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Author: Sarah Trott Publisher: Univ. Press of Mississippi ISBN: 1496808673 Category : Literary Criticism Languages : en Pages : 272
Book Description
The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work. Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
Author: Sarah Trott Publisher: Univ. Press of Mississippi ISBN: 1496808673 Category : Literary Criticism Languages : en Pages : 272
Book Description
The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work. Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
Author: Sarah Trott Publisher: Univ. Press of Mississippi ISBN: 1496808657 Category : Literary Criticism Languages : en Pages : 272
Book Description
The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work. Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
Author: Sheri Chinen Biesen Publisher: JHU Press ISBN: 9780801882180 Category : Performing Arts Languages : en Pages : 276
Book Description
Sheri Chinen Biesen challenges conventional thinking on the origins of film noir and finds the genre's roots in the political, social and historical conditions of Hollywood during the Second World War.
Author: James Kestrel Publisher: Titan Books (US, CA) ISBN: 178909612X Category : Fiction Languages : en Pages : 442
Book Description
Winner of the 2022 Edgar Award for Best Novel “War, imprisonment, torture, romance…The novel has an almost operatic symmetry, and Kestrel turns a beautiful phrase.” New York Times Five Decembers is a gripping thriller, a staggering portrait of war, and a heartbreaking love story, as unforgettable as All the Light We Cannot See. nominated for Best Novel in the 2022 EDGAR AWARDS NOMINATED FOR BEST THRILLER IN THE 2022 BARRY AWARDS FINALIST FOR THE HAMMETT PRIZE 2021 "Read this book for its palpitating story, its perfect emotional and physical detailing and, most of all, for its unforgettable conjuring of a steamy quicksilver world that will be new to almost every reader." Pico Iyer December 1941. America teeters on the brink of war, and in Honolulu, Hawaii, police detective Joe McGrady is assigned to investigate a homicide that will change his life forever. Because the trail of murder he uncovers will lead him across the Pacific, far from home and the woman he loves; and though the U.S. doesn't know it yet, a Japanese fleet is already steaming toward Pearl Harbor. This extraordinary novel is so much more than just a gripping crime story—it's a story of survival against all odds, of love and loss and the human cost of war. Spanning the entirety of World War II, FIVE DECEMBERS is a beautiful, masterful, powerful novel that will live in your memory forever.
Author: Alain Silver Publisher: Hal Leonard Corporation ISBN: 9780879103057 Category : Performing Arts Languages : en Pages : 340
Book Description
This text identifies a handful of plot elements that consistently recur within film noir and analyses in depth the memorable pictures that, while being vivid prototypes of certain cinematics themes, bend and break their moulds to find new ways to enthral and frighten us.
Author: Claire Gorrara Publisher: Oxford Studies in Modern European Culture ISBN: 9780199246090 Category : Fiction Languages : en Pages : 160
Book Description
All the novelists studied were published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality." "One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France."--Jacket.
Author: Richard Lingeman Publisher: Nation Books ISBN: 1568584369 Category : History Languages : en Pages : 434
Book Description
Examines the social, political and popular culture of America in the period between VJ Day and the start of the Korean War, discussing the country's anxieties and insecurities at the onset of the Red Scare and the Cold War. 15,000 first printing.
Author: D. Broe Publisher: Springer ISBN: 1137290145 Category : Performing Arts Languages : en Pages : 208
Book Description
Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.
Author: Pettey Homer B. Pettey Publisher: Edinburgh University Press ISBN: 074869109X Category : Performing Arts Languages : en Pages : 322
Book Description
Explores the development of film noir as a cultural and artistic phenomenon. This book traces the development of what we know as film noir from the proto-noir elements of Feuillade's silent French crime series and German Expressionism to the genre's mid-twentieth century popularization and influence on contemporary global media. By employing experimental lighting effects, oblique camera angles, distorted compositions, and shifting points-of-view, film noir's style both creates and comments upon a morally adumbrated world, where the alienating effects of the uncanny, the fetishistic, and the surreal dominate. What drew original audiences to film noir is an immediate recognition of this modern social and psychological reality. Much of the appeal of film noir concerns its commentary on social anxieties, its cynical view of political and capitalist corruption, and its all-too-brutal depictions of American modernity. This book examines the changing, often volatile shifts in representations of masculinity and femininity, as well as the genre's complex relationship with Afro-American culture, observable through noir's musical and sonic experiments. Key featuresTraces the history of film noir from its aesthetic antecedents through its mid-century popularization to its influence on contemporary global mediaDiscusses the influence of literary and artistic sources on the development of film noirIncludes extensive bibliographies, filmographies and recommended noir film viewingConcludes with a reflective chapter by Alain Silver and James Ursini on their own influential studies and collections on film noir criticism
Author: Ian Brookes Publisher: Bloomsbury Publishing USA ISBN: 1780933134 Category : Performing Arts Languages : en Pages : 289
Book Description
Film noir may seem a familiar term to many, with its use of a complex narrative structure, flashbacks and voiceover narration, and with such archetypal characterisations as the femme fatale and private eye. But this introduction is not so much an account of what film noir is, but more an interrogation of the ways in which the term came to be applied to a particular group of American films of the 1940s and 1950s. Ian Brookes asks: 'What is film noir?' With this sharply focused question active throughout the book, students will benefit from an introductory text designed to provide a sophisticated treatment of the problems inherent in the category. This will be the first critical introduction to film noir which takes into account the complexity of the term and the difficulties of straightforward definition and classification.
Author: Sarah Trott
Author: Sarah Trott
Author: Sarah Trott
Author: Sheri Chinen Biesen
Author: James Kestrel
Author: Alain Silver
Author: Claire Gorrara
Author: Richard Lingeman
Author: D. Broe
Author: Pettey Homer B. Pettey
Author: Ian Brookes