Author: Cordelia Caroline NeversPublisher:
ISBN:
Category : Students' songs
Languages : en
Pages : 110
Book Description
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : American drama
Languages : en
Pages : 1324
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : American literature
Languages : en
Pages : 930
Book Description
Catalog of Copyright Entries
Author: Dictionary Catalog of the Harris Collection of American Poetry and Plays, Brown University Library, Providence, Rhode Island
Author: Brown University. LibraryPublisher:
ISBN:
Category : American drama
Languages : en
Pages : 754
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Wellesley, Part of the American Story
Author: Alice Payne HackettThe Oxford Handbook of W.B. Yeats
Author: Lauren ArringtonPublisher: Oxford University Press
ISBN: 0192571729
Category : Literary Criticism
Languages : en
Pages : 843
Book Description
The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.
When Colleges Sang
Author: J. Lloyd WinsteadPublisher: University of Alabama Press
ISBN: 0817317902
Category : History
Languages : en
Pages : 353
Book Description
When Colleges Sang is an illustrated history of the rich culture of college singing from the earliest days of the American republic to the present. Before fraternity songs, alma maters, and the rahs of college fight songs became commonplace, students sang. Students in the earliest American colleges created their own literary melodies that they shared with their classmates. As J. Lloyd Winstead documents in When Colleges Sang, college singing expanded in conjunction with the growth of the nation and the American higher education system. While it was often simply an entertaining pastime, singing had other subtle and not-so-subtle effects. Singing indoctrinated students into the life of formal and informal student organizations as well as encouraged them to conform to college rituals and celebrations. University faculty used songs to reinforce the religious practices and ceremonial observances that their universities supported. Students used singing for more social purposes: students sang to praise their peer’s achievements (and underachievements), mock the faculty, and provide humor. In extreme circumstances, they sang to intimidate classmates and faculty, and to defy college authorities. Singing was, and is, an intrinsic part of campus culture. When Colleges Sang explores the dynamics that inspired collegiate singing and the development of singing traditions from the earliest days of the American college. Winstead explores this tradition’s tenuous beginnings in the Puritan era and follows its progress into the present. Using historical documents provided by various universities, When Colleges Sang follows the unique applications and influences of song that persisted in various forms. This original and significant contribution to the literature of higher education sheds light on how college singing traditions have evolved through the generations and have continued to remain culturally relevant even today.
The American Music Research Center Journal
Author: Rising Son
Author: Hank ReinekePublisher: University of Oklahoma Press
ISBN: 0806193581
Category : Biography & Autobiography
Languages : en
Pages : 497
Book Description
One of America’s most beloved folk singers, Arlo Guthrie was at the pinnacle of his fame in the late 1960s and early 1970s with his best-selling album Alice’s Restaurant and his iconic appearance at Woodstock. Yet Guthrie’s career as a musician, humorist, and storyteller extends far beyond his years in the celebrity spotlight. Rising Son: The Life and Music of Arlo Guthrie, written by award-winning author Hank Reineke, recounts the veteran musician’s second act, from the early 1980s to the present. Featuring extensive reflections and commentary from Guthrie himself, this book is the only authorized biography of the renowned folk singer. As a modern-day troubadour drawn to experimentation, Arlo Guthrie has also carried forward the traditions inherited from his legendary father, Woody Guthrie. Rising Son examines Arlo’s role in preserving Woody’s legacy of social protest and examines his collaborations with his father’s friend Pete Seeger. The book also highlights the contributions of Guthrie’s mother, Marjorie Mazia Guthrie, a dancer with the Martha Graham Company and the Guthrie family’s first archivist. Drawing on substantial research, the author traces Guthrie’s efforts to free himself from corporate oversight of his music and art. In 1983, Guthrie created his own label, Rising Son Records, to reissue titles from his back catalog and create new music. Guthrie speaks frankly about record company blues and music industry tangles, offering lively accounts of the people he met and the places he performed. The narrative takes several detours, with Guthrie sharing memories written in the spirt of his signature shaggy-dog storytelling style. Rising Son also illuminates the spiritual journey of a restless pilgrim: a man devoted to exploring and synthesizing the most benevolent principles of charity and kindness as practiced by different religious traditions. “What I’ve tried to do,” Guthrie has reflected, “is to use live music to change people’s lives.” This definitive biography invites new appreciation for Arlo Guthrie’s remarkable career as a musician, storyteller, and humanitarian activist.