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Vitis Mystica

Vitis Mystica PDF Author: W. R. Bernard Brownlow
Publisher: BoD – Books on Demand
ISBN: 3368190504
Category : Fiction
Languages : en
Pages : 390

Book Description
Reprint of the original, first published in 1873.

Vitis Mystica

Vitis Mystica PDF Author: W. R. Bernard Brownlow
Publisher: BoD – Books on Demand
ISBN: 3368190504
Category : Fiction
Languages : en
Pages : 390

Book Description
Reprint of the original, first published in 1873.

'Vitis mystica', or, The true vine, ascr. to s. Bernard. tr. by W.R.B. Brownlow

'Vitis mystica', or, The true vine, ascr. to s. Bernard. tr. by W.R.B. Brownlow PDF Author: Bonaventura (st, card.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 400

Book Description


“Vitis Mystica,” Or, the True Vine: a Treatise on the Passion of Our Lord: Ascribed to S. Bernard. Translated, with Preface, by the Rev. W. R. B. Brownlow

“Vitis Mystica,” Or, the True Vine: a Treatise on the Passion of Our Lord: Ascribed to S. Bernard. Translated, with Preface, by the Rev. W. R. B. Brownlow PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 398

Book Description


Texts of the Passion

Texts of the Passion PDF Author: Thomas H. Bestul
Publisher: University of Pennsylvania Press
ISBN: 1512800872
Category : Literary Criticism
Languages : en
Pages : 273

Book Description
In this book Thomas H. Bestul constructs the literary history of the Latin Passion narratives, placing them within their social, cultural, and historical contexts. He examines the ways in which the Passion is narrated and renarrated in devotional treatises, paying particular attention to the modifications and enlargements of the narrative of the Passion as it is presented in the canonical gospels. Of particular interest to Bestul are the representations of Jews, women, and the body of the crucified Christ. Bestul argues that the greatly enlarged role of the Jews in the Passion narratives of the twelfth and thirteenth centuries is connected to the rising anti-Judaism of the period. He explores how the representations of women, particularly the Virgin Mary, express cultural values about the place of women in late medieval society and reveal an increased interest in female subjectivity.

Medieval Latin

Medieval Latin PDF Author: Frank Anthony Carl Mantello
Publisher: CUA Press
ISBN: 9780813208428
Category : Foreign Language Study
Languages : en
Pages : 796

Book Description
Organized with the assistance of an international advisory committee of medievalists from several disciplines, Medieval Latin: An Introduction and Bibliographical Guide is a new standard guide to the Latin language and literature of the period from c. A.D. 200 to 1500. It promises to be indispensable as a handbook in university courses in Medieval Latin and as a point of departure for the study of Latin texts and documents in any of the fields of medieval studies. Comprehensive in scope, the guide provides introductions to, and bibliographic orientations in, all the main areas of Medieval Latin language, literature, and scholarship. Part One consists of an introduction and sizable listing of general print and electronic reference and research tools. Part Two focuses on issues of language, with introductions to such topics as Biblical and Christian Latin, and Medieval Latin pronunciation, orthography, morphology and syntax, word formation and lexicography, metrics, prose styles, and so on. There are chapters on the Latin used in administration, law, music, commerce, the liturgy, theology and philosophy, science and technology, and daily life. Part Three offers a systematic overview of Medieval Latin literature, with introductions to a wide range of genres and to translations from and into Latin. Each chapter concludes with a bibliography of fundamental works--texts, lexica, studies, and research aids. This guide satisfies a long-standing need for a reference tool in English that focuses on medieval latinity in all its specialized aspects. It will be welcomed by students, teachers, professional latinists, medievalists, humanists, and general readers interested in the role of Latin as the learned lingua franca of western Europe. It may also prove valuable to reference librarians assembling collections concerned with Latin authors and texts of the postclassical period. ABOUT THE EDITORS F. A. C. Mantello is professor of Medieval Latin at The Catholic University of America. A. G. Rigg is professor of English and medieval studies and chairman of the Medieval Latin Committee at the University of Toronto's Centre for Medieval Studies. PRASIE FOR THE BOOK "This extraordinary volume, joint effort of dozens of scholars in eight countries, will be in constant use for research, for advising students and designing courses, and for answering the queries of nonmedievalist colleagues. . . . Medieval Latin provides a foundation for advances in research and teaching on a wide front. . . . Though Mantello and Rigg's Medieval Latin is a superb reference volume, I recommend that it also be read from beginning to end--in small increments, of course. The rewards will be sheaves of notes and an immensely enriched appreciation of Medieval Latin and its literature."--Janet M. Martin, Princeton University, Speculum "A remarkable achievement, and no one interested in medieval Latin can afford to be without it."--Journal of Ecclesiastical History "Everywhere there is clarity, conclusion, judicious illustration, and careful selection of what is central. This guide is a major achievement and will serve Medieval Latin studies extremely well for the foreseeable future."--The Classical Review

The Latin Passion Play

The Latin Passion Play PDF Author: Sandro Sticca
Publisher: SUNY Press
ISBN: 9780873950459
Category : Drama
Languages : en
Pages : 258

Book Description
In this first comprehensive study of the Latin Passion play, Professor Sticca examines the medieval liturgical ceremonies commemorating the events in Christ's Passion and traces their gradual change in character from the contemplative to the dramatic. The author shows that while Christ's Passion became increasingly popular as one of the sacred mysteries beginning in the tenth century, new forces that allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. Professor Sticca analyzes the earliest extant Latin Passion play, the twelfth-century Montecassino codex, and compares it with other Latin and vernacular Passion plays. He refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion play and then offers a new theory of its inception. As a literary form, the Latin Passion play appears to Professor Sticca as a creation of the Montecassino monastic circle which was inspired by the liturgical services of Good Friday and the Gospel accounts. Particularly influential also were three themes that developed in the eleventh century: in liturgy, a concentration on Christocentric piety; in art, a more humanistic treatment of Christ; and in literature, a consideration of the scenes of the Passion as dramatic and human episodes. In the course of this investigation, Professor Sticca also reappraises traditional views of the origin of the medieval liturgical drama, indicating that it should not be traced exclusively to the tropes from the schools of St. Gall and St. Martial of Limoges, but rather to a number of sources.

Tradition and Transformation in Christian Art

Tradition and Transformation in Christian Art PDF Author: C.A. Tsakiridou
Publisher: Routledge
ISBN: 1351187252
Category : Art
Languages : en
Pages : 321

Book Description
Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.

Bonaventure

Bonaventure PDF Author: Bonawentura ((święty ;)
Publisher: Paulist Press
ISBN: 9780809121212
Category : Biography & Autobiography
Languages : en
Pages : 388

Book Description
'But if you wish to know how these things come about ask grace not instruction, desire not understanding, the groaning of prayer not diligent reading, the Spouse not the teacher, God not man, darkness not clarity, not light but the fire that totally enflames and carries us into God by ecstatic unctions and burning affections. This fire is God and his furnace is in Jerusalem...' --Bonaventure, 1217-1274

Franciscan Mysticism

Franciscan Mysticism PDF Author: Dunstan John Dobbins
Publisher:
ISBN:
Category : Mysticism
Languages : en
Pages : 226

Book Description


Imagination, Meditation, and Cognition in the Middle Ages

Imagination, Meditation, and Cognition in the Middle Ages PDF Author: Michelle Karnes
Publisher: University of Chicago Press
ISBN: 022652759X
Category : History
Languages : en
Pages : 283

Book Description
In Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.