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Author: Michael Kidd Publisher: Penn State Press ISBN: 0271040580 Category : Drama Languages : en Pages : 281
Book Description
Within the rich tradition of Spanish theater lies an unexplored dimension reflecting themes from classical mythology. Through close readings of selected plays from early modern and twentieth-century Spanish literature with plots or characters derived from the Greco-Roman tradition, Michael Kidd shows that the concept of desire plays a pivotal role in adapting myth to the stage in each of several historical periods. In Stages of Desire, Kidd offers a new way of looking at the theater in Spain. Reviewing the work of playwrights from Juan del Encina to Luis Riaza, he suggests that desire constitutes a central element in a large number of Greco-Roman myths and shows how dramatists have exploited this to resituate ancient narratives within their own artistic and ideological horizons. Among the works he analyzes are Timoneda's Tragicomedia llamada Filomena, Castro's Dido y Eneas, and Unamuno's Fedra. Kidd explores how seventeenth-century playwrights were constrained by the conventions of the newly formed national theater, and how in the twentieth century mythological desire was exploited by playwrights engaged in upsetting the melodramatic conventions of the entrenched bourgeois theater. He also examines the role of desire both in the demythification of prominent classical heroes during the Franco regime and in the cultural critique of institutionalized discrimination in the current democratic period. Stages of Desire is an original and broad-ranging study that highlights both change and continuity in Spanish theater. By elegantly combining theory, literary history, and close textual analysis, Kidd demonstrates both the resilience of Greco-Roman myths and the continuing vitality of the Spanish stage.
Author: Michael Kidd Publisher: Penn State Press ISBN: 0271040580 Category : Drama Languages : en Pages : 281
Book Description
Within the rich tradition of Spanish theater lies an unexplored dimension reflecting themes from classical mythology. Through close readings of selected plays from early modern and twentieth-century Spanish literature with plots or characters derived from the Greco-Roman tradition, Michael Kidd shows that the concept of desire plays a pivotal role in adapting myth to the stage in each of several historical periods. In Stages of Desire, Kidd offers a new way of looking at the theater in Spain. Reviewing the work of playwrights from Juan del Encina to Luis Riaza, he suggests that desire constitutes a central element in a large number of Greco-Roman myths and shows how dramatists have exploited this to resituate ancient narratives within their own artistic and ideological horizons. Among the works he analyzes are Timoneda's Tragicomedia llamada Filomena, Castro's Dido y Eneas, and Unamuno's Fedra. Kidd explores how seventeenth-century playwrights were constrained by the conventions of the newly formed national theater, and how in the twentieth century mythological desire was exploited by playwrights engaged in upsetting the melodramatic conventions of the entrenched bourgeois theater. He also examines the role of desire both in the demythification of prominent classical heroes during the Franco regime and in the cultural critique of institutionalized discrimination in the current democratic period. Stages of Desire is an original and broad-ranging study that highlights both change and continuity in Spanish theater. By elegantly combining theory, literary history, and close textual analysis, Kidd demonstrates both the resilience of Greco-Roman myths and the continuing vitality of the Spanish stage.
Author: Henry Oswaldo Aldana Publisher: Xlibris Corporation ISBN: 1479723622 Category : Self-Help Languages : en Pages : 158
Book Description
El Arte de Resurgir te ayudará a convertir los fracasos en victorias, resurgir exitosamente en los negocios, resurgir de relaciones fracasadas y crear nuevas relaciones armoniosas, recuperarte de enfermedades, y convertir una vida trágica en una vida mágica. Este libro cambiará tu vida; en el encontrarás la inspiración para emprender el proceso de transformación personal que te llevará a vivir con plenitud y a conquistar tus más remotos sueños. Si alguna vez te has encontrado en el callejón del fracaso y crees que nunca encontrarás la salida, aquí verás que esto es sólo temporal y que puedes aprender a convertir los malos tiempos en mejores y los fracasos en triunfos. Este libro te guiará para encontrar la salida. Lo importante es reprogramar tu mente para darle la bienvenida a los errores y aceptarlos como tus mentores, aprendiendo de ellos y utilizándolos de trampolín para saltar hacia el éxito en todos los aspectos de tu vida. Tú tienes el poder de cambiar tu vida en el momento que tú quieras. Toma control de tu vida, tomando el control de tus pensamientos. Estás en el momento propicio, toma la decisión de lanzarte a la aventura maravillosa de abrir nuevos horizontes y encontrar ¡la verdadera felicidad!
Author: Nancy Hanway Publisher: McFarland ISBN: 9780786482450 Category : Literary Criticism Languages : en Pages : 196
Book Description
In 2001 Argentina faced its most serious economic crisis in years. At this turbulent time in Argentina's history, the question "What is argentinidad?" is more important than ever. The symbols of Argentina's national culture that are now revered came about during another time of economic and political unrest in the second half of the nineteenth century and were captured by writers who understood authorship as a political matter. This book examines Argentine literary narratives from 1850 to 1880, including Amalia (1851) by Jose Marmol, Recuerdos de provincia (1850) by Domingo Faustino Sarmiento, Una excursion a los indios ranqueles (1870) by Lucio V. Mansilla and Martin Fierro (1872, 1879) by Jose Hernandez, and the changing relationship between ideas of citizenship, the body, and national space. The author argues that in each of the literary narratives she discusses, the ideas embodied by the emblematic citizen are articulated clearly in scenes in which the relationship between the gendered body and concepts of nation-space--the spaces, lands or territories where struggles over national identity are represented--comes into play. The work of Rosa Guerra and Eduarda Mansilla de Garcia, who do not have canonical status but were widely read in their time and dealt with the colonial-era myth of the "first" white women held captive by native Argentines, is also explored.
Author: Michael Kidd
Author: Michael Kidd
Author: 
Author: Mariano Velazquez de la Cadena
Author: Henry Oswaldo Aldana
Author: Robert Bontine Cunninghame Graham
Author: Nancy Hanway
Author: Heinrich Gottfried Ollendorff
Author: Mariano Velázquez de la Cadena
Author: Nicolas Gouin Dufief
Author: Mariano Velázquez de la Cadena