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Author: Ros Stephen Publisher: ISBN: 9780193402676 Category : Recorded accompaniments (Violin) Languages : en Pages : 112
Book Description
"Volinworks, in two volumes, is a comprehensive method for the adult beginner, taking students carefully from the very first steps to around Grade 3 standard. The approach suits self-taught beginners as well as those who have teachers, and emphasizes the importance of good habits from day one, of using your ear, and of always aiming for the best sound. Each volume contains a wide selection of repertoire, plus detailed descriptions and photos to demonstrate correct playing positions. The accompanying CD includes play-along tracks for all pieces, with piano, string quartet, or band backings, plus aural exercises and downloadable PDFs of piano accompaniments. There are supporting video clips and additional resources on a dedicated website, making Violinworks a complete resource for all new learners."--Publisher's description.
Author: Ros Stephen Publisher: ISBN: 9780193402676 Category : Recorded accompaniments (Violin) Languages : en Pages : 112
Book Description
"Volinworks, in two volumes, is a comprehensive method for the adult beginner, taking students carefully from the very first steps to around Grade 3 standard. The approach suits self-taught beginners as well as those who have teachers, and emphasizes the importance of good habits from day one, of using your ear, and of always aiming for the best sound. Each volume contains a wide selection of repertoire, plus detailed descriptions and photos to demonstrate correct playing positions. The accompanying CD includes play-along tracks for all pieces, with piano, string quartet, or band backings, plus aural exercises and downloadable PDFs of piano accompaniments. There are supporting video clips and additional resources on a dedicated website, making Violinworks a complete resource for all new learners."--Publisher's description.
Author: Leah Garrett Publisher: Purdue University Press ISBN: 1557536015 Category : Biography & Autobiography Languages : en Pages : 160
Book Description
A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannh user played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. Readers will see how Tannh user evolves from a medieval knight to Peretz's pious Jewish scholar in the Land of Israel. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it. A Knight at the Opera uses Tannh user as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo.
Author: Mary A. Cicora Publisher: Peter Lang Group Ag, International Academic Publishers ISBN: Category : Literary Criticism Languages : en Pages : 232
Book Description
The book places Wagner's Tannhäuser within the German literary tradition. Separate chapters of the book are devoted to discussions of the medieval sources and the analogous works by Ludwig Tieck, E.T.A. Hoffmann, and Heinrich Heine. These studies, which converge on Wagner's opera, not only highlight various aspects or facets of Wagner's Tannhäuser, but at the same time show the transmission of the Tannhäuser and song contest legends into the nineteenth century and how Wagner combined them.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429944544 Category : Music Languages : en Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Burton D. Fisher Publisher: Opera Journeys Publishing ISBN: 193084123X Category : Music Languages : en Pages : 33
Book Description
A comprehensive guide to Wagner's TANNHaUSER, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer."
Author: Wakeling Dry Publisher: ISBN: 9781492885009 Category : Languages : en Pages : 60
Book Description
An excerpt from Chapter V. Music and Story - Side by Side: THE fine overture, so frequently heard in the concert-room, consists of a compilation of the chief themes in the opera. Well contrasted with the grave Chorus of the Pilgrims, with which it opens, is the lascivious charm of the Venusberg music. Then, after the Hymn to Venus (worked up from a trumpet call to a symphonic fulness), the music drifts back to the Pilgrim's Chorus again, aided by a strenuous passage on the strings, and finishes with a brilliant display in orthodox overture form. The alteration in the overture, which was made for the Paris version, consisted in prolonging the Venusberg music until the rising of the curtain. With the exception of Die Meistersinger, this was the last of Wagner's overtures. His next opera, Lohengrin, contained the first of his preludes, which are made either to strike the note for that which is to follow, to carry on the action to the succeeding act, or to bring back to the memory (as in the prelude to the third act of Siegfried) something which has passed before. The scene, as the curtain rises, takes us into the enervating atmosphere of unholy passions. It is the interior of the abode of Venus ; and, reclining on a raised couch, the goddess of love caresses the head of Tannhuser. In the water of the lake which extends into the distance, are groups of Sirens and Naiads, while nymphs and Bacchantes dance here and there to the seductive strains. By the side of the lake groups of lovers are to be seen. Although the leading motive, in its accepted significance, is not found in Tannhuser, theVenusberg theme, however, partakes of the nature of a motive. We shall hear it later when Tannhuser is about to join in the Song-contest, and again when he is being tempted from his purpose of repentance and amended life in the last act. In voluptuous abandonment the Sirens sing of love's delights as the dance rapidly develops into a wild orgy.
Author: Laurence Dreyfus Publisher: Harvard University Press ISBN: 0674018818 Category : History Languages : en Pages : 285
Book Description
Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal. Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex. Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer’s “metaphysics of sexual love.” A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. In the end, Wagner’s achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed—as never before—how music could act on erotic impulse.
Author: Richard Wagner Publisher: Palala Press ISBN: 9781356193660 Category : Languages : en Pages : 108
Book Description
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Author: Dieter Borchmeyer Publisher: Princeton University Press ISBN: 9780691114972 Category : Music Languages : en Pages : 430
Book Description
Richard Wagner continues to be the most controversial artist in history, a perpetually troubling figure in our cultural consciousness. The unceasing debate over his works and their impact--for and against--is one reason why there has been no genuinely comprehensive modern account of his musical dramas until now. Dieter Borchmeyer's book is the first to present an overall picture of these musical dramas from the standpoint of literary and theatrical history. It extends from the composer's early works--still largely ignored--to the Ring Cycle and Parsifal, and includes Wagner's unfinished works and operas he never set to music. Through lively prose, we come to see Wagner as a librettist--and as a man of letters--rather than primarily as musical composer. Borchmeyer uncovers a vast field of cultural and historical cross-references in Wagner's works. In the first part of the book, he sets out in search of the various archetypal scenes, opening up the composer's dramatic workshop to the reader. He covers all of Wagner's operas, from early juvenilia to the canonical later works. The second part examines Wagner in relation to political figures including King Ludwig II and Bismarck, and, importantly, in light of critical reactions by literary giants--Thomas Mann, whom Borchmeyer calls "a guiding light in this exploration of the fields that Wagner tilled," and Nietzsche, whose appeal to "philology" is a key source of inspiration in attempts to grapple with Wagner's works. For more than twenty years, Borchmeyer has placed his scholarship at the service of the famed Bayreuth Festival. With this volume, he gives us a summation of decades of engagement with the phenomenon of Wagner and, at the same time, the result of an abiding critical passion for his works.
Author: Ros Stephen
Author: Ros Stephen
Author: Leah Garrett
Author: Mary A. Cicora
Author: Alex Ross
Author: Burton D. Fisher
Author: Wakeling Dry
Author: Richard Wagner
Author: Laurence Dreyfus
Author: Richard Wagner
Author: Dieter Borchmeyer