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Author: Alger Nicolaus Doane Publisher: Univ of Wisconsin Press ISBN: 9780299130947 Category : Language Arts & Disciplines Languages : en Pages : 304
Book Description
Addresses the questions of how medieval textuality intersected with language production that was, or pretended to be, oral, and whether postmodern notions of textuality can deal adequately with the subject. The 13 essays were presented to an April 1988 conference in Madison, Wisconsin. Paper edition (unseen), $23.50. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Alger Nicolaus Doane Publisher: Univ of Wisconsin Press ISBN: 9780299130947 Category : Language Arts & Disciplines Languages : en Pages : 304
Book Description
Addresses the questions of how medieval textuality intersected with language production that was, or pretended to be, oral, and whether postmodern notions of textuality can deal adequately with the subject. The 13 essays were presented to an April 1988 conference in Madison, Wisconsin. Paper edition (unseen), $23.50. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Nils Holger Petersen Publisher: Rodopi ISBN: 9789042009998 Category : Christian art and symbolism Languages : en Pages : 532
Book Description
Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history.
Author: B. Findley Publisher: Springer ISBN: 1137113065 Category : Literary Criticism Languages : en Pages : 434
Book Description
Examining French literature from the medieval period, Findley revises our understanding of medieval literary composition as a largely masculine activity, suggesting instead that writing is seen in these texts as problematically gendered and often feminizing.
Author: Marisa Galvez Publisher: University of Chicago Press ISBN: 0226280527 Category : Language Arts & Disciplines Languages : en Pages : 298
Book Description
How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
Author: Melvyn Stokes Publisher: Bloomsbury Publishing ISBN: 1911239910 Category : Performing Arts Languages : en Pages : 257
Book Description
Cinema Memories brings together and analyses the memories of almost a thousand people of going to the cinema in Britain during the 1960s. It offers a fresh perspective on the social, cultural and film history of what has come to be seen as an iconic decade, with the release of films such as A Taste of Honey, The Sound of Music, Darling, Blow-Up, Alfie, The Graduate, and Bonnie and Clyde. Drawing on first-hand accounts, authors Melvyn Stokes, Matthew Jones and Emma Pett explore how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their analysis helps the reader see what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to their audiences.
Author: Alan Kirk Publisher: Bloomsbury Publishing ISBN: 0567663485 Category : Religion Languages : en Pages : 314
Book Description
Alan Kirk argues that memory theory, in its social, cultural, and cognitive dimensions, is able to provide a comprehensive account of the origins and history of the Jesus tradition, one capable of displacing the moribund form-critical model. He shows that memory research gives new leverage on a range of classic problems in gospels, historical Jesus, and Christian origins scholarship. This volume brings together 12 essays published between 2001 and 2016, newly revised for this edition and organized under the rubrics of: 'Memory and the Formation of the Jesus Tradition'; 'Memory and Manuscript'; 'Memory and Historical Jesus Research'; and 'Memory in 2nd Century Gospel Writing'. The introductory essay, written for this volume, argues that the old form critical model, in marginalizing memory, abandoned the one factor actually capable of accounting for the origins of the gospel tradition, its manifestation in oral and written media, and its historical trajectory.
Author: Marisa Galvez Publisher: University of Chicago Press ISBN: 022669349X Category : History Languages : en Pages : 323
Book Description
In the Middle Ages, religious crusaders took up arms, prayed, bade farewell to their families, and marched off to fight in holy wars. These Christian soldiers also created accounts of their lives in lyric poetry, putting words to the experience of personal sacrifice and the pious struggle associated with holy war. The crusaders affirmed their commitment to fighting to claim a distant land while revealing their feelings as they left behind their loved ones, homes, and earthly duties. Their poems and related visual works offer us insight into the crusaders’ lives and values at the boundaries of earthly and spiritual duties, body and soul, holy devotion and courtly love. In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy war and crusade poetry, reading these lyric works within a wider conversation with religion and culture. Arguing for an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phenomenon. Placing them in conversation with chronicles, knightly handbooks, artworks, and confessional and pastoral texts, she identifies a particular “crusade idiom” that emerged out of the conflict between pious and earthly duties. Galvez fashions an expanded understanding of the creative works made by crusaders to reveal their experiences, desires, ideologies, and reasons for taking up the cross.
Author: Katherine L. French Publisher: University of Pennsylvania Press ISBN: 0812201957 Category : History Languages : en Pages : 328
Book Description
The parish, the lowest level of hierarchy in the medieval church, was the shared responsibility of the laity and the clergy. Most Christians were baptized, went to confession, were married, and were buried in the parish church or churchyard; in addition, business, legal settlements, sociability, and entertainment brought people to the church, uniting secular and sacred concerns. In The People of the Parish, Katherine L. French contends that late medieval religion was participatory and flexible, promoting different kinds of spiritual and material involvement. The rich parish records of the small diocese of Bath and Wells include wills, court records, and detailed accounts by lay churchwardens of everyday parish activities. They reveal the differences between parishes within a single diocese that cannot be attributed to regional variation. By using these records show to the range and diversity of late medieval parish life, and a Christianity vibrant enough to accommodate differences in status, wealth, gender, and local priorities, French refines our understanding of lay attitudes toward Christianity in the two centuries before the Reformation.
Author: Richard Charles Hoffmann Publisher: University of Toronto Press ISBN: 9780802078537 Category : History Languages : en Pages : 426
Book Description
An edition and translation of three late medieval tracts on fishing: "How to Catch a Fish" (Heidelberg, 1493); "Tegernsee Fishing Advice" (Bavaria, ca. 1500); and "Dialogue Between a Hunter and a Fisher" by the Aragonese Fernando Basurto (1539).
Author: Alger Nicolaus Doane
Author: Alger Nicolaus Doane
Author: Nils Holger Petersen
Author: B. Findley
Author: Marisa Galvez
Author: Melvyn Stokes
Author: Heesok Chang
Author: Alan Kirk
Author: Marisa Galvez
Author: Katherine L. French
Author: Richard Charles Hoffmann