Author: Walker Art Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
WALKER ART GALLERY: Plates
Walker Art Gallery. Guide to the Paintings. [With Plates.].
Author: Free Public Library, Museum and Walker Art Gallery (Liverpool)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Walker Art Gallery, Liverpool
Walker Art Gallery. Annual Report, 1937-8 (1938-9, 1962-3, 1965-70.) Reprinted from the ... Annual Report to the Libraries, Museums, Arts and Music Committee, Etc. [With Plates.].
Author: Free Public Library, Museum, and Walker Art Gallery (LIVERPOOL)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
National Gallery of Art
Walker Art Gallery
Painters and Peasants
Author: Adrian Jenkins
Publisher: Bolton Museum Art Gallery & Aquarium
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
The catalogue of a major exhibition exploring the career of Henry La Thangue and his contemporaries, George Clausen, Stanhope Forbes and John Lavery. It examines the French and British artistic influences of the movement and provides a long awaited assessment of a remarkable period in British art history.
Publisher: Bolton Museum Art Gallery & Aquarium
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
The catalogue of a major exhibition exploring the career of Henry La Thangue and his contemporaries, George Clausen, Stanhope Forbes and John Lavery. It examines the French and British artistic influences of the movement and provides a long awaited assessment of a remarkable period in British art history.
Foreign catalogue / Walker Art Gallery, Liverpool : paintings, drawings, watercolours, tapestry, sculpture, silver, ceramics, prints, photographs. Plates
Author: Edward Morris
Publisher: Cornerhouse Distribution Clients
ISBN: 9780901534545
Category : Art
Languages : en
Pages : 0
Book Description
Publisher: Cornerhouse Distribution Clients
ISBN: 9780901534545
Category : Art
Languages : en
Pages : 0
Book Description
International Pop
Author: M. Darsie Alexander
Publisher: Thames & Hudson
ISBN: 9781935963080
Category : Art
Languages : en
Pages : 395
Book Description
"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."
Publisher: Thames & Hudson
ISBN: 9781935963080
Category : Art
Languages : en
Pages : 395
Book Description
"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."
The Work of the Dead
Author: Thomas W. Laqueur
Publisher: Princeton University Press
ISBN: 0691180938
Category : History
Languages : en
Pages : 736
Book Description
The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.
Publisher: Princeton University Press
ISBN: 0691180938
Category : History
Languages : en
Pages : 736
Book Description
The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.