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Author: Michel S. Laguerre Publisher: Springer ISBN: 1349199206 Category : Social Science Languages : en Pages : 161
Book Description
Not only does this book give a well-researched account of the politicization of Haitian Voodoo and the Voodooization of Haitian politics, it also lays the ground for the development of creative policies by the state vis-a-vis the cult. It is an indispensable research tool for the students of Afro-American, Caribbean and African societies in particular, and for religionists and political scientists in general.
Author: Michel S. Laguerre Publisher: Springer ISBN: 1349199206 Category : Social Science Languages : en Pages : 161
Book Description
Not only does this book give a well-researched account of the politicization of Haitian Voodoo and the Voodooization of Haitian politics, it also lays the ground for the development of creative policies by the state vis-a-vis the cult. It is an indispensable research tool for the students of Afro-American, Caribbean and African societies in particular, and for religionists and political scientists in general.
Author: Nik Van Den Publisher: Austin Macauley Publishers ISBN: 1398482595 Category : Fiction Languages : en Pages : 452
Book Description
The lives of four unrelated people are caught up in changing events as Haiti is again racked by corruption and violence during a few days of a brutal struggle for power and regime change. A fast-paced novel that covers the tragic impact on a poor Haitian boy and his family who fight to survive in a world of unbelievable violence. A visiting businessman is kidnapped for ransom whilst an indulgent Catholic Bishop has to face his own demons and a dedicated local priest pays a heavy price. These seemingly unrelated events are initiated by a sadistic Haitian security officer whose own world gradually falls apart. Whilst all this unfolds Miami based drug cartels are determined to maintain their supply lines through Haiti from an unlikely alliance with the CIA. This is unknown to the US State Department and other well-meaning but conflicted international organisations during this period of confusion, chaos and violence.
Author: Kodi A. Roberts Publisher: LSU Press ISBN: 0807160520 Category : History Languages : en Pages : 294
Book Description
The racialized and exoticized cult of Voodoo occupies a central place in the popular image of the Crescent City. But as Kodi A. Roberts argues in Voodoo and Power, the religion was not a monolithic tradition handed down from African ancestors to their American-born descendants. Instead, a much more complicated patchwork of influences created New Orleans Voodoo, allowing it to move across boundaries of race, class, and gender. By employing late nineteenth and early twentieth-century first-hand accounts of Voodoo practitioners and their rituals, Roberts provides a nuanced understanding of who practiced Voodoo and why. Voodoo in New Orleans, a melange of religion, entrepreneurship, and business networks, stretched across the color line in intriguing ways. Roberts's analysis demonstrates that what united professional practitioners, or "workers," with those who sought their services was not a racially uniform folk culture, but rather the power and influence that Voodoo promised. Recognizing that social immobility proved a common barrier for their patrons, workers claimed that their rituals could overcome racial and gendered disadvantages and create new opportunities for their clients. Voodoo rituals and institutions also drew inspiration from the surrounding milieu, including the privations of the Great Depression, the city's complex racial history, and the free-market economy. Money, employment, and business became central concerns for the religion's practitioners: to validate their work, some began operating from recently organized "Spiritual Churches," entities that were tax exempt and thus legitimate in the eyes of the state of Louisiana. Practitioners even leveraged local figures like the mythohistoric Marie Laveau for spiritual purposes and entrepreneurial gain. All the while, they contributed to the cultural legacy that fueled New Orleans's tourist industry and drew visitors and their money to the Crescent City.
Author: Kate Ramsey Publisher: University of Chicago Press ISBN: 0226703819 Category : Social Science Languages : en Pages : 446
Book Description
Vodou has often served as a scapegoat for Haiti’s problems, from political upheavals to natural disasters. This tradition of scapegoating stretches back to the nation’s founding and forms part of a contest over the legitimacy of the religion, both beyond and within Haiti’s borders. The Spirits and the Law examines that vexed history, asking why, from 1835 to 1987, Haiti banned many popular ritual practices. To find out, Kate Ramsey begins with the Haitian Revolution and its aftermath. Fearful of an independent black nation inspiring similar revolts, the United States, France, and the rest of Europe ostracized Haiti. Successive Haitian governments, seeking to counter the image of Haiti as primitive as well as contain popular organization and leadership, outlawed “spells” and, later, “superstitious practices.” While not often strictly enforced, these laws were at times the basis for attacks on Vodou by the Haitian state, the Catholic Church, and occupying U.S. forces. Beyond such offensives, Ramsey argues that in prohibiting practices considered essential for maintaining relations with the spirits, anti-Vodou laws reinforced the political marginalization, social stigmatization, and economic exploitation of the Haitian majority. At the same time, she examines the ways communities across Haiti evaded, subverted, redirected, and shaped enforcement of the laws. Analyzing the long genealogy of anti-Vodou rhetoric, Ramsey thoroughly dissects claims that the religion has impeded Haiti’s development.
Author: Leah Gordon Publisher: ISBN: 9781999349479 Category : Photography Languages : en Pages : 0
Book Description
"Leah Gordon has been photographing Jacmel Carnival and recording oral histories with its participants since 1995. Her photographs are stripped of kinesis and exuberance. Leagues away from the sequinned, sanitised, corporate-sponsored carnivals found elsewhere in the Americas, the Madigra troupes of the Haitian port town of Jacmel enact and subvert myth, legends and the nation's own histories, their improvisational costumes and surreal narratives a Vodou-charged blend of folk memory, political satire and personal revelation."--Printed Matter, Inc. website (viewed on June 6, 2022)
Author: Amy Wilentz Publisher: Simon and Schuster ISBN: 1451644000 Category : History Languages : en Pages : 352
Book Description
Winner of the National Book Critics Circle Award for Autobiography, this is a brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the heart of this beautiful and confounding land into its darkest corners and brightest clearings. Farewell, Fred Voodoo is a journey into the depths of the human soul as well as a vivid portrayal of the nation’s extraordinary people and their uncanny resilience. Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.
Author: Publisher: Interlink Books ISBN: Category : Art Languages : en Pages : 132
Book Description
The world's media has chronicled Haiti's long history of political instability and social unrest. But perhaps more importantly, Haitians themselves reacted to the cycle of hope and despair in the form of hundreds of spontaneous street murals. Mostly in the capial, Port-au-Prince, these colorful and expressive paintings both recorded key events and articulated the hopes and fears of their creators. Tragically, many of these paintings were among the casualties of the earthquake that struck the island in early 2010.
Author: David Aaronovitch Publisher: Penguin ISBN: 110118521X Category : History Languages : en Pages : 407
Book Description
"Meticulous in its research, forensic in its reasoning, robust in its argument, and often hilarious in its debunking... a highly entertaining rumble with the century's major conspiracy theorists and their theories." --John Lahr, National Book Critics Circle Award-winning author of Tennessee Williams From an award-winning journalist, a history so funny, so true, so scary, it's bound to be called a conspiracy. Our age is obsessed by the idea of conspiracy. We see it everywhere- from Pearl Harbor to 9/11, from the assassination of Kennedy to the death of Diana. In this age of terrorism we live in, the role of conspiracy is a serious one, one that can fuel radical or fringe elements to violence. For David Aaronovitch, there came a time when he started to see a pattern among these inflammatory theories. these theories used similarly murky methods with which to insinuate their claims: they linked themselves to the supposed conspiracies of the past (it happened then so it can happen now); they carefully manipulated their evidence to hide its holes; they relied on the authority of dubious academic sources. Most important, they elevated their believers to membership of an elite- a group of people able to see beyond lies to a higher reality. But why believe something that entails stretching the bounds of probability so far? In this entertaining and enlightening book, he examines why people believe conspiracy theories, and makes an argument for a true skepticism: one based on a thorough knowledge of history and a strong dose of common sense.
Author: Michael Largey Publisher: University of Chicago Press ISBN: 0226468658 Category : History Languages : en Pages : 300
Book Description
While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation’s troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music. Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression. Together with Haitian musicians, these composers helped create what Michael Largey calls the “Vodou Nation,” an ideal vision of Haiti that championed its African-based culture as a bulwark against America’s imperialism. Highlighting the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences, Vodou Nation sheds light on a black cosmopolitan musical tradition that was deeply rooted in Haitian culture and politics.
Author: Michel S. Laguerre
Author: Michel S. Laguerre
Author: Nik Van Den
Author: Lynn Garrison
Author: Kodi A. Roberts
Author: Kate Ramsey
Author: Leah Gordon
Author: Amy Wilentz
Author: 
Author: David Aaronovitch
Author: Michael Largey