Vocabulaire du droit d'auteur appliqué à l'audiovisuel PDF Download

Author: Robert Dubuc
Publisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 186

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Author: Mary E. Bond
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102

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Book Description
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Carine Bernault
Publisher: LGDJ
ISBN:
Category : Audio-visual materials
Languages : fr
Pages : 488

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Book Description
Secteur de la création particulièrement représentatif des industries culturelles, l'audiovisuel est également un élément essentiel de la culture nationale. Cette dualité en fait un "laboratoire" particulièrement intéressant qui permet d'aborder deux points principaux. On peut tout d'abord s'interroger sur la possibilité de concilier la conception traditionnellement humaniste du droit d'auteur français avec les enjeux économiques attachés au développement de l'industrie des "contenus". Mais on doit aussi envisager les rapports entre le droit de la propriété littéraire et artistique et le droit de la communication, qui a notamment pour vocation de protéger la création nationale. Dans cette perspective, l'étude de la propriété littéraire et artistique appliquée à l'audiovisuel conduit à mener une double démonstration. Tout d'abord, il apparaît que le régime juridique de l'objet audiovisuel, loin de révéler une spécificité de ce type de création qui imposerait de distinguer un droit de la propriété littéraire et artistique "classique" d'un droit de la propriété littéraire et artistique "économique", illustre au contraire la souplesse de la conception française du droit d'auteur, capable, en tenant compte de la nature de la création audiovisuelle, de concilier humanisme et pragmatisme. Ensuite, l'influence du droit de la communication sur le droit d'auteur et les droits voisins révèle les fondements profondément différents de ces deux droits, qui, s'ils voient leurs domaines d'application se croiser, n'en poursuivent pas moins des objectifs différents. S'il importe donc de prendre conscience des répercussions, réelles, du droit de la communication sur la situation des auteurs et auxiliaires de la création, on ne peut pas pour autant en déduire l'existence d'un droit de l'audiovisuel réunissant les dispositions du droit public et du droit privé applicables à l'audiovisuel, l'incohérence de ce droit étant trop importante pour qu'il puisse prétendre à l'autonomie.

Author: Niels Brügger
Publisher: Routledge
ISBN: 1351336096
Category : Computers
Languages : en
Pages : 444

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Book Description
In 2017, the new journal Internet Histories was founded. As part of the process of defining a new field, the journal editors approached leading scholars in this dynamic, interdisciplinary area. This book is thus a collection of eighteen short thought-provoking pieces, inviting discussion about Internet histories. They raise and suggest current and future issues in the scholarship, as well as exploring the challenges, opportunities, and tensions that underpin the research terrain. The book explores cultural, political, social, economic, and industrial dynamics, all part of a distinctive historiographical and theoretical approach which underpins this emerging field. The international specialists reflect upon the scholarly scene, laying out the field’s research successes to date, as well as suggest the future possibilities that lie ahead in the field of Internet histories. While the emphasis is on researcher perspectives, interviews with leading luminaries of the Internet’s development are also provided. As histories of the Internet become increasingly important, Internet Histories is a useful roadmap for those contemplating how we can write such works. One cannot write many histories of the 1990s or later without thinking of digital media – and we hope that Internet Histories will be an invaluable resource for such studies. This book was originally published as the first issue of the Internet Histories journal.

Author: David Mellinkoff
Publisher: Wipf and Stock Publishers
ISBN: 1592446906
Category : Social Science
Languages : en
Pages : 540

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Book Description
This book tells what the language of the law is, how it got that way and how it works out in the practice. The emphasis is more historical than philosophical, more practical than pedantic.

Author: Helen Tattam
Publisher: MHRA
ISBN: 1907322833
Category : Literary Criticism
Languages : en
Pages : 236

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Book Description
Gabriel Marcel (1889-1973) stands outside the traditional canon of twentieth-century French philosophers. Where he is not simply forgotten or overlooked, he is dismissed as a 'relentlessly unsystematic' thinker, or, following Jean-Paul Sartre's lead, labelled a 'Christian existentialist' - a label that avoids consideration of Marcel's work on its own terms. How is one to appreciate Marcel's contribution, especially when his oeuvre appears to be at odds with philosophical convention? Helen Tattam proposes a range of readings as opposed to one single interpretation, a series of departures or explorations that bring his work into contact with critical partners such as Henri Bergson, Paul Ricoeur and Emmanuel Lévinas, and offer insights into a host of twentieth-century philosophical shifts concerning time, the subject, the other, ethics, and religion. Helen Tattam's ambitious study is an impressively lucid account of Marcel's engagement with the problem of time and lived experience, and is her first monograph since the award of her doctorate from the University of Nottingham.

Author: Michael Strangelove
Publisher: University of Toronto Press
ISBN: 1442610670
Category : Social Science
Languages : en
Pages : 281

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Book Description
Michael Strangelove provides a broad overview of the world of amateur online videos and the people who make them. He describes how online digital video is both similar to and different from traditional home-movie-making and argues that we are moving into a post-television era characterized by mass participation. --from publisher description.

Author: Marijke de Valck
Publisher: Amsterdam University Press
ISBN: 9053567682
Category : Performing Arts
Languages : en
Pages : 239

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Book Description
They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel—they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.

Author: Marcel Thelen
Publisher: Lodz Studies in Language
ISBN: 9783631663905
Category : Semantics
Languages : en
Pages : 0

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Book Description
This book presents new and innovative ideas on the didactics of translation and interpreting. They include assessment methods and criteria, assessment of competences, graduate employability, placements, skills labs, the perceived skills gap between training and profession, the teaching of terminology, and curriculum design.

Author: David Mellinkoff
Publisher: Wipf and Stock Publishers
ISBN: 1606088238
Category : Social Science
Languages : en
Pages : 811

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Book Description
This is a dictionary of the language of the law as used in America today. Most of this dictionary is written in ordinary English. Most of the words that lawyers use in writing and talking about the law are the ordinary words that fill the dictionaries of the English language. They have a place in this dictionary when the law gives them a specialized sense; or to emphasize that there is none. Too often an apparent change in sense results not from the law but from bad grammar or redundancy; or from an unsorted host of possible meanings jumbled together and left to the vagaries of interpretation. At the other extreme, individual cases, each walled in by its own distinctive facts and law, may give an immaculately narrowed sense, but neither generalized definition nor standards for the gradation of sense that is the essence of clear usage. A small number of citations to cases of special relevance to word usage are included in this dictionary. The citation count does not measure the indebtedness of this dictionary to old and current sources of American legal usage. The definitions and examples of usage in this dictionary have roots in the law reports of thousands of litigated cases; in law writings formal and informal, profound and trivial; in the talk of lawyers and judges in court and out--the formal and the informal--colloquial and slangy, talk that is precise and talk that is mush; in a long line of dictionaries past and present--law dictionaries, and dictionaries of English and its usage. Drawing from all those sources, the definitions and examples are shaped by more than a half-century of personal immersion in the oral and written language of the law, as law student, practicing lawyer, professor, and writer. And something has been added. This dictionary is designed to sort out the words used in the law, and to identify the different senses in which each is used, and can be used. With cross-reference, it tells how words are related to each other and separated for each other, so that discrimination and choice of usage are possible. Words are grouped together as identical, similar, disparate, departing from or paralleling the usages of ordinary English. Where usage is not uniform, the dictionary comments on what is better, best, and worst. The dictionary concentrates on general legal usage for a profession practicing in the American common law tradition . . . The dictionary does not detail the multitude of other jurisdictional variations, but calls attention to the fact of variation. Although the distinction is often difficult to make, this is a word dictionary, not a short legal encyclopedia. Technicalities in general legal usage are included, but not the intricacies of learning in specialized fields of the law. There is no standard legal pronunciation. Pronunciation is included here when it is unusual, exotic, controversial, or needed to prevent confusion. Pronunciation is rendered in simplified phonetics. American law dictionaries go back to 1839. This one is new and different. --David Mellinkoff, from the Preface