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Author: James Garratt Publisher: Cambridge University Press ISBN: 1139485709 Category : Music Languages : en Pages :
Book Description
Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic.
Author: James Garratt Publisher: Cambridge University Press ISBN: 1139485709 Category : Music Languages : en Pages :
Book Description
Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic.
Author: Thomas S. Grey Publisher: Princeton University Press ISBN: 1400831784 Category : Music Languages : en Pages : 560
Book Description
Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.
Author: Richard Wagner Publisher: U of Nebraska Press ISBN: 9780803297661 Category : Music Languages : en Pages : 452
Book Description
Musical genius, polemicist, explosive personality-that was the nineteenth-century German composer Richard Wagner, who paid as much attention to his reputation as to his genius. Often maddening, and sometimes called mad, Wagner wrote with the same intensity that characterized his music. The letters and essays collected in Judaism in Music and Other Essays were published during the 1850s and 1860s, the period when he was chiefly occupied with the creation of The Ring of the Nibelung. Highlighting this collection is the notorious 1850 article "Judaism in Music, " which caused such a firestorm that nearly twenty years later Wagner published an unapologetic appendix. Other prose pieces include "On the Performing of Tannhauser, " written while he was in political exile; "On Musical Criticism, " an appeal for a more vital approach to art undivorced from life; and "Music of the Future." This volume concludes with letters to friends about the intent and performance of his great operas; estimations of Liszt, Beethoven, Mozart, Gluck, Berlioz, and others; and suggestions for the reform of opera houses in Vienna, Paris, and Zurich. The Bison Book edition includes the full text of volume 3 of William Ashton Ellis's 1894 translation commissioned by the London Wagner Society.
Author: Mark Berry Publisher: Cambridge University Press ISBN: 1107108519 Category : Music Languages : en Pages : 409
Book Description
This Companion provides an overview and in-depth analysis of Wagner's Ring using traditional critical analysis alongside more recent approaches.
Author: Richard Wagner Publisher: U of Nebraska Press ISBN: 9780803297654 Category : Music Languages : en Pages : 444
Book Description
With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.
Author: Barry Millington Publisher: Thames & Hudson ISBN: 0500770999 Category : Music Languages : en Pages : 570
Book Description
The unrivaled single-volume survey of Wagner's life and work Edited by one of the leading Wagner scholars of modern times, and with contributions from seventeen experts from around the world, The Wagner Compendium is the key to a complete understanding of the composer— the most comprehensive, informative and well-organized guide to his life and times. Features include: calendar of Wagner's life, works and related events who's who of Wagner's contemporaries details of historical, intellectual and musical background exploration of Wagner's character and opinions full list of Wagner's prose writings comprehensive listing and discussion of the works
Author: John F. Runciman Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 315
Book Description
"Richard Wagner, Composer of Operas" is a biography book by John F. Runciman. The author touches upon the main points in Wagner's life and casts light on the lesser-known sides of the great composer's personality. Besides being a valuable work of literature, the work presented here is also a great example of the Victorian-era genre of biography.
Author: Heath Lees Publisher: Ashgate Publishing, Ltd. ISBN: 9780754658092 Category : Music Languages : en Pages : 280
Book Description
This book challenges and replaces the existing view of Mallarmé's mission to 're-possess' music on behalf of poetic language. Professor Heath Lees shows that Mallarmé's early knowledge and experience of music was much greater than commentators have realis
Author: John W. Barker Publisher: University Rochester Press ISBN: 9781580462884 Category : Biography & Autobiography Languages : en Pages : 460
Book Description
Explores Wagner's lengthy stays in Venice, his death there, and the meaning of his works -- and his death -- for that great city and its mystique.
Author: James Garratt
Author: James Garratt
Author: Thomas S. Grey
Author: Richard Wagner
Author: Mark Berry
Author: Richard Wagner
Author: Barry Millington
Author: John F. Runciman
Author: Heath Lees
Author: John F. Runciman
Author: John W. Barker