Author: William H. A. Williams
Publisher: Anthem Press
ISBN: 085728407X
Category : Business & Economics
Languages : en
Pages : 273
Book Description
Based on the accounts of British and Anglo-Irish travelers, 'Creating Irish Tourism' charts the development of tourism in Ireland from its origins in the mid-eighteenth century to the country's emergence as a major European tourist destination a century later. The work shows how the Irish tourist experience evolved out of the interactions among travel writers, landlords, and visitors with the peasants who, as guides, jarvies, venders, porters and beggars, were as much a part of Irish tourism as the scenery itself.
Creating Irish Tourism
Author: William H. A. Williams
Publisher: Anthem Press
ISBN: 085728407X
Category : Business & Economics
Languages : en
Pages : 273
Book Description
Based on the accounts of British and Anglo-Irish travelers, 'Creating Irish Tourism' charts the development of tourism in Ireland from its origins in the mid-eighteenth century to the country's emergence as a major European tourist destination a century later. The work shows how the Irish tourist experience evolved out of the interactions among travel writers, landlords, and visitors with the peasants who, as guides, jarvies, venders, porters and beggars, were as much a part of Irish tourism as the scenery itself.
Publisher: Anthem Press
ISBN: 085728407X
Category : Business & Economics
Languages : en
Pages : 273
Book Description
Based on the accounts of British and Anglo-Irish travelers, 'Creating Irish Tourism' charts the development of tourism in Ireland from its origins in the mid-eighteenth century to the country's emergence as a major European tourist destination a century later. The work shows how the Irish tourist experience evolved out of the interactions among travel writers, landlords, and visitors with the peasants who, as guides, jarvies, venders, porters and beggars, were as much a part of Irish tourism as the scenery itself.
Signal
The Broadview Introduction to Book History
Author: Michelle Levy
Publisher: Broadview Press
ISBN: 1554810876
Category : Language Arts & Disciplines
Languages : en
Pages : 258
Book Description
Book history has emerged in the last twenty years as one of the most important new fields of interdisciplinary study. It has produced new interpretations of major historical events, has made possible new approaches to history, literature, media, and culture, and presents a distinctive historical perspective on current debates about the future of the book. The Broadview Introduction to Book History provides the most comprehensive and up-to-date introduction to this field. Written in a lively, accessible style, chapters on materiality, textuality, printing and reading, intermediality, and remediation guide readers through numerous key concepts, illustrated with examples from literary texts and historical documents produced across a wide historical range. An ideal text for undergraduate and graduate courses in book history, it offers a road map to this dynamic inter-disciplinary field.
Publisher: Broadview Press
ISBN: 1554810876
Category : Language Arts & Disciplines
Languages : en
Pages : 258
Book Description
Book history has emerged in the last twenty years as one of the most important new fields of interdisciplinary study. It has produced new interpretations of major historical events, has made possible new approaches to history, literature, media, and culture, and presents a distinctive historical perspective on current debates about the future of the book. The Broadview Introduction to Book History provides the most comprehensive and up-to-date introduction to this field. Written in a lively, accessible style, chapters on materiality, textuality, printing and reading, intermediality, and remediation guide readers through numerous key concepts, illustrated with examples from literary texts and historical documents produced across a wide historical range. An ideal text for undergraduate and graduate courses in book history, it offers a road map to this dynamic inter-disciplinary field.
Galway
Author: Gerard Moran
Publisher: Barrie Publishing
ISBN:
Category : History
Languages : en
Pages : 888
Book Description
Publisher: Barrie Publishing
ISBN:
Category : History
Languages : en
Pages : 888
Book Description
Temporary Monuments
Author: Rebecca Zorach
Publisher: University of Chicago Press
ISBN: 0226831000
Category : Art
Languages : en
Pages : 298
Book Description
How art played a central role in the design of America’s racial enterprise—and how contemporary artists resist it. Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design. Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
Publisher: University of Chicago Press
ISBN: 0226831000
Category : Art
Languages : en
Pages : 298
Book Description
How art played a central role in the design of America’s racial enterprise—and how contemporary artists resist it. Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design. Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
How We Think
Author: N. Katherine Hayles
Publisher: University of Chicago Press
ISBN: 0226321371
Category : Technology & Engineering
Languages : en
Pages : 296
Book Description
“How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis—the belief that humans and technics are coevolving—and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. Hayles examines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or “hyper reading,” and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions—Steve Tomasula’s electronic novel, TOC; Steven Hall’s The Raw Shark Texts; and Mark Z. Danielewski’s Only Revolutions. Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, How We Think presents a cogent rationale for tackling the challenges facing the humanities today.
Publisher: University of Chicago Press
ISBN: 0226321371
Category : Technology & Engineering
Languages : en
Pages : 296
Book Description
“How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis—the belief that humans and technics are coevolving—and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. Hayles examines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or “hyper reading,” and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions—Steve Tomasula’s electronic novel, TOC; Steven Hall’s The Raw Shark Texts; and Mark Z. Danielewski’s Only Revolutions. Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, How We Think presents a cogent rationale for tackling the challenges facing the humanities today.
Charles Magnus, Lithographer
Author: E. Richard McKinstry
Publisher:
ISBN: 9781584563198
Category : Lithographers
Languages : en
Pages : 0
Book Description
A general study of Charles Magnus, an important figure in American publishing history and popular imagery.
Publisher:
ISBN: 9781584563198
Category : Lithographers
Languages : en
Pages : 0
Book Description
A general study of Charles Magnus, an important figure in American publishing history and popular imagery.
Irish Arts Review
Geological Survey Water-supply Paper
A Visual Catalog of Spanish Frontier Missions, 16th to 19th Centuries
Author: Robert H. Jackson
Publisher: Cambridge Scholars Publishing
ISBN: 1527527719
Category : Religion
Languages : en
Pages : 607
Book Description
From the sixteenth to the early nineteenth centuries, the Spanish Crown sponsored missions staffed by members of different Catholic missionary orders to evangelize the indigenous populations, and engage in social engineering in line with royal policy. The missionaries directed the construction of building complexes that included churches, leaving behind an important historical and architectural legacy. This visual catalog documents the surviving complexes on selected missions on the frontiers of Spanish America in what today is Mexico and parts of South America. It also presents basic historical data on the mission communities, including demographic data, and documents damage to early mission buildings by the earthquakes of September 7 and September 19, 2018.
Publisher: Cambridge Scholars Publishing
ISBN: 1527527719
Category : Religion
Languages : en
Pages : 607
Book Description
From the sixteenth to the early nineteenth centuries, the Spanish Crown sponsored missions staffed by members of different Catholic missionary orders to evangelize the indigenous populations, and engage in social engineering in line with royal policy. The missionaries directed the construction of building complexes that included churches, leaving behind an important historical and architectural legacy. This visual catalog documents the surviving complexes on selected missions on the frontiers of Spanish America in what today is Mexico and parts of South America. It also presents basic historical data on the mission communities, including demographic data, and documents damage to early mission buildings by the earthquakes of September 7 and September 19, 2018.