Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download War Artists in Afghanistan PDF full book. Access full book title War Artists in Afghanistan by Jules George. Download full books in PDF and EPUB format.
Author: Jules George Publisher: Acc Art Books ISBN: 9781851497881 Category : Art Languages : en Pages : 0
Book Description
* Each artist's work is accompanied by their own, first-hand account of war in Afghanistan* Captures the vast scale and stunning, fertile beauty of the Afghan landscape'I felt physically sick from the pit of my stomach and to be honest was now feeling vulnerable and completely outside my depth of knowledge. The world had seemingly gone mad and I was having visions of the base now being ransacked; I was confused and unsure what to do. My solution was to do the only thing that I could do. I climbed the nearest sangar and started to draw.' - Jules GeorgeJules George, war artist, traveled to Helmand, Afghanistan, in 2010, in the wake of its bloodiest year for British troops. War Artists in Afghanistan: Beyond the Wire reproduces the remarkable sketches, watercolors and oil paintings born of his experiences with the 2nd Yorkshires (Green Howards). His work captures the vast scale and stunning, fertile beauty of the Afghan landscape, and in its midst, the British soldier, out on patrol, boarding a Chinook or caught in a firefight.The book also features the work of four other war artists in Afghanistan: Douglas Farthing, a former Sergeant Major in the British paratroopers; and Michael Fay, soldier-turned-combat artist for the United States Marine Corps; Arabella Dorman, internationally recognized portrait painter and war artist; and Matthew Cook, trained illustrator, former Times war artist and Territorial Army soldier. Each artist's work is accompanied by their own, first-hand account of war in Afghanistan.
Author: Jules George Publisher: Acc Art Books ISBN: 9781851497881 Category : Art Languages : en Pages : 0
Book Description
* Each artist's work is accompanied by their own, first-hand account of war in Afghanistan* Captures the vast scale and stunning, fertile beauty of the Afghan landscape'I felt physically sick from the pit of my stomach and to be honest was now feeling vulnerable and completely outside my depth of knowledge. The world had seemingly gone mad and I was having visions of the base now being ransacked; I was confused and unsure what to do. My solution was to do the only thing that I could do. I climbed the nearest sangar and started to draw.' - Jules GeorgeJules George, war artist, traveled to Helmand, Afghanistan, in 2010, in the wake of its bloodiest year for British troops. War Artists in Afghanistan: Beyond the Wire reproduces the remarkable sketches, watercolors and oil paintings born of his experiences with the 2nd Yorkshires (Green Howards). His work captures the vast scale and stunning, fertile beauty of the Afghan landscape, and in its midst, the British soldier, out on patrol, boarding a Chinook or caught in a firefight.The book also features the work of four other war artists in Afghanistan: Douglas Farthing, a former Sergeant Major in the British paratroopers; and Michael Fay, soldier-turned-combat artist for the United States Marine Corps; Arabella Dorman, internationally recognized portrait painter and war artist; and Matthew Cook, trained illustrator, former Times war artist and Territorial Army soldier. Each artist's work is accompanied by their own, first-hand account of war in Afghanistan.
Author: Simon Cleary Publisher: Univ. of Queensland Press ISBN: 0702261939 Category : Fiction Languages : en Pages : 289
Book Description
When Brigadier James Phelan returns from Afghanistan with the body of a young soldier killed under his command, he is traumatised by the tragedy. An encounter with young Sydney tattoo artist Kira leaves him with a permanent tribute to the soldier, but it is a meeting that will change the course of his life. What he isn't expecting is a campaign of retribution from the soldiers who blame him for the ambush and threaten his career. With his marriage also on the brink, his life spirals out of control. Years later, Phelan is surprised when Kira re-enters his life seeking refuge from her own troubles and with a young son in tow. She finds a way to help him make peace with his past, but she is still on the run from her own. The War Artist is a timely and compelling novel about the legacy of war, the power of art and the possibility of redemption.
Author: Kathleen Palmer Publisher: Tate Publishing(UK) ISBN: 9781854379894 Category : Art, British Languages : en Pages : 89
Book Description
From women's representations of the "Blitz" and the liberation of Belsen to contemporary icons like Rachel Whiteread's Holocaust Monument in Vienna, this book explores the contribution made by women artists to our understanding of war.
Author: John Kerry Publisher: Simon & Schuster ISBN: 1501178970 Category : Biography & Autobiography Languages : en Pages : 640
Book Description
An instant New York Times bestseller, John Kerry’s revealing memoir offers “a detailed record of an important life…frank, thoughtful, and clearly written…A bittersweet reminder of what the country once demanded of its leaders” (The New York Times Book Review). Every Day Is Extra is John Kerry’s candid personal story. A Yale graduate, Kerry enlisted in the US Navy in 1966, and served in Vietnam. He returned home highly decorated but disillusioned, and he testified powerfully before Congress as a young veteran opposed to the war. Kerry was elected to the Senate in 1984, eventually serving five terms. In 2004 he was the Democratic presidential nominee and came within one state—Ohio—of winning. He succeeded Hillary Clinton as Secretary of State in 2013. In that position he tried to find peace in the Middle East; dealt with the Syrian civil war while combatting ISIS; and negotiated the Iran nuclear deal and the Paris climate agreement. “In these pages Kerry shows remarkable honesty, depth, even spirituality…There is remarkable poignancy—not the usual currency of the career politician and the country’s top diplomat” (The Boston Globe). A witness to some of the most important events of our recent history, Kerry tells wonderful stories about colleagues Ted Kennedy and John McCain, as well as President Obama and other major figures. He writes movingly of recovering his faith while in the Senate, and how he deplores the hyper-partisanship that has infected Washington. Every Day Is Extra “draws back the curtain on a life you thought you knew, but turns out to be a bit different…A surprisingly personal book” (The Washington Post) that shows Kerry for the dedicated, witty, and authentic man that he is and provides forceful testimony for the importance of diplomacy and American leadership to address the increasingly complex challenges of a more globalized world.
Author: Craig Whitlock Publisher: Simon and Schuster ISBN: 1982159014 Category : History Languages : en Pages : 384
Book Description
A Washington Post Best Book of 2021 The #1 New York Times bestselling investigative story of how three successive presidents and their military commanders deceived the public year after year about America’s longest war, foreshadowing the Taliban’s recapture of Afghanistan, by Washington Post reporter and three-time Pulitzer Prize finalist Craig Whitlock. Unlike the wars in Vietnam and Iraq, the US invasion of Afghanistan in 2001 had near-unanimous public support. At first, the goals were straightforward and clear: defeat al-Qaeda and prevent a repeat of 9/11. Yet soon after the United States and its allies removed the Taliban from power, the mission veered off course and US officials lost sight of their original objectives. Distracted by the war in Iraq, the US military become mired in an unwinnable guerrilla conflict in a country it did not understand. But no president wanted to admit failure, especially in a war that began as a just cause. Instead, the Bush, Obama, and Trump administrations sent more and more troops to Afghanistan and repeatedly said they were making progress, even though they knew there was no realistic prospect for an outright victory. Just as the Pentagon Papers changed the public’s understanding of Vietnam, The Afghanistan Papers contains “fast-paced and vivid” (The New York Times Book Review) revelation after revelation from people who played a direct role in the war from leaders in the White House and the Pentagon to soldiers and aid workers on the front lines. In unvarnished language, they admit that the US government’s strategies were a mess, that the nation-building project was a colossal failure, and that drugs and corruption gained a stranglehold over their allies in the Afghan government. All told, the account is based on interviews with more than 1,000 people who knew that the US government was presenting a distorted, and sometimes entirely fabricated, version of the facts on the ground. Documents unearthed by The Washington Post reveal that President Bush didn’t know the name of his Afghanistan war commander—and didn’t want to meet with him. Secretary of Defense Donald Rumsfeld admitted that he had “no visibility into who the bad guys are.” His successor, Robert Gates, said: “We didn’t know jack shit about al-Qaeda.” The Afghanistan Papers is a “searing indictment of the deceit, blunders, and hubris of senior military and civilian officials” (Tom Bowman, NRP Pentagon Correspondent) that will supercharge a long-overdue reckoning over what went wrong and forever change the way the conflict is remembered.
Author: Matthew Israel Publisher: University of Texas Press ISBN: 0292745435 Category : Architecture Languages : en Pages : 279
Book Description
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America
Author: Ernst van Alphen Publisher: Harvard University Press ISBN: 9780674317628 Category : Art Languages : en Pages : 214
Book Description
Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individualâe"which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer. It is also, most challengingly, an explanation of what Baconâe(tm)s art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Baconâe(tm)s work is founded upon the way that each of us carves our identity, our âeoeself,âe from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts âeoeart,âe and ourselves as individuals.
Author: Jules George
Author: Jules George
Author: Simon Cleary
Author: Kathleen Palmer
Author: John Kerry
Author: Tim Bonyhady
Author: Craig Whitlock
Author: Matthew Israel
Author: Ernst van Alphen
Author: Linda Kitson
Author: H. Avery Chenoweth