Viva Picasso PDF Download

Author: David Douglas Duncan
Publisher: Penguin Putnam
ISBN:
Category : Painters
Languages : en
Pages : 160

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Author: Dr. Harpal Sodhi
Publisher: Harpal Sodhi
ISBN:
Category : Art
Languages : en
Pages : 63

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Book Description
Master Minds: Creativity in Picasso’s & Husain’s Paintings The book, “Master Minds: Creativity in Picasso’s and Husain’s Paintings”, is a projection of master minds in the field of art. It reveals about the creative works of art that are not just show pieces to adorn rich homes, museums and art galleries but to bring awareness about human attitude and cultural heritage. The projection of these works of art could lead to international integration and establish an amicable relationship between people of all communities and further form a peaceful global human society. This book Part 1 to Part 5 also serves the purpose of academic study for art scholars and art researchers all over the world In the entire book, “Master Minds: Creativity in Picasso’s and Husain’s Paintings,” light has been thrown on Picasso’s and Husain’s life and paintings. There is an analytical study of their works of art. The significant aspects dealt with in their paintings are creativity viewed through linear quality, forms, colors, pictorial composition, subject matter, styles, mediums, techniques, similarities and differences in their works of art. I consider myself to be fortunate to avail the opportunity to journey through a significant part of the life and works of these two great artists. Their contribution to the world of art is exemplary for many future generations. Picasso and Husain have proved that the aesthetic artistic trend of thought has no barriers and boundaries. The mind of an artist can reach any part of the universe and create wonders in the form of an art. Picasso’s and Husain’s immortalized paintings mesmerize the observer when their creative activity springs out in their paintings which speak in a silent language of forms and colors. An exposure to visual art in any form has proved to be a form of communication. Our global human society is divided by languages, customs, religions, economic developments and geographical locations, but the visual language in the form of paintings of artists all over the world have united the global society by their creative activity. When an artist’s aesthetic sense is highly developed and his ability to grasp and display is superb he ultimately becomes a pioneer of a unique technique or style. Picasso’s cubism and Husain’s allegorical series of paintings in Husainean style are the products of the vigorous experiments with different mediums and techniques. It has been noticed that their works have a glimpse of the existing styles and techniques mingled with an antiquarian approach where the result is absolutely unique and creative. Their works of art are deemed to immortalize their names as the ever shining prominent stars in the sky of the world of art. There are total 226 illustrations in Part 1 to Part 5 of the ebooks that include a unique analytical study of the paintings and the sketches of the artists, Pablo Picasso and Maqbool Fida Husain. Dr.Harpal Sodhi

Author: Robin Langley Sommer
Publisher: JG Press
ISBN: 9781572153738
Category : Art
Languages : en
Pages : 120

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This book, with over 120 works illustrated in full color, presents the art of Pablo Picasso, one of the most original and creative artists of the twentieth century.

Author: Arianna Stassinopoulos Huffington
Publisher: Simon & Schuster
ISBN:
Category : Art
Languages : en
Pages : 600

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Book Description
A biography of the twentieth-century painter discussing his many relationships with women, his children, his philosophies and his work.

Author: Karen L. Kleinfelder
Publisher: University of Chicago Press
ISBN: 9780226439839
Category : Art
Languages : en
Pages : 294

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Book Description
Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.

Author: Pablo Picasso
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230

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Book Description
Comprises three scholarly, compelling essays on the artist. Includes works that illustrate the main stages of Picasso's artistic evolution.

Author: Desmond Morris
Publisher: Reaktion Books
ISBN: 1861897103
Category : Nature
Languages : en
Pages : 217

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Book Description
From Edward Lear’s “The Owl and the Pussycat”to David Lynch’s Twin Peaks, owls have been woven into the fabric of popular culture. At times they are depicted as dignified, wise old scholars and at other times as foreboding voyeurs who see all and interrogate with an accusatory, “Who? Who?” In Owl best-selling author Desmond Morris explores the natural and cultural history of these predators of the night who embody both good and evil in turn. In this fascinating book, Morris describes the evolution, the many species, and the wide spread of owls across the globe. Owls are found on every land mass around the world, with the exception of Antarctica; and as a result of their wide distribution, owls appear in the folktales, myths, and legends of many native peoples—in addition to popular art, film, and literature worldwide. Featuring over 100 telling illustrations from nature and culture, Owl will appeal to the numerous fans of this enigmatic bird, from the friendly Mr. Owls to silent, sinister, hunters of the dark.

Author: Elizabeth Cowling
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 308

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Book Description
De beeldhouwwerken van Pablo Picasso (1881-1973) uit de periode 1906-1962 en de invloed ervan op zijn overige werk.

Author: Michel Butor
Publisher: Images Modernes
ISBN:
Category : Artists
Languages : en
Pages : 250

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Author: Elizabeth Cooperman
Publisher: U of Nebraska Press
ISBN: 1496232739
Category : Biography & Autobiography
Languages : en
Pages : 194

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Book Description
When we think of prototypical artists, we think of, say, Picasso, who made work quickly, easily, effervescently. On the contrary, in Woman Pissing, a literary collage that takes its title from a raunchy Picasso painting, Elizabeth Cooperman celebrates artists--particularly twentieth-century women artists--who have struggled with debilitating self-doubt and uncertainty. At the same time, Cooperman grapples with her own questions of creativity, womanhood, and motherhood, considering her decade-long struggle to finish writing her own book and realizing that she has failed to perform one of the most fundamental creative acts--bearing a child. Woman Pissing is composed of roughly one hundred short prose "paintings" that converge around questions of creativity and fecundity. As the book unfolds it builds a larger metaphor about creativity, and the concerns of artistry and motherhood begin to entwine. The author comes to terms with self-doubt, inefficiency, frustration, and a nonlinear, circuitous process and proposes that these methods might be antidotes to the aggressive bravura and Picassian overconfidence of ego-driven art.