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Author: Laura Peers Publisher: Athabasca University Press ISBN: 1771990376 Category : Art Languages : en Pages : 232
Book Description
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.
Author: Laura Peers Publisher: Athabasca University Press ISBN: 1771990376 Category : Art Languages : en Pages : 232
Book Description
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.
Author: Carolyn Schott Publisher: ISBN: 9781732038202 Category : Business & Economics Languages : en Pages : 184
Book Description
A how-to guide for researching your ancestors, discovering your ancestral towns, and planning a meaningful trip to explore your ancestral homeland.
Author: Alison Kay Brown Publisher: ISBN: 9781771990400 Category : Cultural property Languages : en Pages :
Book Description
"In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford's Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson's Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people--hundreds altogether--participated in special "handling sessions," in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum's institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage."--
Author: Alison Kay Brown Publisher: ISBN: 9781771990394 Category : Cultural property Languages : en Pages :
Book Description
"In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford's Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson's Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people--hundreds altogether--participated in special "handling sessions," in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum's institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage."--
Author: David Halsey Publisher: Lulu.com ISBN: 1304962946 Category : Biography & Autobiography Languages : en Pages : 272
Book Description
Stories in this book should make it easier to virtually travel back in time to a past where we can imagine what emotions were experienced by our ancestors during some of their life events. These stories provide a small window into some of those experiences that formed who they were to a small degree. They acted as we would have acted under similar circumstances but by a different set of values that defined their "time", not ours. Maybe when reading some of these stories, it might remind you of a family member that you know. For example at my age when I look into a mirror I see my father. I'm sure I have inherited many of his characteristics since he was my first and most important teacher/mentor. My ancestors, who are the subjects of these stories, discovered, as we have, that the world of our youth expands quickly as we mature and leave the nest.
Author: Chelsea H. Meloche Publisher: Routledge ISBN: 1000245810 Category : Social Science Languages : en Pages : 334
Book Description
Working with and for Ancestors examines collaborative partnerships that have developed around the study and care of Indigenous ancestral human remains. In the interest of reconciliation, museums and research institutions around the world have begun to actively seek input and direction from Indigenous descendants in establishing collections care and research policies. However, true collaboration is difficult, time-consuming, and sometimes awkward. By presenting examples of projects involving ancestral remains that are successfully engaged in collaboration, the book provides encouragement for scientists and descendant communities alike to have open and respectful discussions around the research and care of ancestral human remains. Key themes for discussion include new approaches to the care for ancestors; the development of culturally sensitive museum policies; the emergence of mutually beneficial research partnerships; and emerging issues such as those of intellectual property, digital data, and alternatives to destructive analyses. Critical discussions by leading scholars also identify the remaining challenges in the repatriation process and offer a means to continue moving forward. This volume will appeal to a broad, interdisciplinary audience interested in collaborative research and management strategies that are aimed at developing mutually beneficial relationships between researchers and descendant communities. This includes students and researchers in archaeology, anthropology, museums studies, and Indigenous communities.
Author: Carolyne R. Larson Publisher: Penn State Press ISBN: 0271073179 Category : History Languages : en Pages : 233
Book Description
Our Indigenous Ancestors complicates the history of the erasure of native cultures and the perceived domination of white, European heritage in Argentina through a study of anthropology museums in the late nineteenth and early twentieth centuries. Carolyne Larson demonstrates how scientists, collectors, the press, and the public engaged with Argentina’s native American artifacts and remains (and sometimes living peoples) in the process of constructing an “authentic” national heritage. She explores the founding and functioning of three museums in Argentina, as well as the origins and consolidation of Argentine archaeology and the professional lives of a handful of dynamic curators and archaeologists, using these institutions and individuals as a window onto nation building, modernization, urban-rural tensions, and problems of race and ethnicity in turn-of-the-century Argentina. Museums and archaeology, she argues, allowed Argentine elites to build a modern national identity distinct from the country’s indigenous past, even as it rested on a celebrated, extinct version of that past. As Larson shows, contrary to widespread belief, elements of Argentina’s native American past were reshaped and integrated into the construction of Argentine national identity as white and European at the turn of the century. Our Indigenous Ancestors provides a unique look at the folklore movement, nation building, science, institutional change, and the divide between elite, scientific, and popular culture in Argentina and the Americas at a time of rapid, sweeping changes in Latin American culture and society.
Author: David S. Ouimette Publisher: Turner Publishing Company ISBN: 1618589717 Category : Reference Languages : en Pages : 291
Book Description
Finding Your Irish Ancestors: A Beginner's Guide is the ultimate resource to help you learn if the luck of the Irish is in your blood or not. This easy-to-use guide will teach you to make use of the many Irish family history records that have become available in recent years. Explore the best family history sources in Ireland, including birth, marriage, and death records; church records; census records; and much more. Finding Your Irish Ancestors will help you discover Internet sites for searching Irish heritge and prepare for a successful family history trip to Ireland.
Author: Ned Harold Benson Publisher: AuthorHouse ISBN: 1467024422 Category : Benson family Languages : en Pages : 500
Book Description
John Lewis Benson, born in Crawford County, Pennsylvania, was an 8th generation descendant of John Benson, who arrived in America at Plymouth Colony on 11 April 1638 on the ship "Confidence." After being reared in Chautauqua County, New York, John Lewis Benson's father, William, took him to Rock Island County, Illinois, following his daughters who had already made the migration. Shortly after reaching his majority, John Lewis Benson went to "Bleeding Kansas" as part of the wave of Abolitionists who sought to "keep Kansas free," which action reflected the devout Puritan Calvinism of his Benson forebears. He enlisted in the 5th Kansas Volunteer Cavalry two months after the first canon was fired on Fort Sumter, and served until the end of the War of Rebellion, being mustered out on 22 June 1865. He then returned to Kansas where he prospered, married, and fathered 5 children. He lost all his worldly possessions due to drought and the economic collapse following The Panic of 1873, and then moved about Kansas seeking a new start. During this difficult period, his wife died, leaving him a widower with 4 children ages 6 to 11. He soon married a divorcee who brought her 3 children, ages 1 to 3, to the marriage. In his second marriage, John Lewis fathered three more children. After the Unassigned Lands of Oklahoma Territory were opened for settlement in 1899, John Lewis and his blended family moved there and share-cropped 40 acres southeast of Guthrie, Oklahoma, which he eventually bought. He died on this farm on 23 March 1906. This book by one of his great-grandsons tells the story of his life, the lives of his five sisters and one brother, and their ancestry back to 16th century Oxfordshire, England.
Author: Laura Peers
Author: Laura Peers
Author: Carolyn Schott
Author: Alison Kay Brown
Author: Alison Kay Brown
Author: David Halsey
Author: Chelsea H. Meloche
Author: Carolyne R. Larson
Author: David S. Ouimette
Author: Ned Harold Benson
Author: Waziyatawin Angela Wilson