Vitalism and Celebration PDF Download

Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 206

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Author: James Hogg
Publisher:
ISBN:
Category :
Languages : en
Pages : 188

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Author: C. Packham
Publisher: Springer
ISBN: 0230368395
Category : Literary Criticism
Languages : en
Pages : 246

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This book offers an important account of the relationship between science and culture in the eighteenth century. It examines the 'vitalist' turn in physiology and natural philosophy, and its presence and effect in the burgeoning of philosophical and scientific inquiry of the Scottish Enlightenment, and the radical politics and culture of the 1790s.

Author: Gertrud Hvidberg-Hansen
Publisher: Museum Tusculanum Press
ISBN: 8763531348
Category : Art
Languages : en
Pages : 462

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This richly illustrated book outlines the strong Vitalistic movement in Denmark during the period 1890-1940. This movement emerged as a response to the rationalism and one-sided intellectualism of a rigid, bourgeois, or decadent culture of the 19th century. It constituted a number of cultural currents that were manifested in philosophy, art, and everyday life, with an emphasis on the energy of youth, the dynamic personality, and the potential of the body. Viewed in the wider perspective, the aim of Vitalism's cult of the body was a revitalization that was to benefit not only the individual human being, but the whole of culture. Although the Vitalistic themes emanated from modern life, they also drew artistic sustenance from Nordic mythology and Greek antiquity, which served as the most important ideals in the modern pursuit of both physical and spiritual beauty. Additionally, the book highlights the prevalence of the interest in health and exercise and an increased attentiveness to hyg

Author: John Marks
Publisher: Pluto Press
ISBN: 9780745308746
Category : Literary Criticism
Languages : en
Pages : 218

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A guide to the work of Gilles Deleuze

Author: Christopher Donohue
Publisher: Springer Nature
ISBN: 3031126041
Category : Philosophy
Languages : en
Pages : 270

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This Open Access book combines philosophical and historical analysis of various forms of alternatives to mechanism and mechanistic explanation, focusing on the 19th century to the present. It addresses vitalism, organicism and responses to materialism and its relevance to current biological science. In doing so, it promotes dialogue and discussion about the historical and philosophical importance of vitalism and other non-mechanistic conceptions of life. It points towards the integration of genomic science into the broader history of biology. It details a broad engagement with a variety of nineteenth, twentieth and twenty-first century vitalisms and conceptions of life. In addition, it discusses important threads in the history of concepts in the United States and Europe, including charting new reception histories in eastern and south-eastern Europe. While vitalism, organicism and similar epistemologies are often the concern of specialists in the history and philosophy of biology and of historians of ideas, the range of the contributions as well as the geographical and temporal scope of the volume allows for it to appeal to the historian of science and the historian of biology generally.

Author: Elizabeth A. Williams
Publisher: Routledge
ISBN: 1351962566
Category : History
Languages : en
Pages : 329

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One of the key themes of the Enlightenment was the search for universal laws and truths that would help illuminate the workings of the universe. It is in such attitudes that we trace the origins of modern science and medicine. However, not all eighteenth century scientists and physicians believed that such universal laws could be found, particularly in relation to the differences between living and inanimate matter. From the 1740s physicians working in the University of Medicine of Montpellier began to contest Descartes's dualist concept of the body-machine that was being championed by leading Parisian medical 'mechanists'. In place of the body-machine perspective that sought laws universally valid for all phenomena, the vitalists postulated a distinction being living and other matter, offering a holistic understanding of the physical-moral relation in place of mind-body dualism. Their medicine was not based on mathematics and the unity of the sciences, but on observation of the individual patient and the harmonious activities of the 'body-economy'. Vitalists believed that Illness was a result of disharmony in this 'body-economy' which could only be remedied on an individual level depending on the patient's own 'natural' limitations. The limitations were established by a myriad of factors such as sex, class, age, temperament, region, and race, which negated the use of a single universal treatment for a particular ailment. Ultimately Montpelier medicine was eclipsed by that of Paris, a development linked to the dynamics of the Enlightenment as a movement bent on cultural centralisation, acquiring a reputation as a kind of anti-science of the exotic and the mad. Given the long-standing Paris-centrism of French cultural history, Montpellier vitalism has never been accorded the attention it deserves by historians. This study repairs that neglect.

Author: Stephen Alomes
Publisher: Cambridge University Press
ISBN: 9780521629782
Category : Art
Languages : en
Pages : 342

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For thousands of young Australians the tearful dockside farewell was a rite of passage as they boarded ships bound for London. For some the journey was an extended holiday, but for many actors, painters, musicians, writers and journalists, leaving Australia seemed to be the only path to personal and professional fulfilment. This book, first published in 2000, is a collective biography of those people who found themselves categorised as expatriates - people such as Leo McKern, Dame Joan Sutherland, Barry Tuckwell, Don Banks, Phillip Knightley, John Pilger, Peter Porter, Richard Neville, Jill Neville and 'megastars' Barry Humphries, Germaine Greer and Clive James. The book tells of choices they made about career and country, yet it is also a cultural history that traces shifts in the complex relationship between Australia and Britain, as the supposed colonial backwater began to develop its own cultural identity.

Author: Fae Brauer
Publisher: Taylor & Francis
ISBN: 1000826910
Category : Art
Languages : en
Pages : 387

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This book reveals how, when, where, and why vitalism and its relationship to new scientific theories, philosophies and concepts of energy became seminal from the fin de siècle until the Second World War for such Modernists as Sophie Taeuber-Arp, Hugo Ball, Juliette Bisson, Eva Carrière, Salvador Dalì, Robert Delaunay, Marcel Duchamp, Edvard Munch, Picasso, Yves Tanguy, Gino Severini and John Cage. For them, Vitalism entailed the conception of life as a constant process of metamorphosis impelled by the free flow of energies, imaginings, intuition and memories, unconstrained by mechanistic materialism and chronometric imperatives, to generate what the philosopher Henri Bergson aptly called Creative Evolution. Following the three main dimensions of Vitalist Modernism, the first part of this book reveals how biovitalism at the fin de siècle entailed the pursuit of corporeal regeneration through absorption in raw nature, wholesome environments, aquatic therapies, electromagnetism, heliotherapy, modern sports, particularly rugby, water sports, the Olympic Games and physical culture to energize the human body and vitalize its life force. This is illuminated by artists as geoculturally diverse as Gustave Caillebotte, Thomas Eakins, Munch and Albert Gleizes. The second part illuminates how simultaneously Vitalism became aligned with anthroposophy, esotericism, magnetism, occultism, parapsychology, spiritism, theosophy and what Bergson called "psychic states", alongside such new sciences as electromagnetism, radiology and the Fourth Dimension, as captured by such artists as Juliette Bisson, Giacomo Balla, Albert Besnard, Umberto Boccioni, Eva Carrière, John Gerrard Keulemans, László Moholy-Nagy, James Tissot, Albert von Schrenck Notzing and Picasso. During and after the devastation of the First World War, the third part explores how Vitalism, particularly Bergson’s theory of becoming, became associated with Dadaist, Neo-Dadaist and Surrealist notions of amorality, atemporality, dysfunctionality, entropy, irrationality, inversion, negation and the nonsensical captured by Hans Arp, Charlie Chaplin, Theo Van Doesburg, Kazimir Malevich, Kurt Schwitters and Vladimir Tatlin alongside Cage’s concept of Nothing. After investigating the widespread engagement with Bergson’s philosophies and Vitalism and art by Anarchists, Marxists and Communists during and after the First World War, it concludes with the official rejection of Bergson and any form of Vitalism in the Soviet Union under Stalin. This book will be of vital interest to gallery, exhibition and museum curators and visitors, plus readers and scholars working in art history, art theory, cultural studies, modernist studies, occult studies, European art and literature, health, histories of science, philosophy, psychology, sociology, sport studies, heritage studies, museum studies and curatorship.

Author: Timothy Wientzen
Publisher: JHU Press
ISBN: 1421440873
Category : History
Languages : en
Pages : 269

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"Reconstructing a vast archive of writing about reflex behaviors, this book demonstrates the ways in which a "politics of reflex" came to shape the intellectual and cultural life of the modernist era"--