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Author: Katherine Ann Roberts Publisher: McGill-Queen's Press - MQUP ISBN: 0773554408 Category : Literary Criticism Languages : en Pages : 320
Book Description
The North American entertainment industry is rapidly consolidating, and new modes of technological delivery challenge Canadian content regulations. An understanding of how Canadian culture negotiates its rapport with American genres has never been more timely. West/Border/Road offers an interdisciplinary analysis of contemporary Canadian manifestations of three American genres: the western, the border, and the road. It situates close readings of literary, film, and television narratives from both English Canada and Quebec within a larger context of Canadian generic borrowing and innovation. Katherine Ann Roberts calls upon canonical works in Canadian studies, theories of genre, and a wide range of scholarship from border studies, cultural studies, and film studies to examine how genre is appropriated and sometimes reworked and how these cultural narratives engage with discourses of contemporary Canadian nationhood. The author elucidates Guy Vanderhaeghe’s rewriting of the codes of the historical western to include the trauma of Aboriginal peoples, Aritha van Herk’s playful spoof on American western iconography, the politics and perils of the representation of the Canada-US border in CBC-produced crime television, and how the road genre inspires and constrains the Québécois and Canadian road movie. A reminder of the power and limitations of American genres, West/Border/Road provides a nuanced perspective on Canadian engagement with cultural forms that may be imported but never foreign.
Author: Katherine Ann Roberts Publisher: McGill-Queen's Press - MQUP ISBN: 0773554408 Category : Literary Criticism Languages : en Pages : 320
Book Description
The North American entertainment industry is rapidly consolidating, and new modes of technological delivery challenge Canadian content regulations. An understanding of how Canadian culture negotiates its rapport with American genres has never been more timely. West/Border/Road offers an interdisciplinary analysis of contemporary Canadian manifestations of three American genres: the western, the border, and the road. It situates close readings of literary, film, and television narratives from both English Canada and Quebec within a larger context of Canadian generic borrowing and innovation. Katherine Ann Roberts calls upon canonical works in Canadian studies, theories of genre, and a wide range of scholarship from border studies, cultural studies, and film studies to examine how genre is appropriated and sometimes reworked and how these cultural narratives engage with discourses of contemporary Canadian nationhood. The author elucidates Guy Vanderhaeghe’s rewriting of the codes of the historical western to include the trauma of Aboriginal peoples, Aritha van Herk’s playful spoof on American western iconography, the politics and perils of the representation of the Canada-US border in CBC-produced crime television, and how the road genre inspires and constrains the Québécois and Canadian road movie. A reminder of the power and limitations of American genres, West/Border/Road provides a nuanced perspective on Canadian engagement with cultural forms that may be imported but never foreign.
Author: Jay Monaghan Publisher: U of Nebraska Press ISBN: 9780803236059 Category : History Languages : en Pages : 468
Book Description
The first phase of the Civil War was fought west of the Mississippi River at least six years before the attack on Fort Sumter. Starting with the passage of the Kansas-Nebraska Act in 1854, Jay Monaghan traces the development of the conflict between the pro-slavery elements from Missouri and the New England abolitionists who migrated to Kansas. "Bleeding Kansas" provided a preview of the greater national struggle to come. The author allows a new look at Quantrill's sacking of Lawrence, organized bushwhackery, and border battles that cost thousands of lives. Not the least valuable are chapters on the American Indians’ part in the conflict. The record becomes devastatingly clear: the fighting in the West was the cruelest and most useless of the whole affair, and if men of vision had been in Washington in the 1850s it might have been avoided.
Author: Brian Rose Publisher: Princeton Architectural Press ISBN: 1568984936 Category : Architecture Languages : en Pages : 144
Book Description
Every man is a Berliner, forced to look upon a scar....Behind me stands a wall that encircles the free sectors of this city, part of a vast system of barriers that divides the entire continent of Europe. From the Baltic, south, those barriers cut across Germany in a gash of barbed wire, concrete, dog runs, and guard towers. Farther south, there may be no visible, no obvious wall. But there remain armed guards and checkpoints all the same -- still a restriction on the right to travel, still an instrument to impose upon ordinary men and women the will of a totalitarian state. Ronald Reagan delivered these words as part of his famous "Mr. Gorbachev, tear down this wall!" speech of June 1987. Two years later, that wall did in fact come down. The Lost Border is the astonishing and powerful visual record of that transformation, published on the fifteenth anniversary of the wall's collapse. Acclaimed photographer Brian Rose began shooting the borderlands between East and West -- from the Baltic Sea down to the Adriatic -- in the early 1980s, while the Cold War was still hot, and has been taking pictures of this eerie terrain ever since. The Lost Border documents the gradual disintegration of the Berlin Wall and the busy reclamation of what was -- and sometimes still remains -- a scarred and brutalized landscape.
Author: Katherine Ann Roberts
Author: Katherine Ann Roberts
Author: Boston (Mass.). Public Works Dept
Author: Massachusetts. General Court. House of Representatives
Author: Martin Kelso
Author: Boston (Mass.). Public Works Department
Author: Jay Monaghan
Author: Brian Rose
Author: 
Author: 
Author: Minnesota. State Drainage Commission