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Author: Johannes Haage Publisher: Mel Bay Publications ISBN: 1513470086 Category : Music Languages : en Pages : 316
Book Description
This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements. For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing. VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also: Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them. Introduces a unique harmonic toolbox which can be used at any stage of a musician’s personal artistic development. Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation. Vastly expands the reader’s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion. Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application. Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar. Offers a special section applying the book’s principles to keyboard instruments. Includes access to online audio of select exercises and etudes plus three of the author’s original compositions demonstrating the techniques shown in this 316-page book.
Author: Johannes Haage Publisher: Mel Bay Publications ISBN: 1513470086 Category : Music Languages : en Pages : 316
Book Description
This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements. For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing. VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also: Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them. Introduces a unique harmonic toolbox which can be used at any stage of a musician’s personal artistic development. Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation. Vastly expands the reader’s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion. Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application. Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar. Offers a special section applying the book’s principles to keyboard instruments. Includes access to online audio of select exercises and etudes plus three of the author’s original compositions demonstrating the techniques shown in this 316-page book.
Author: Gina Bloom Publisher: University of Pennsylvania Press ISBN: 0812201310 Category : Literary Criticism Languages : en Pages : 286
Book Description
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Author: David Barker Publisher: Waveland Press ISBN: 1478650753 Category : Performing Arts Languages : en Pages : 140
Book Description
When actors transform themselves on stage, they must escape the confines of their controlled behaviors and become “connected” and emotionally engaged in their movement. When connected, movement becomes an uncensored expression of internal creative impulses. David Barker brings 45 years of acting and teaching experience to Connected Motion with one clear goal: training actors to move better. His process-oriented, improvisation-based approach has proven successful both on the stage and in the studio working with students. He presents concrete exercises and improvisations rather than theory and complex concepts. Instructors will find his ideas easy to apply no matter what movement system they use.
Author: Jeffrey Wollock Publisher: John Benjamins Publishing ISBN: 9027275807 Category : Philosophy Languages : en Pages : 514
Book Description
The body of theory on speech production and speech disorder developed prior to Descartes has been so neglected by historians that its very existence is practically unknown today. Yet it provides a framework for understanding the speech process which is not only comprehensive and coherent, but of great relevance to current debates on issues of language performance and applied linguistics. Current theoretical difficulties stem largely from initial errors of Descartes; whereas earlier theoretical formulations, while outlining a bio-mechanics of speech, retain the central role of the human agent. The discussions explicated in this book come mainly from the natural-philosophic and medical literature of Greco-Roman Antiquity, the Middle Ages, and the Renaissance and early 17th century. This uncharted territory is mapped by tracing its textual history and diffusion as well as explaining the theory on its own terms but in clear and comprehensible language. Interdisciplinary in perspective, the book encompasses topics of interest not only to the language sciences, but also to the biosciences, medicine, philosophy of human movement, psychology and behavioral sciences, neurosciences, speech pathology, experimental phonetics, speech and rhetoric, and the history of science in general.
Author: Kate DeVore Publisher: Chicago Review Press ISBN: 1569763062 Category : Health & Fitness Languages : en Pages : 249
Book Description
Written to save careers one voice at a time through scientifically proven methods and advice, this resource teaches people how to protect and improve one of their most valuable assets: their speaking voice. Simple explanations of vocal anatomy and up-to-date instruction for vocal injury prevention are accompanied by illustrations, photographs, and FAQs. An audio CD of easy-to-follow vocal-strengthening exercises--including Hum and Chew, Puppy Dog Whimper, Sirens, Lip Trills, and Tongue Twisters--is also included, along with information on breathing basics, vocal-cord vibration, and working with students who have medical complications such as asthma, acid reflux, or anxiety.
Author: Mitsuko Aramaki Publisher: Springer ISBN: 3319129767 Category : Computers Languages : en Pages : 680
Book Description
This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Symposium on Computer Music Modeling and Retrieval, CMMR 2013, held in Marseille, France, in October 2013. The 38 conference papers presented were carefully reviewed and selected from 94 submissions. The chapters reflect the interdisciplinary nature of this conference with following topics: augmented musical instruments and gesture recognition, music and emotions: representation, recognition, and audience/performers studies, the art of sonification, when auditory cues shape human sensorimotor performance, music and sound data mining, interactive sound synthesis, non-stationarity, dynamics and mathematical modeling, image-sound interaction, auditory perception and cognitive inspiration, and modeling of sound and music computational musicology.
Author: Johannes Haage
Author: Johannes Haage
Author: Gina Bloom
Author: David Barker
Author: David Lewis Yewdall
Author: Jeffrey Wollock
Author: Jacob Solis Cohen
Author: Johannes Müller
Author: James Ross Cameron
Author: Kate DeVore
Author: Mitsuko Aramaki