Author: Kevin Curran
Publisher: Routledge
ISBN: 1317100239
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.
Marriage, Performance, and Politics at the Jacobean Court
Author: Kevin Curran
Publisher: Routledge
ISBN: 1317100239
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.
Publisher: Routledge
ISBN: 1317100239
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.
A Vindication of the Scottish Covenanters
Miscellaneous Writings, Chiefly Historical
Author: Thomas M'Crie
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 740
Book Description
Miscellaneous Writings, chiefly historical, of the late T. McCrie ... Edited by his son [T. Mac Crie, the younger].
Author: Thomas MACCRIE (D.D., the Elder.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 704
Book Description
A Vindication of the Scottish Covenanters: Consisting of a Review of the First Series of the "Tales of My Landlord," Extracted from the Christian Instructor for 1817
Author: Scotland. - Covenanters
Publisher:
ISBN:
Category : Covenanters
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category : Covenanters
Languages : en
Pages : 296
Book Description
Miscellaneous Writings Chiefly historical of the late --- edited by his son
Author: Thomas M ́CRIE
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 688
Book Description
Notes and Queries: A Medium of Inter-Communication for Literary Men, Artists, Antiquaries, Genealogists, Etc
Bibliotheca Lindesiana ...
Author: James Ludovic Lindsay Earl of Crawford
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1572
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1572
Book Description
Notes and Queries
Like Angels from a Cloud
Author: Horton Davies
Publisher: Wipf and Stock Publishers
ISBN: 1592449344
Category : Religion
Languages : en
Pages : 517
Book Description
This is the very first study made in depth and detail of over forty Anglican preachers in the Golden Age of the English Pulpit. There have been individual studies of the sermons of Donne and Andrewes, but none of the metaphysical preachers as a whole. It is the aim of this book to introduce to the reader some of the less familiar preachers: men such as John Hacket and Ralph Brownrig, Calvinist preachers in the metaphysical style such as the Elizabethan Henry Smith (known as silver-tongued for his oratory), or Thomas Adams, who was styled the prose Shakespeare of Puritan theologians. These men, and others, were widely admired in their day and, in many cases, their contemporary popularity challenged that even of Donne. This study provides explanations for the popularity of the metaphysical style, and incidentally proves untenable the stereotype that all the metaphysical preachers were of the Arminian persuasion, since a fair proportion of the group were Calvinists who rejected the Puritan plain style in favor of a metaphysical mode of expression. One explanation of the popularity of this style for a period of some fifty years is that practically every metaphysical divine was also a poet, and that daring imagery, wit, and arcane knowledge were the chief differentia of this style of poetry. Furthermore, James I and Charles I were great admirers of wit and learning. They chose royal chaplains for these qualities: learning made them good apologists, and their wit kept the captive congregations at court intrigued. Equal attention is given to the biographies of the preachers, the themes of their sermons, and the techniques of preaching and sermon construction, with separate chapters on learning and eloquence, wit and imagery, and the uses to which they were put. The result is a full picture of the group of seventeenth-century divines who preached like angels from a cloud.
Publisher: Wipf and Stock Publishers
ISBN: 1592449344
Category : Religion
Languages : en
Pages : 517
Book Description
This is the very first study made in depth and detail of over forty Anglican preachers in the Golden Age of the English Pulpit. There have been individual studies of the sermons of Donne and Andrewes, but none of the metaphysical preachers as a whole. It is the aim of this book to introduce to the reader some of the less familiar preachers: men such as John Hacket and Ralph Brownrig, Calvinist preachers in the metaphysical style such as the Elizabethan Henry Smith (known as silver-tongued for his oratory), or Thomas Adams, who was styled the prose Shakespeare of Puritan theologians. These men, and others, were widely admired in their day and, in many cases, their contemporary popularity challenged that even of Donne. This study provides explanations for the popularity of the metaphysical style, and incidentally proves untenable the stereotype that all the metaphysical preachers were of the Arminian persuasion, since a fair proportion of the group were Calvinists who rejected the Puritan plain style in favor of a metaphysical mode of expression. One explanation of the popularity of this style for a period of some fifty years is that practically every metaphysical divine was also a poet, and that daring imagery, wit, and arcane knowledge were the chief differentia of this style of poetry. Furthermore, James I and Charles I were great admirers of wit and learning. They chose royal chaplains for these qualities: learning made them good apologists, and their wit kept the captive congregations at court intrigued. Equal attention is given to the biographies of the preachers, the themes of their sermons, and the techniques of preaching and sermon construction, with separate chapters on learning and eloquence, wit and imagery, and the uses to which they were put. The result is a full picture of the group of seventeenth-century divines who preached like angels from a cloud.