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Author: Peter Lurie Publisher: JHU Press ISBN: 1421427559 Category : Literary Criticism Languages : en Pages : 254
Book Description
William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them. To what extent was Faulkner's deeply ambivalent relationship to—and involvement with—American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulae, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day. Using Theodor Adorno's theory about modern cultural production as a framework, Lurie's close readings of Sanctuary, Light in August, Absalom! Absalom!, and If I Forget Thee, Jerusalem uncover the cultural history that surrounded and influenced the development of Faulkner's art. Lurie is particularly interested in the influence of cinema on Faulkner's fiction and especially the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in Augustof stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I Forget Thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism.
Author: Peter Lurie Publisher: JHU Press ISBN: 1421427559 Category : Literary Criticism Languages : en Pages : 254
Book Description
William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them. To what extent was Faulkner's deeply ambivalent relationship to—and involvement with—American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formulae, strategies, and in particular, its visual techniques into the language of his novels of the 1930s. Lurie contends that Faulkner's modernism can be best understood in light of his reaction to the popular culture of his day. Using Theodor Adorno's theory about modern cultural production as a framework, Lurie's close readings of Sanctuary, Light in August, Absalom! Absalom!, and If I Forget Thee, Jerusalem uncover the cultural history that surrounded and influenced the development of Faulkner's art. Lurie is particularly interested in the influence of cinema on Faulkner's fiction and especially the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in Augustof stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I Forget Thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism.
Author: Peter Lurie Publisher: JHU Press ISBN: 0801879299 Category : Literary Criticism Languages : en Pages : 254
Book Description
"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.
Author: Singh Publisher: Gyan Publishing House ISBN: 9788178357102 Category : Climatic changes Languages : en Pages : 328
Book Description
The Section I of the book entitled The Immanent Disaster : A Vision of Climate Change consists of Ch. I to IX. It discusses that every event/organism is governed by immutable laws of Life, by Cosmic Consciousness, by Life Field. The truth of man or the truth of nature is the Oneness or Wholeness of Life. Only the Intelligence of Love and Compassion can resolve the problems of life. The Section II of the book is entitled Creativity and Innovation and consist of Ch. X to XXI. If the researcher is interested in profit making [materialism], the intuition falls to innovation [symbolic-dualistic frame of reference]. The research will have to repeat the whole process of quantum leap form innovation to intuition. Hideki Yukawa, Nobel prize in physics, wrote, The need for a reform is not without, but within . Mutation is not in future, it can only be now. Prof. R.K. Pachauri, in November 2007 predicted that only a few years are left to avert the worst. The Prime Minister Dr. Manmohan Singh releases an Action Plan on Climate Change on June 30, 2008.We need Understanding, Direct Perception, Freedom, Science of the Wholeness of Life and art of living in Universal Consciousness. If India is to avoid the crisis of turning into disaster, it has to understand Consciousness here and now and to live that understanding.
Author: Elizabeth A. Fay Publisher: State University of New York Press ISBN: 1438494769 Category : Literary Criticism Languages : en Pages : 336
Book Description
Romantic Immanence examines literary examples of an alternative experience of otherness—an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.
Author: John Caruana Publisher: State University of New York Press ISBN: 1438470185 Category : Performing Arts Languages : en Pages : 308
Book Description
For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a "postsecular turn." Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malick's The Tree of Life and Lars von Trier's Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectives—the former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheism—together they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questions—what this collection aptly calls "postsecular cinema." Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malick's and von Trier's films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema.
Author: Alan J. Torrance Publisher: Wm. B. Eerdmans Publishing ISBN: 1467466832 Category : Religion Languages : en Pages : 505
Book Description
Critical insights into Kierkegaard’s influence on Barth’s theology. Karl Barth was often critical of Søren Kierkegaard’s ideas as he understood them. But close reading of the two corpora reveals that Barth owes a lot to the melancholy Dane. Both conceive of God as infinitely qualitatively different from humans, and both emphasize the shocking nearness of God in the incarnation. As public intellectuals, they used this theological vision to protect Christocentric faith from political manipulation and compromise. For Kierkegaard, this meant criticizing the state church; for Barth, this entailed resisting Nazism. Meticulously crafted by a father-son team of renowned systematic theologians, Beyond Immanence demonstrates that Kierkegaard and Barth share a theological trajectory—one that resists cynical manipulation of Christianity for political purposes in favor of uncompromising devotion to a God who is radically transcendent yet established kinship with humanity in time.
Author: Douglas Harink Publisher: Wipf and Stock Publishers ISBN: 1606086626 Category : Religion Languages : en Pages : 351
Book Description
The apostle Paul was a man of many journeys. We are usually familiar with the geographical ones he made in his own time. This volume traces others--Paul's journeys in our time, as he is co-opted or invited to travel (sometimes as abused slave, sometimes as trusted guide) with modern and recent Continental philosophers and political theorists. Kierkegaard, Nietzsche, Heidegger, and Benjamin; Taubes, Badiou, Zizek, and Agamben--Paul journeys here among the philosophers. In these essays you are invited to travel with them into the regions of philosophy, hermeneutics, political theory, and theology. You will certainly hear the philosophers speak. But Paul will not remain silent. Above the sounds of the journey his voice comes through, loud and clear.
Author: Leonard Lawlor Publisher: Fordham Univ Press ISBN: 0823226530 Category : Philosophy Languages : en Pages : 222
Book Description
Leonard Lawlor develops a philosophy of life in opposition to the notion of 'bio-power, ' which reduces the human to the question of power over what Giorgio Agamben terms 'bare life', mere biological existence. He provides conceptual tools for intervening in issues such as the AIDS epidemic & life-support for the infirm.
Author: Fred R. Sanders Publisher: Peter Lang ISBN: 9780820467108 Category : Philosophy Languages : en Pages : 224
Book Description
If the economic Trinity is the immanent Trinity , as Karl Rahner said, then what difference does it make for how we read the Bible? This book takes up the discussion that has dominated the last several decades of Trinitarian theology - that of Rahner's Rule - and brings it into dialogue with the longer history of the doctrine, particularly with the history of interpretation of scripture. The history of Trinitarianism is the history of complex interpretive moves, a long conversation in which the Christian church has sought to learn how to ask the right questions of scripture. Surveying recent theological projects and learning from their successes and failures, The Image of the Immanent Trinity argues that the eternally perfect fellowship of Father, Son, and Spirit is truly present for our salvation in Christ who, as the image of the invisible God, secures God's presence in the economy of salvation as the image of the immanent Trinity.
Author: Jan Suk Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110711028 Category : Literary Criticism Languages : en Pages : 216
Book Description
Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari. Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment’s structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company’s director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse. Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment’s performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze’s thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations.
Author: Peter Lurie
Author: Peter Lurie
Author: Peter Lurie
Author: Singh
Author: Elizabeth A. Fay
Author: John Caruana
Author: Alan J. Torrance
Author: Douglas Harink
Author: Leonard Lawlor
Author: Fred R. Sanders
Author: Jan Suk