Western North Carolina Musical Legacies: Hidden In The Melodies Of Life PDF Download

Author: Patricia McAfee
Publisher: Christian Faith Publishing, Inc.
ISBN: 168197715X
Category : Religion
Languages : en
Pages : 123

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Book Description
For many readers, this book series will introduce people in the Western North Carolina community and tell of their musical experiences, struggles, triumphs, tragedies, hopes, and dreams. For some, it will awaken memories of faces and gathering places where music took center stage from basement blue lights to strobe lights to foot-stomping praises in church. Musical gifts were passed from generation to generation. For others, this journey will connect streetlight dreams with the stage of Carnegie Hall, the Apollo Theater, and the Grand Ole Opry. A few groups and several individuals were fortunate to obtain national recognition. Many performed beyond the borders of the State of North Carolina. Some gave a lifetime of musical service and died before any documented recognition, and others remain dedicated silent partners whose voices and musical gifts continue to ring out, yet are hidden in the melodies of life.

Author:
Publisher:
ISBN:
Category : North Carolina
Languages : en
Pages : 528

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Author: Baktash Vafaei
Publisher: StateGuides
ISBN:
Category : Travel
Languages : en
Pages : 40

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Book Description
Welcome to an exciting journey through the diverse mysteries and historical treasures of North Carolina, the Tar Heel State. This state in the southeastern United States enchants with a rich culture, impressive natural beauty and stories that lie hidden. In this book, we invite you to uncover North Carolina's secrets and discover the hidden gems and historic places that make this state so unique. From the scenic Outer Banks to the historic towns and majestic Blue Ridge Mountains, North Carolina offers an impressive variety of experiences. Join us on a journey through the history, arts, nature, and culture of North Carolina. We will explore the stories of the pirates, the importance of the civil rights movement, the culinary diversity, and the rich music scene. North Carolina is not only a place of the past, but also a place of the future. In this book, we take a look at the challenges and opportunities facing the Tar Heel State as it preserves and develops its rich heritage. North Carolina is a state of surprises, and we can't wait to take you on this journey. Immerse yourself in the beauty and allure of North Carolina and be enchanted by its uniqueness as we explore the secrets and historical treasures of this impressive state.

Author: Timothy White
Publisher: Omnibus Press
ISBN: 0857120069
Category : Music
Languages : en
Pages : 304

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Book Description
From The Beatles' patronage of his 1968 debut album to his Grammy awards for Hourglass, James Taylor has remained a universally acclaimed songwriter of effortless eloquence and power. In this major biography, the late Timothy White explores the myths and reality behind the personal journey of legendary singer. White examines the roots of Taylor's anguish, and his recurring problems with heroin and alcohol. There is an epic family history, an exploration of the stories behind Fire And Rain, and a frank account of the artist's time spent at Apple Records and Warner Brothers. With contributions from Paul McCartney, Carly Simon, Sting, the Taylor family and many other key figures, this edition is destined to become the definitive biography of the troubled hero. There is also an epilogue concerning the memorial concerts arranged by Taylor for the late author White, as well as an extensive discography and bibliography.

Author: Diane Pecknold
Publisher: Duke University Press
ISBN: 0822394979
Category : Music
Languages : en
Pages : 391

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Book Description
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever

Author: Diane Pecknold
Publisher: Duke University Press
ISBN: 0822351633
Category : Music
Languages : en
Pages : 391

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Book Description
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever

Author: Steve Kaufman
Publisher: Mel Bay Publications
ISBN: 1609741943
Category : Music
Languages : en
Pages : 153

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Book Description
The first authorized compilation of Doc Watson's life and music is meant to serve not only as a biography, but also as a unique instructional book. A running dialogue with Doc reveals the story behind each tune, while Steve Kaufman provides additional performance tips. Here's your opportunity to learn from the best! the obvious rapport between the author and his subject produced a formula that fittingly captures the 50-year legacy of a remarkable musician. Written in notation and tablature for the intermediate level flatpicking guitarist with a few nods to fingerstyle technique. Includes an insightful illustrated essay by Dan Miller of Flatpicking Guitar Magazine.

Author: Charles L. Hughes
Publisher: UNC Press Books
ISBN: 1469622440
Category : Music
Languages : en
Pages : 277

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Book Description
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.

Author: R. A. Lawson
Publisher: LSU Press
ISBN: 080713810X
Category : History
Languages : en
Pages : 300

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Book Description
In the late nineteenth century, black musicians in the lower Mississippi Valley, chafing under the social, legal, and economic restrictions of Jim Crow, responded with a new musical form -- the blues. In Jim Crow's Counterculture, R. A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African American struggle during the early twentieth century. Derived from the music of the black working class and popularized by commercially successful songwriter W. C. Handy, early blues provided a counterpoint to white supremacy by focusing on an anti-work ethic that promoted a culture of individual escapism -- even hedonism -- and by celebrating the very culture of sex, drugs, and violence that whites feared. According to Lawson, blues musicians such as Charley Patton and Muddy Waters drew on traditions of southern black music, including call and response forms, but they didn't merely sing of a folk past. Instead, musicians saw blues as a way out of economic subservience. Lawson chronicles the major historical developments that changed the Jim Crow South and thus the attitudes of the working-class blacks who labored in that society. The Great Migration, the Great Depression and New Deal, and two World Wars, he explains, shaped a new consciousness among southern blacks as they moved north, fought overseas, and gained better-paid employment. The "me"-centered mentality of the early blues musicians increasingly became "we"-centered as these musicians sought to enter mainstream American life by promoting hard work and patriotism. Originally drawing the attention of only a few folklorists and music promoters, popular black musicians in the 1940s such as Huddie Ledbetter and Big Bill Broonzy played music that increasingly reached across racial lines, and in the process gained what segregationists had attempted to deny them: the identity of American citizenship. By uncovering the stories of artists who expressed much in their music but left little record in traditional historical sources, Jim Crow's Counterculture offers a fresh perspective on the historical experiences of black Americans and provides a new understanding of the blues: a shared music that offered a message of personal freedom to repressed citizens.

Author: Jamila Rodrigues
Publisher: Taylor & Francis
ISBN: 1000833410
Category : Religion
Languages : en
Pages : 145

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Book Description
This book is an ethnographic case study of Sufi ritual practice and embodied experience amongst female members of the Naqshbandi community. Drawing on fieldwork in Cape Town, South Africa, and Lefke, Cyprus (2013/2014), the author examines women’s experiences within a particular performance of Sufi tradition. The focus is on the ritual named hadra, involving the recital of sacred texts, music, and body movement, where the goal is for the individual to reach a state of intimacy with God. The volume considers Sufi practice as a form of embodied cultural behavior, religious identity, and selfhood construction. It explains how Muslim women’s participation in hadra ritual life reflects religious and cultural ideas about the body, the body’s movement, and embodied selfhood expression within the ritual experience. Sufi Women, Ritual Embodiment and the ‘Self’ engages with studies in Sufism, symbolic anthropology, ethnography, dance, and somatic studies. Contributing to discussions of religion, gender, and the body, the book will be of interest to scholars from anthropology, sociology, religious ritual studies, Sufism and gender studies, and performance studies.