Author: Alton Wallace MOORE
Publisher:
ISBN:
Category :
Languages : en
Pages : 397
Book Description
Vistas in Orthodontics. Presented to Alton W. Moore. Edited by Bertram S. Kraus and Richard A. Riedel, Etc. [With Illustrations, Including a Portrait.].
Vistas in Orthodontics
Vistas in Orthodontics
Author: Bertram S. Kraus
Publisher:
ISBN:
Category : Orthodontics
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Orthodontics
Languages : en
Pages : 0
Book Description
General Catalogue of Printed Books
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 534
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 538
Book Description
Vistas in Orthodontics
Author: Bertram S. Kraus
Publisher:
ISBN:
Category : Medical
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category : Medical
Languages : en
Pages : 406
Book Description
The Cornell Law Quarterly
Pediatric Radiology
Author: Jack O. Haller
Publisher: Springer Science & Business Media
ISBN: 3540264426
Category : Medical
Languages : en
Pages : 299
Book Description
This basic text introduces the reader to all facets of pediatric imaging from the importance of understanding X-ray exposure to children through the appropriate indications for ordering a particular examination. It covers basic problems in each organ system. There is a quiz after most of the clinical chapters. The text is aimed at the novice, while the pictures of classic important imaging findings are designed to test the mature pediatric caregiver and the radiologist beginning training. The information conveyed in this text is essential for pediatric house staff, entering radiology residents, pediatric nurse practitioners, emergency room physicians, and practicing pediatricians. It will be valuable to all physicians who deal with children as a segment of their practice. This book serves as the basic text for any of the above individuals taking a rotation through a pediatric imaging department and for orienting pediatric personnel within the imaging department.
Publisher: Springer Science & Business Media
ISBN: 3540264426
Category : Medical
Languages : en
Pages : 299
Book Description
This basic text introduces the reader to all facets of pediatric imaging from the importance of understanding X-ray exposure to children through the appropriate indications for ordering a particular examination. It covers basic problems in each organ system. There is a quiz after most of the clinical chapters. The text is aimed at the novice, while the pictures of classic important imaging findings are designed to test the mature pediatric caregiver and the radiologist beginning training. The information conveyed in this text is essential for pediatric house staff, entering radiology residents, pediatric nurse practitioners, emergency room physicians, and practicing pediatricians. It will be valuable to all physicians who deal with children as a segment of their practice. This book serves as the basic text for any of the above individuals taking a rotation through a pediatric imaging department and for orienting pediatric personnel within the imaging department.
Author Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : American literature
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages :
Book Description
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.