Westerns, 1983-1990 PDF Download

Author: Library of Congress. National Library Service for the Blind and Physically Handicapped
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 60

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Author: United States. National Commission on Libraries and Information Science
Publisher: Washington, DC (1110 Vermont Ave., NW, Suite 820, Washington, 20005-3552) : NCLIS
ISBN:
Category : Government publications
Languages : en
Pages : 340

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Author: James Monaco
Publisher: Perigee Trade
ISBN:
Category : Performing Arts
Languages : en
Pages : 616

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Book Description
An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Lee Clark Mitchell
Publisher: University of Chicago Press
ISBN: 9780226532356
Category : Literary Criticism
Languages : en
Pages : 358

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Book Description
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films such as STAGECOACH to spaghetti Westerns like A FISTFUL OF DOLLARS, culture scholar Lee Clark Mitchell shows how Westerns as a genre helped assuage a series of crises in American culture by responding to fears and obsessions of its audience--particularly what it means to be a "man". 30 photos. 5 line drawings.

Author: Andrew Patrick Nelson
Publisher: Scarecrow Press
ISBN: 081089257X
Category : Performing Arts
Languages : en
Pages : 202

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Book Description
Though one of the most popular genres for decades, the western started to lose its relevance in the 1960s and 1970s, and by the early 1980s it had ridden into the sunset on screens both big and small. The genre has enjoyed a resurgence, however, and in the past few decades some remarkable westerns have appeared on television and in movie theaters. From independent films to critically acclaimed Hollywood productions and television series, the western remains an important part of American popular culture. Running the gamut from traditional to revisionist, with settings ranging from the old West to the “new Wests” of the present day and distant future, contemporary westerns continue to explore the history, geography, myths, and legends of the American frontier. In Contemporary Westerns: Film and Television since 1990, Andrew P. Nelson has collected essays that examine the trends and transformations in this underexplored period in Western film and television history. Addressing the new Western, they argue for the continued relevance and vibrancy of the genre as a narrative form. The book is organized into two sections: “Old West, New Stories” examines Westerns with common frontier locales, such as Dances with Wolves, Unforgiven, Deadwood, and True Grit. “New Wests, Old Stories” explores works in which familiar Western narratives, characters, and values are represented in more modern—and in one case futuristic—settings. Included are the films No Country for Old Men and There Will Be Blood, as well as the shows Firefly and Justified. With a foreword by Edward Buscombe, as well as an introduction that provides a comprehensive overview, this volume offers readers a compelling argument for the healthy survival of the Western. Written for scholars as well as educated viewers, Contemporary Westerns explores the genre’s evolving relationship with American culture, history, and politics.

Author: Barry Leonard
Publisher: DIANE Publishing
ISBN: 0788174371
Category :
Languages : en
Pages : 105

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Author: Terry Rowan
Publisher: Lulu.com
ISBN: 1365853640
Category : Performing Arts
Languages : en
Pages : 325

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Book Description
The Hollywood Comedy is a genre of film in which the main emphasis is on humor. The book follows the careers of Comedy teams, such as Martin & Lewis, the Marx Brothers, Abbott & Costello, Laurel & Hardy and many more comedy groups. Also we follow the comedy Kings & Queens like Lucille Ball, Marthe Raye, David Spade, Richard Pryor, Bill Murray, Soupy Sales, Grouch Marx, Mo & Curly Howard, Terry-Thomas, Buddy Hackett, Billy Crystal, Patsy Kelly, Larry Fine, Don Knotts, Ernie Kovaks, Ted Knight, Dave Thomas, Rich Little, Robin Williams, Red Skeleton, Jim Varney, Ma & Pa Kettle, Andy Hardy Phil Silvers, Milton Berle, Ed Wynn and Alan Young and so many more comedians. A look at the style of comedy and so much more...

Author: Tim Bergfelder
Publisher: Berghahn Books
ISBN: 9781571815385
Category : History
Languages : en
Pages : 294

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Book Description
A comprehensive account of the popular German film industry of the 1960s, its main protagonists, and its production strategies. The book challenges traditional assumptions about this mode of film-making.

Author: James McKay
Publisher: McFarland
ISBN: 0786456760
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
Dana Andrews, arguably the finest minimalist actor of his generation, as one critic commented, could convey more with one look than many actors could with a soliloquy. In a film career spanning nearly five decades, Andrews appeared in some of Hollywood's most prestigious productions, including The Ox-Bow Incident (1943) and The Best Years of Our Lives (1946). His unique screen presence was shown at its best in such film noir classics as Laura (1944) and Where the Sidewalk Ends (1950). Beginning with an absorbing biographical chapter, this critical survey of Dana Andrews' screen career features a complete filmography with synopses, reviews, behind-the-scenes anecdotes and insightful comments from Andrews and his coworkers. A chronological list of television, radio and theater credits is included.

Author: David Alan Black
Publisher: University of Illinois Press
ISBN: 9780252067655
Category : Law
Languages : en
Pages : 212

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Book Description
The courtroom, like the movie theater, is an arena for the telling and interpreting of stories. Investigators piece them together, witnesses tell them, advocates retell them, and judges and juries assess their plausibility. These narratives reconstitute absent events through words, and their filming constitutes a double narrative: one important cultural practice rendered in the terms of another. Drawing on both film studies and legal scholarship, David A. Black explores the implications of representing court procedure, as well as other phases of legal process, in film. His study ranges from an inquiry into the common metaphorical ground between film and law, explored through "the detective" and "the witness," to a critical survey of legal writings about the cinema, to close analyses of key films about law. In examining multiple aspects of law in film, Black sustains a focus on the central importance of narrative while also unearthing the influences--pleasure in film, power in law--that lie beyond the narrative realm. Black's penetrating study treats questions of narrative authority and structure, social authority, and cultural history, revealing the underlying historical, cultural, and cognitive connections between legal and cinematic practices.