Author: Rosalyn Drexler
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 148
Book Description
"This is the first English translation of an important novel by one of America's foremost contemporary writers. Experimental in form, lacking a strict narrative line and a conventional plot, it is a strange and shocking portrait of a woman's intense incestuous love for her brother. She is eccentric at the beginning of the story and grows progressively more alienated from reality as she recalls her past during a stay at the Villa Serbelloni above Lake Como in Bellagio, Italy, where she has gone to write a novel." "The book consists of her reminiscences of her dead brother which are addressed to him. It offers at once a highly poetic evocation of a troubled mind, an apparently realistic portrayal of life among her friends: the writers, artists, and musicians she knew, from the 60's to the present time, and a mordant and brutal commentary on a kind of family attachment that is found throughout the world. Her feelings and fantasies are described through her own language, subtly and sensitively, and she herself is depicted with keen psychological insight. One of the few works of fiction to treat the incestuous relationship from the viewpoint of the victim/perpetrator."--BOOK JACKET.
Vulgar Lives
Author: Rosalyn Drexler
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 148
Book Description
"This is the first English translation of an important novel by one of America's foremost contemporary writers. Experimental in form, lacking a strict narrative line and a conventional plot, it is a strange and shocking portrait of a woman's intense incestuous love for her brother. She is eccentric at the beginning of the story and grows progressively more alienated from reality as she recalls her past during a stay at the Villa Serbelloni above Lake Como in Bellagio, Italy, where she has gone to write a novel." "The book consists of her reminiscences of her dead brother which are addressed to him. It offers at once a highly poetic evocation of a troubled mind, an apparently realistic portrayal of life among her friends: the writers, artists, and musicians she knew, from the 60's to the present time, and a mordant and brutal commentary on a kind of family attachment that is found throughout the world. Her feelings and fantasies are described through her own language, subtly and sensitively, and she herself is depicted with keen psychological insight. One of the few works of fiction to treat the incestuous relationship from the viewpoint of the victim/perpetrator."--BOOK JACKET.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 148
Book Description
"This is the first English translation of an important novel by one of America's foremost contemporary writers. Experimental in form, lacking a strict narrative line and a conventional plot, it is a strange and shocking portrait of a woman's intense incestuous love for her brother. She is eccentric at the beginning of the story and grows progressively more alienated from reality as she recalls her past during a stay at the Villa Serbelloni above Lake Como in Bellagio, Italy, where she has gone to write a novel." "The book consists of her reminiscences of her dead brother which are addressed to him. It offers at once a highly poetic evocation of a troubled mind, an apparently realistic portrayal of life among her friends: the writers, artists, and musicians she knew, from the 60's to the present time, and a mordant and brutal commentary on a kind of family attachment that is found throughout the world. Her feelings and fantasies are described through her own language, subtly and sensitively, and she herself is depicted with keen psychological insight. One of the few works of fiction to treat the incestuous relationship from the viewpoint of the victim/perpetrator."--BOOK JACKET.
Used Books
Author: William H. Sherman
Publisher: University of Pennsylvania Press
ISBN: 0812203445
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.
Publisher: University of Pennsylvania Press
ISBN: 0812203445
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.
It Was Vulgar and It Was Beautiful
Author: Jack Lowery
Publisher: Bold Type Books
ISBN: 1645036596
Category : History
Languages : en
Pages : 413
Book Description
Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury—which fought back during the AIDS crisis through direct action and community-made propaganda—offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury’s art and activism from iconic images like the “Kissing Doesn’t Kill” poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis. Gran Fury and ACT UP’s strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.
Publisher: Bold Type Books
ISBN: 1645036596
Category : History
Languages : en
Pages : 413
Book Description
Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury—which fought back during the AIDS crisis through direct action and community-made propaganda—offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury’s art and activism from iconic images like the “Kissing Doesn’t Kill” poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis. Gran Fury and ACT UP’s strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.
Vulgar Favors
Author: Maureen Orth
Publisher: Bantam
ISBN: 0525482571
Category : True Crime
Languages : en
Pages : 562
Book Description
Read the true story of the manhunt that inspired The Assassination of Gianni Versace: American Crime Story, the acclaimed FX series. “The breadth and thoroughness of [Maureen] Orth’s research are often staggering.”—The New York Times “Fascinating . . . ripe with chilling detail.”—Entertainment Weekly On July 15, 1997, Gianni Versace was shot and killed on the steps of his Miami Beach mansion by serial killer Andrew Cunanan. But months before Versace’s murder, award-winning journalist Maureen Orth was already investigating a major story on Cunanan for Vanity Fair. Culled from interviews with more than four hundred people and insights gleaned from thousands of pages of police reports, Vulgar Favors tells the complete story of Andrew Cunanan, his unwitting victims, and the moneyed world in which they lived . . . and died. Orth reveals how Cunanan met Versace, and why police and the FBI repeatedly failed to catch him. Here is a gripping odyssey that races across America—from California’s wealthy gay underworld to modest Midwestern homes of families mourning the loss of their sons to South Beach and its unapologetic decadence. Vulgar Favors is at once a masterwork of investigative journalism and a riveting account of a sociopath, his crimes, and the mysteries he left along the way.
Publisher: Bantam
ISBN: 0525482571
Category : True Crime
Languages : en
Pages : 562
Book Description
Read the true story of the manhunt that inspired The Assassination of Gianni Versace: American Crime Story, the acclaimed FX series. “The breadth and thoroughness of [Maureen] Orth’s research are often staggering.”—The New York Times “Fascinating . . . ripe with chilling detail.”—Entertainment Weekly On July 15, 1997, Gianni Versace was shot and killed on the steps of his Miami Beach mansion by serial killer Andrew Cunanan. But months before Versace’s murder, award-winning journalist Maureen Orth was already investigating a major story on Cunanan for Vanity Fair. Culled from interviews with more than four hundred people and insights gleaned from thousands of pages of police reports, Vulgar Favors tells the complete story of Andrew Cunanan, his unwitting victims, and the moneyed world in which they lived . . . and died. Orth reveals how Cunanan met Versace, and why police and the FBI repeatedly failed to catch him. Here is a gripping odyssey that races across America—from California’s wealthy gay underworld to modest Midwestern homes of families mourning the loss of their sons to South Beach and its unapologetic decadence. Vulgar Favors is at once a masterwork of investigative journalism and a riveting account of a sociopath, his crimes, and the mysteries he left along the way.
Life and Letter of Peter and Susan Lesley
Author: Mary Lesley Ames
Publisher:
ISBN:
Category : Geologists
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category : Geologists
Languages : en
Pages : 580
Book Description
Vision
The Dirty Book Club
Author: Lisi Harrison
Publisher: Simon and Schuster
ISBN: 1451695977
Category : Fiction
Languages : en
Pages : 320
Book Description
Four women bond over naughty bestsellers and the shocking letters they inherited from the original members of the Dirty Book Club. As they open up, they learn that friendship might just be the key to rewriting their own stories: all they needed was to find each other first.--
Publisher: Simon and Schuster
ISBN: 1451695977
Category : Fiction
Languages : en
Pages : 320
Book Description
Four women bond over naughty bestsellers and the shocking letters they inherited from the original members of the Dirty Book Club. As they open up, they learn that friendship might just be the key to rewriting their own stories: all they needed was to find each other first.--
The Triumph of Vulgarity
Author: Robert Pattison
Publisher: Oxford University Press
ISBN: 0195365038
Category : Music
Languages : en
Pages : 303
Book Description
The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works.
Publisher: Oxford University Press
ISBN: 0195365038
Category : Music
Languages : en
Pages : 303
Book Description
The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works.