Author: Jeff Rosenheim Publisher: ISBN: Category : Antiques & Collectibles Languages : en Pages : 416
Book Description
Sketchbook volume one of a two volume set documents the best of the optical illusions discovered and sketched in our CAD system. It is also attempts to define common visual attributes and categorize optical illusions by those features. The goal is give the reader new tools to help them better identify and classify optical illusions. These illusions are used by engineers, academics and artists to graphically depict their ideas and the world around them on flat surfaces.
Author: David Prochaska Publisher: Penn State University Press ISBN: Category : Antiques & Collectibles Languages : en Pages : 264
Book Description
Examines postcards as images that are carriers of text, and textual correspondence that circulate images across boundaries of class, gender, nationality and race. Discusses issues concerning the concrete practices of production, consumption, collection and appropriation.
Author: Christopher Noey Publisher: Metropolitan Museum of Art ISBN: 0714873543 Category : Art Languages : en Pages : 274
Book Description
Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.
Author: Robert Plunket Publisher: Getty Publications ISBN: 0892365668 Category : Photography Languages : en Pages : 85
Book Description
American photographer Walker Evans (1903–1975) is best known for his portraits of Depression-era America, a number of which were included in Let Us Now Praise Famous Men (1941), his famous collaboration with writer James Agee. In 1942, at the behest of retired journalist Karl Bickel, Evans journeyed to Sarasota to take photographs for The Mangrove Coast, a book Bickel was writing about the long and colorful history of Florida's Gulf Coast. Featured in Walker Evans: Florida are the surprising images Evans took during that six-week stay in the area, which constitute a little-known chapter in Evans's distinguished career. Far from stereotypical postcard pictures of sandy beaches and palm trees, Evans captured a region of contradictions. Here in the nation's seaside vacationland, Evans focused his lens on decaying architecture, crowded street scenes, retirees, and numerous images of animals, railroad cars, and circus wagons from Ringling Brothers and Barnum and Bailey Circus, whose winter home was Sarasota. Accompanying the fifty-two images in Walker Evans: Florida is novelist Robert Plunket's wry account of the human and geographic landscape of Florida.
Author: Svetlana Alpers Publisher: Princeton University Press ISBN: 0691222614 Category : Art Languages : en Pages : 416
Book Description
A magisterial study of celebrated photographer Walker Evans Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style. A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.
Author: John T. Hill Publisher: National Geographic Books ISBN: 3791382233 Category : Photography Languages : en Pages : 0
Book Description
This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether it’s his iconic contributions to James Agee’s depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans’s accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans’s remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evans’s longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evans’s work. In addition to offering a broad perspective on Evans’s work, the book also clarifies the photographer’s "anti-art" philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans’s uniquely hungry eye.
Author: Walker Evans Publisher: ISBN: 9780870702686 Category : Photography Languages : en Pages : 208
Book Description
The use of the visual arts to show us our own moral and economic situation has today fallen almost completely into the hands of the photographer. It is for him to fix and to reveal the whole aspect of our society: to record for use in the future our disasters and our claims to divinity. Walker Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. His photographs are the records of contemporary civilization in eastern American.~In the reproductions presented here, two large divisions have been made. The photographs are arranged to be seen in their given sequence. In the first part, which might be labeled "People by Photography," we have an aspect of America for which it would be difficult to claim too much. The physiognomy of a nation is laid on your table. In the second part are pictures which refer to the continuous fact of an indigenous American expression, whatever its source, whatever form it has taken, whether in sculpture, paint, or architecture: that native accent we find again in Kentucky mountain and cowboy ballads and in contemporary swing-music. --from the jacket of the 1938 edition~More than any other artist, Walker Evans invented the image of essential America that we have long since accepted as fact. His work, presented in stark and prototypical form in American Photographs, has made its impact not only on photography but also on modern literature, film, and the traditional visual arts. First published in 1938 by The Museum of Modern Art, American Photographs has often been out of print. This edition uses duotone plates made for the 1988 edition from original prints, and makes Evans' landmark book available again. The design and typography have been recreated as precisely as possible.
Author: Jeff Rosenheim
Author: 
Author: David Prochaska
Author: Walker Evans
Author: Christopher Noey
Author: Robert Plunket
Author: Luc Sante
Author: Svetlana Alpers
Author: John T. Hill
Author: Walker Evans