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Author: Anandi Ramamurthy Publisher: Routledge ISBN: 0429685599 Category : Art Languages : en Pages : 303
Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
Author: Deborah Cherry Publisher: Routledge ISBN: 1135094837 Category : Art Languages : en Pages : 290
Book Description
Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.
Author: Anandi Ramamurthy Publisher: Routledge ISBN: 0429685599 Category : Art Languages : en Pages : 303
Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
Author: University of Northumbria at Newcastle Publisher: ISBN: 9780754607748 Category : Art Languages : en Pages : 128
Book Description
This bi-annual journal is an innovative work on visual culture in Britain. It includes topics on architecture and design, photography, performing arts, sculpture and film.
Author: Gabriel Koureas Publisher: Routledge ISBN: 9781138257283 Category : Languages : en Pages : 232
Book Description
Concentrating on gender and cultural memory, this study investigates the ways in which masculinities and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. It focuses especially on notions of national identity, class and sexuality and their representations in British visual culture in the aftermath of the Great War.
Author: Ysanne Holt Publisher: ISBN: 9780754600916 Category : Art Languages : en Pages : 308
Book Description
This twice-yearly journal encourages new material and introduces innovative work with the aim of placing the visual culture - painting and sculpture, architecture and design, print, film, photography and the performing arts - in relation to the wider culture, historically and geographically. The journal addresses a range of contemporary debates involving constructions of racial, ethnic and gender identities, nationality and internationalism, colonialism, high and low culture, the role of institutions and cultural groupings, and models of production and consumption.
Author: Peter Erickson Publisher: University of Pennsylvania Press ISBN: 9780812217346 Category : Art Languages : en Pages : 418
Book Description
An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts—and the acts of creating, collecting, and admiring them—are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.
Author: LucyD. Curzon Publisher: Routledge ISBN: 1351559001 Category : Art Languages : en Pages : 195
Book Description
Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain critically analyses the role that visual culture played in the early development of Mass-Observation, the innovative British anthropological research group founded in 1937. The group?s production and use of painting, collage, photography, and other media illustrates not only the broad scope of Mass-Observation?s efforts to document everyday life, but also, more specifically, the centrality of visual elements to its efforts at understanding national identity in the 1930s. Although much interest has previously focused on Mass-Observation?s use of written reports and opinion surveys, as well as diaries that were kept by hundreds of volunteer observers, this book is the first full-length study of the group?s engagement with visual culture. Exploring the paintings of Graham Bell and William Coldstream; the photographs of Humphrey Spender; the paintings, collages, and photographs of Julian Trevelyan; and Humphrey Spender?s photographs and widely recognized ?Mass-Observation film?, Spare Time, among other sources, Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain positions these works as key sources of information with regard to illuminating the complex character of British identity during the Depression era.
Author: Anandi Ramamurthy
Author: Deborah Cherry
Author: Anandi Ramamurthy
Author: Ysanne Holt
Author: University of Northumbria at Newcastle
Author: Y. Holt
Author: Angeliki Lymberopolou
Author: Gabriel Koureas
Author: Ysanne Holt
Author: Peter Erickson
Author: LucyD. Curzon