Author: Polygraphic Hall (London)Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 66
Book Description
W. S. Woodin's Cabinet of Curiosities
Author: Polygraphic Hall (London)Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 66
Book Description
Notes and Queries
Author: The Athenaeum
Author: Athenaeum
Author: The Saturday Review of Politics, Literature, Science and Art
Author: The Illustrated London News
Author: The Saturday Review of Politics, Literature, Science, Art, and Finance
Author: Saturday Review
Author: Illustrated Times
Author: Illusions in Motion
Author: Erkki HuhtamoPublisher: MIT Press
ISBN: 0262547546
Category : Social Science
Languages : en
Pages : 461
Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.