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Author: Valerie Holman Publisher: Berghahn Books ISBN: 9781571817013 Category : History Languages : en Pages : 190
Book Description
France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.
Author: Valerie Holman Publisher: Berghahn Books ISBN: 9781571817013 Category : History Languages : en Pages : 190
Book Description
France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.
Author: Richard Brian Miller Publisher: Westminster John Knox Press ISBN: 9780664253233 Category : Religion Languages : en Pages : 492
Book Description
A timely anthology by Christian ethicists and ecclesial groups who are concerned with the justice of war in the 20th century. Seeking to sharpen our moral literacy about the ethics of war, Pope Pius XII, the Niebuhrs, and U.S. Catholic and Methodist bishops address ethical issues relevant to modern warfare--obliteration bombing, selective conscientious objection, and nuclear deterrence.
Author: Nicole A. Dombrowski Publisher: Routledge ISBN: 1135872848 Category : History Languages : en Pages : 396
Book Description
First published in 2005. This volume documents women's 20th century wartime experiences from World War I through the recent conflicts in Bosnia. The articles cross national boundaries including France, China, Peru, Guatemala, Germany, Bosnia, the U.S. and Great Britain.. The contributors of these original essays trace the evolution of women's roles as victims of war while also showing how they have been increasingly incorporated into battle as actors and perpetrators. These comparative studies analyze war's disruptions of daily life, its effects on children, rape as a war crime, access to equal opportunity, and women's resistance to violence.
Author: Alistair Horne Publisher: HarperCollins ISBN: 0062397826 Category : History Languages : en Pages : 372
Book Description
“Eminently provocative and readable.”—The Wall Street Journal Sir Alistair Horne has been a close observer of war and history for more than fifty years and in this wise and masterly work, he revisits six battles of the past century and examines the strategies, leadership, preparation, and geopolitical goals of aggressors and defenders to reveal the one trait that links them all: hubris. In Greek tragedy, hubris is excessive human pride that challenges the gods and ultimately leads to total destruction of the offender. From the 1905 Battle of Tsushima in the Russo-Japanese War, to Hitler's 1941 bid to capture Moscow, to MacArthur's disastrous advance in Korea, to the French downfall at Dien Bien Phu, Horne shows how each of these battles was won or lost due to excessive hubris on one side or the other. In a sweeping narrative written with his trademark erudition and wit, Horne provides a meticulously detailed analysis of the ground maneuvers employed by the opposing armies in each battle. He also explores the strategic and psychological mindset of the military leaders involved to demonstrate how devastating combinations of human ambition and arrogance led to overreach. Making clear the danger of hubris in warfare, his insights hold resonant lessons for civilian and military leaders navigating today's complex global landscape. A dramatic, colorful, stylishly-written history, Hubris is a much-needed reflection on war from a master of his field.
Author: Geir Lundestad Publisher: World Scientific ISBN: 9814487236 Category : Political Science Languages : en Pages : 266
Book Description
At the turn of the 21st Century, the world was immediately gripped by the War on Terrorism followed by the Iraq War. In reflection, the 20th Century was a period marked by tremendous technological and economic progress — but it was also the most violent century in human history. It witnessed two horrendous world wars, as well as the conflicts during the Cold War.Why do wars persistently erupt among nations, particularly the Great Powers? What are the primary factors that drive nations to violence — power, prestige, ideology or territory? Or is it motivated by pure fear and mistrust? Peering nervously at the 21st Century, we wonder whether American supremacy and globalization will help ensure peace and stability. Or will shifts in power with the emergence of new economic super-nations lead to further tensions and conflicts in this century?Together with 29 Peace Nobel laureates, an outstanding group of scholars gathered in Oslo, Norway, on December 6, 2001, for the three-day Nobel Centennial Symposium to discuss “The Conflicts of the 20th Century and the Solutions for the 21st Century”. Read this book for the scholars' candid insights and analyses, as well as their thought-provoking views on the factors that led to conflicts in the 20th Century and whether the 21st Century will be a more peaceful one. This is a rare — and possibly the best and only — book compilation of the highly intellectual analyses by world experts and Nobel Peace laureates on the perennial issues of War & Peace.
Author: Margot Norris Publisher: University of Virginia Press ISBN: 9780813919928 Category : Art Languages : en Pages : 328
Book Description
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
Author: Nancy M. Wingfield Publisher: Indiana University Press ISBN: 9780253111937 Category : Social Science Languages : en Pages : 270
Book Description
This volume explores the role of gender on both the home and fighting fronts in eastern Europe during World Wars I and II. By using gender as a category of analysis, the authors seek to arrive at a more nuanced understanding of the subjective nature of wartime experience and its representations. While historians have long equated the fighting front with the masculine and the home front with the feminine, the contributors challenge these dichotomies, demonstrating that they are based on culturally embedded assumptions about heroism and sacrifice. Major themes include the ways in which wartime experiences challenge traditional gender roles; postwar restoration of gender order; collaboration and resistance; the body; and memory and commemoration.
Author: Niall Ferguson Publisher: Penguin UK ISBN: 0141901683 Category : History Languages : en Pages : 945
Book Description
The world at the beginning of the 20th century seemed for most of its inhabitants stable and relatively benign. Globalizing, booming economies married to technological breakthroughs seemed to promise a better world for most people. Instead, the 20th century proved to be overwhelmingly the most violent, frightening and brutalized in history with fanatical, often genocidal warfare engulfing most societies between the outbreak of the First World War and the end of the Cold War. What went wrong? How did we do this to ourselves? The War of the World comes up with compelling, fascinating answers. It is Niall Ferguson’s masterpiece.
Author: Jay Winter Publisher: Cambridge University Press ISBN: 9780521794367 Category : Architecture Languages : en Pages : 276
Book Description
How war has been remembered collectively is the central question in this volume. War in the twentieth century is a vivid and traumatic phenomenon which left behind it survivors who engage time and time again in acts of remembrance. This volume, containing essays by outstanding scholars of twentieth-century history, focuses on the issues raised by the shadow of war in this century. The behaviour, not of whole societies or of ruling groups alone, but of the individuals who do the work of remembrance, is discussed by examining the traumatic collective memory resulting from the horrors of the First World War, the Spanish Civil War, the Second World War, and the Algerian War. By studying public forms of remembrance, such as museums and exhibitions, literature and film, the editors have succeeded in bringing together a volume which demonstrates that a popular kind of collective memory is still very much alive.
Author: J. M. Winter Publisher: ISBN: 9780300110685 Category : History Languages : en Pages : 340
Book Description
This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the “memory boom” is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers “theaters of memory”—film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.
Author: Valerie Holman
Author: Valerie Holman
Author: Richard Brian Miller
Author: Nicole A. Dombrowski
Author: Alistair Horne
Author: Geir Lundestad
Author: Margot Norris
Author: Nancy M. Wingfield
Author: Niall Ferguson
Author: Jay Winter
Author: J. M. Winter