C. Young, and many more.The result is an invaluable reference for students, scholars, and general readers interested in the multilingual lives of some of our most influential words and ideas. Covers close to 400 important philosophical, literary, and political terms that defy easy translation between languages and cultures Includes terms from more than a dozen languages Entries written by more than 150 distinguished thinkers Available in English for the first time, with new contributions by Judith Butler, Daniel Heller-Roazen, Ben Kafka, Kevin McLaughlin, Kenneth Reinhard, Stella Sandford, Gayatri Chakravorty Spivak, Jane Tylus, Anthony Vidler, Susan Wolfson, Robert J. C. Young, and many more Contains extensive cross-references and bibliographies An invaluable resource for students and scholars across the humanities
Author: Kenneth Goldsmith Publisher: Columbia University Press ISBN: 0231504543 Category : Literary Criticism Languages : en Pages : 272
Book Description
Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist. In addition to explaining his concept of uncreative writing, which is also the name of his popular course at the University of Pennsylvania, Goldsmith reads the work of writers who have taken up this challenge. Examining a wide range of texts and techniques, including the use of Google searches to create poetry, the appropriation of courtroom testimony, and the possibility of robo-poetics, Goldsmith joins this recent work to practices that date back to the early twentieth century. Writers and artists such as Walter Benjamin, Gertrude Stein, James Joyce, and Andy Warhol embodied an ethos in which the construction or conception of a text was just as important as the resultant text itself. By extending this tradition into the digital realm, uncreative writing offers new ways of thinking about identity and the making of meaning.
Author: David B. Capes Publisher: InterVarsity Press ISBN: 0830889027 Category : Religion Languages : en Pages : 478
Book Description
For some of us, the apostle Paul is intimidating, prickly, and unpredictable. But maybe it's time to get to know Paul on his own terms. Drawing on the best of contemporary scholarship, and with language shaped by conversations with today's students, this expanded edition of Rediscovering Paul gives fresh consideration to Paul’s conversion, call, and his ongoing impact on church and culture.
Author: Adam Głaz
Author: Adam Głaz
Author: Michael Toolan
Author: Wojciech Malec
Author: Konrad Żyśko
Author: Angelika Zirker
Author: Roberto Franzosi
Author: Emily Klein
Author: Barbara Cassin
Author: Kenneth Goldsmith
Author: David B. Capes