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Author: Sylvia Nimmo Publisher: ISBN: Category : Southern States Languages : en Pages : 280
Book Description
Sylvia Lee Weaver was born December 15, 1937. Her parents were Peyton Colquitt Weaver (1909-1964) and Emma Stella Russell (1912- ). Her grandparents were Robert Toombs Weaver (1860-1937) and Elizabeth Luther McKnight (1862-1915). Traces her paternal lines and collater- al lines. Ancestors and relatives lived in Georgia, New York, Texas, North Carolina, Alabama, Connecticut, Pennsylvania, Tennessee and elsewhere.
Author: Sylvia Nimmo Publisher: ISBN: Category : Southern States Languages : en Pages : 280
Book Description
Sylvia Lee Weaver was born December 15, 1937. Her parents were Peyton Colquitt Weaver (1909-1964) and Emma Stella Russell (1912- ). Her grandparents were Robert Toombs Weaver (1860-1937) and Elizabeth Luther McKnight (1862-1915). Traces her paternal lines and collater- al lines. Ancestors and relatives lived in Georgia, New York, Texas, North Carolina, Alabama, Connecticut, Pennsylvania, Tennessee and elsewhere.
Author: Shyon Baumann Publisher: Princeton University Press ISBN: 0691187282 Category : Performing Arts Languages : en Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Thomas McLeish Beveridge Publisher: Regina : T.M. Beveridge ISBN: Category : Canada Languages : en Pages : 226
Book Description
Thomas Beveridge was born 28 March 1826 in Scotland. He was the son of T. Beveridge and Isabel Greig. Thomas immigrated to America sometime soon after the year 1851 and settled in Delaware Township, Middlesex County, Canada. He married Margaret Kennedy McLeish (born 1 January 1838 in Port Glasgow, Scotland) 12 December 1861. She was the daughter of D. McLeish and A. Lamont. Thomas and Margaret lived in Canada and were the parents of eight children. Descendants lived in Manitoba, Ontario, British Columbia, Saskatchewan, Michigan, California and elsewhere.
Author: Sylvia Nimmo
Author: Sylvia Nimmo
Author: Thomas McIntyre Cooley
Author: Clement Anselm Evans
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Author: Elma Fraser Perry
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Author: James Arnott
Author: Shyon Baumann
Author: Thomas McLeish Beveridge