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Author: Jeanne-Marie Viljoen Publisher: Routledge ISBN: 1000163431 Category : Literary Criticism Languages : en Pages : 225
Book Description
This book focuses on non-fictional, visual narratives (including comics; graphic narratives; animated documentaries and online, interactive documentaries) that attempt to represent violent experiences, primarily in the Levant. In doing so it explores, from a philosophical perspective, the problem of representing trauma when language seems inadequate to describe our experiences and how the visual narrative form may help us with this. The book uses the concept of the ineffable to expand the notion of representation beyond the confines of a western, individualist notion of trauma as event based. In so doing, it engages a postcolonial perspective of trauma, which treats violence as ongoing and connected to several incidents of violence across time and space. This book demonstrates how the formal qualities of visual, non-fiction may help close the gap between representation and experience through the process of ‘dark’ writing.
Author: Jeanne-Marie Viljoen Publisher: Routledge ISBN: 1000163431 Category : Literary Criticism Languages : en Pages : 225
Book Description
This book focuses on non-fictional, visual narratives (including comics; graphic narratives; animated documentaries and online, interactive documentaries) that attempt to represent violent experiences, primarily in the Levant. In doing so it explores, from a philosophical perspective, the problem of representing trauma when language seems inadequate to describe our experiences and how the visual narrative form may help us with this. The book uses the concept of the ineffable to expand the notion of representation beyond the confines of a western, individualist notion of trauma as event based. In so doing, it engages a postcolonial perspective of trauma, which treats violence as ongoing and connected to several incidents of violence across time and space. This book demonstrates how the formal qualities of visual, non-fiction may help close the gap between representation and experience through the process of ‘dark’ writing.
Author: Mike Conroy Publisher: Ilex Press ISBN: 9781905814473 Category : 1940-1949 Languages : en Pages : 0
Book Description
Examining how stories of conflict have been told in comics down the years, this book covers everything from EC Comics depictions of the US Civil War to Joe Saccos reportage on modern, assymmetric, conflicts. Comics from the First and Second World Wars are put in context, with their propaganda- driven plotlines and enemy-bashing superheroes, but the book also covers rebellious, anti-war, underground comix, horror comics, investigative journalism and more thoughtful mainstream developments such as Charleys War. War Comics: A Graphic History exposes this fascinating genre in all its many forms.
Author: Fouad Sabry Publisher: One Billion Knowledgeable ISBN: Category : Political Science Languages : en Pages : 171
Book Description
What is War Comics After the end of World War II, the genre of comic books known as "war comics" began to acquire popularity in countries where English is the primary language. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War comics Chapter 2: Nick Fury Chapter 3: Joe Kubert Chapter 4: 1960s in comics Chapter 5: Sgt. Fury and his Howling Commandos Chapter 6: 1965 in comics Chapter 7: The Losers (comics) Chapter 8: Dick Ayers Chapter 9: Robert Kanigher Chapter 10: Gary Friedrich (II) Answering the public top questions about war comics. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Comics.
Author: Margaret Atwood Publisher: Dark Horse Comics ISBN: 1506708986 Category : Comics & Graphic Novels Languages : en Pages : 108
Book Description
From the Booker Prize-winning author of The Handmaid's Tale, comes this historical fiction graphic novel tracing the Golden Age of Canadian comic books. Collects War Bears issues #1-3. Oursonette, a fictional Nazi-fighting superheroine, is created at the peak of World War II by comic book creator Al Zurakowski who dreams of making it big in the early world of comics publishing. A story that follows the early days of comics in Toronto, a brutal war that greatly strains Al personally and professionally, and how the rise of post-war American comics puts an end to his dreams. Internationally and New York Times best-selling novelist Margaret Atwood and acclaimed artist Ken Steacy collaborate for one of the most highly anticipated comic book and literary events!
Author: Trischa Goodnow Publisher: Univ. Press of Mississippi ISBN: 1496810317 Category : Literary Criticism Languages : en Pages : 284
Book Description
Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.
Author: Jonathan Kunz & Elizabeth Pich Publisher: Andrews McMeel Publishing ISBN: 1524861855 Category : Comics & Graphic Novels Languages : en Pages : 160
Book Description
"Hilarious, morbid, and sometimes oddly touching, War and Peas is among the best of the best in modern comics. You'll be laughing out loud." — Sarah Andersen, creator of Sarah's Scribbles "One of the most exciting and funniest webcomics in the world," — Bored Panda From the creators of the hugely popular Instagram comic War and Peas, this offbeat four-panel comic features a dark, fairy-tale aesthetic and a twist ending each time. War and Peas: Funny Comics for Dirty Lovers combine twisted humor with a beloved cast of characters including the grim reaper (seen here as an unintentionally lethal man of leisure), a robot in hopelessly in love with his scientist creator, and a promiscuous yet self-assured witch. Unlike most webcomic collections, this one tells a story using dozens of never-before-seen comics to chronicle the lives of several different characters and their follies during life, death, and their glorious reunions in the afterlife (and the after-afterlife).
Author: Robert Kanigher Publisher: ISBN: 9781401217211 Category : Comic book, strips, etc Languages : en Pages : 0
Book Description
"Famed German fighter pilot Hans von Hammer has learned his lesson all too well, in countless battles high above the blasted fields of World War I Europe. Feared by his own men almost as much as he is hated by the Allies, Rittmeister von Hammer wages a lonely war from the cockpit of his crimson Fokker triplane, struggling to fight with honor amid the savagery of modern combat. But honor can be an expensive luxury in the unforgiving skies where the slightest mistake can bring a swift and merciless death-- a fate that will, inevitably, claim even the Hammer of Hell himself!"--P. [4] of cover.
Author: Chris York Publisher: McFarland ISBN: 0786489472 Category : Literary Criticism Languages : en Pages : 233
Book Description
Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.
Author: Jeanne-Marie Viljoen
Author: Jeanne-Marie Viljoen
Author: Nate Powell
Author: Mike Conroy
Author: Fouad Sabry
Author: Roy Thomas
Author: Margaret Atwood
Author: Trischa Goodnow
Author: Jonathan Kunz & Elizabeth Pich
Author: Robert Kanigher
Author: Chris York