Author: Amy Lidster Publisher: Cambridge University Press ISBN: 1009356070 Category : Literary Criticism Languages : en Pages : 325
Book Description
This is the first sustained study of how Shakespeare has been mobilized during conflicts spanning the eighteenth to the twenty-first century. It draws on interdisciplinary research to develop an innovative critical methodology that reveals the creativity and diversity of wartime theatre production and its variable impacts.
Author: Irena Makaryk Publisher: University of Toronto Press ISBN: 1442698381 Category : Drama Languages : en Pages : 353
Book Description
Shakespeare’s works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society’s self-image. In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this ‘universal’ author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 1939–1945 are both illuminated by and continue to illuminate the War today.
Author: R. King Publisher: Springer ISBN: 0230228275 Category : Literary Criticism Languages : en Pages : 255
Book Description
A lively collection of essays from scholars from across Europe, North America and Australia. The book ranges from Shakespeare's use of manuals on war written for the sixteenth-century English public by an English mercenary, to reflections on the ways in which Shakespeare has been represented in Nazi Germany, wartime Denmark, or cold war Romania.
Author: Andrew Maunder Publisher: Springer ISBN: 1137402008 Category : Performing Arts Languages : en Pages : 303
Book Description
British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.
Author: Irene Rima Makaryk Publisher: University of Toronto Press ISBN: 1442644028 Category : Drama Languages : en Pages : 353
Book Description
Shakespeare's works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society's self-image. In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this 'universal' author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 19391945 are both illuminated by and continue to illuminate the War today.
Author: Amy Lidster Publisher: Cambridge University Press ISBN: 1009050796 Category : Literary Criticism Languages : en Pages : 317
Book Description
Presenting engaging, thought-provoking stories across centuries of military activity, this book demonstrates just how extensively Shakespeare's cultural capital has been deployed at times of national conflict. Drawing upon scholarly expertise in Shakespeare and War Studies, first-hand experience from public military figures and insights from world-renowned theatre directors, this is the first material history of how Shakespeare has been used in wartime. Addressing home fronts and battle fronts, the collection's broad chronological coverage encompasses the Seven Years' War, the American War of Independence, the Napoleonic Wars, the Russian War, the First and Second World Wars, and the Iraq War. Each chapter reveals an archival object that tells us something about who 'recruited' Shakespeare, what they did with him, and to what effect. Richly illustrated throughout, the collection uniquely uncovers the agendas that Shakespeare has been enlisted to support (and critique) at times of great national crisis and loss.
Author: Nicholas de Somogyi Publisher: Routledge ISBN: 1351900706 Category : Literary Criticism Languages : en Pages : 474
Book Description
The period between 1585 (when Elizabeth formally committed her military support to the Dutch wars against Spain) and 1604 (when James at last brought it to an end) was one in which English life was preoccupied by the menace and actuality of war. The same period spans English drama’s coming of age, from Tamburlaine to Hamlet. In this thought-provoking book, Nick de Somogyi draws on a wide range of contemporary military literature (news-letters and war-treatises, maps and manuals), to demonstrate how deeply wartime experience influenced the production and reception of Elizabethan theatre. In a series of vivid parallels, the roles of soldier and actor, the setting of battlefield and stage, and the context of playhouse and muster are shown to have been rooted in the common experience of war. The local armoury served as a props department; the stage as a military lecture-hall. News from the front line has always been shrouded in the fog of war. Shakespeare’s Rumour is here seen as kindred to such equally dubious messengers as his Armado, Falstaff or Pistol; soldiers have always told tall tales, military ghost-stories that are here shown to have seeped into such narratives as The Spanish Tragedy and Henry V. This book concludes with a sustained account of Hamlet, a play which both dramatises the Elizabethan context of war-fever, and embodies in its three variant texts the war and peace that shaped its production. By affording scrutiny to each of its title’s components, Shakespeare’s Theatre of War provides a compelling argument for reassessing the drama of Shakespeare and his contemporaries within the enduring context of the military culture and wartime experience of his age.
Author: Amy Lidster Publisher: Cambridge University Press ISBN: 9781009044493 Category : Literary Criticism Languages : en Pages : 0
Book Description
During the early modern period, the publication process decisively shaped the history play and its reception. Bringing together the methodologies of genre criticism and book history, this study argues that stationers have - through acts of selection and presentation - constructed some remarkably influential expectations and ideas surrounding genre. Amy Lidster boldly challenges the uncritical use of Shakespeare's Folio as a touchstone for the history play, exposing the harmful ways in which this has solidified its parameters as a genre exclusively interested in the lives of English kings. Reframing the Folio as a single example of participation in genre-making, this book illuminates the exciting and diverse range of historical pasts that were available to readers and audiences in the early modern period. Lidster invites us to reappraise the connection between plays on stage and in print, and to reposition playbooks within the historical culture and geopolitics of the book trade.
Author: Amy Lidster
Author: Amy Lidster
Author: Irena Makaryk
Author: Amy Lidster
Author: R. King
Author: Andrew Maunder
Author: Irene Rima Makaryk
Author: Amy Lidster
Author: Nicholas de Somogyi
Author: Amy Lidster