Visions Fugitives PDF Download

Author: Laryssa Davis
Publisher:
ISBN: 9781124768656
Category : Composition (Music)
Languages : en
Pages :

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Author: Laura Davis
Publisher: LAP Lambert Academic Publishing
ISBN: 9783848407422
Category :
Languages : en
Pages : 80

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Book Description
Sergei Prokofiev's name and music still attract historians and researchers. This book highlights an early period of the composer's creative life by examining his impressive piano collection Visions Fugitives Op. 22. The history of the composition is described in detail. And the accompanying analysis of each miniature demonstrates the important features which formed Prokofiev's early style and influenced his later works. This early blossoming of Prokofiev's talent took place during a period of numerous modernistic movements in Russian arts, but it was also a period that was the prelude to two Russian revolutions. His music from this period is full of optimistic colors and innovative features that were difficult to present to the audience during that period. Prokofiev's music was praised by early critics as new, bright, healthy and emotionally attractive, while his compositions also reflected sincere but sarcastic personality. Such optimism was largely unappreciated by the general public in whom the seeds of revolution were growing. As a result, Prokofiev and his works attracted both sympathy and disdain.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Steven Moellering
Publisher:
ISBN: 9781109995305
Category :
Languages : en
Pages : 75

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Book Description
In his autobiographical notes, Sergei Prokofiev detailed "five lines" along which his early work had developed. This analysis concerned works composed until his graduation from the St. Petersburg Conservatoire in 1914. The five lines are termed: classical, modern, toccata, lyrical and grotesque. The analysis portion of this document will incorporate these five lines. Furthermore, I will concurrently analyze the Visions Fugitives using my own list of 10 characteristics as a foundation. The 10 characteristics are: (1) dissipating endings - or, endings that do not end emphatically, (2) sharp dynamic contrasts, (3) disjunct melody, (4) chromatic melody and free counterpoint, (5) homophonic accompanimental figures (as one might find in a Romantic nocturne), (6) structures based on the tritone, (7) frequent use of the 3rd, (8) use of the 7th - creating an unstable harmonic function, (9) ternary form - providing contrasting sections and (10) abrupt shifts to distant tonalities (in the pieces that do have a sense of some tonal center). These 10 characteristics create both variety and unity within the set: they link the pieces together while creating contrast. Chapter 4 provides an aural examination of Prokofiev's gramophone recording of the Visions Fugitives. From this recording, I will focus on Prokofiev's style of interpretation and pianism concerning the Visions. This recording also offers evidence that the Opus 22 does not need to be performed in its entirety nor in numerical order. Finally, a chart in the appendix outlines the analysis of chapter 3.

Author: Sergei Prokofiev
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793506040
Category :
Languages : en
Pages : 40

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Author: Alonso Saavedra Coles
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 102

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Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156309356
Category : Biography & Autobiography
Languages : en
Pages : 316

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Book Description
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.

Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311

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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.

Author: Stephen T. Asma
Publisher: University of Chicago Press
ISBN: 022622516X
Category : Philosophy
Languages : en
Pages : 338

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Book Description
Consider Miles Davis, horn held high, sculpting a powerful musical statement full of tonal patterns, inside jokes, and thrilling climactic phrases—all on the fly. Or think of a comedy troupe riffing on a couple of cues from the audience until the whole room is erupting with laughter. Or maybe it’s a team of software engineers brainstorming their way to the next Google, or the Einsteins of the world code-cracking the mysteries of nature. Maybe it’s simply a child playing with her toys. What do all of these activities share? With wisdom, humor, and joy, philosopher Stephen T. Asma answers that question in this book: imagination. And from there he takes us on an extraordinary tour of the human creative spirit. Guided by neuroscience, animal behavior, evolution, philosophy, and psychology, Asma burrows deep into the human psyche to look right at the enigmatic but powerful engine that is our improvisational creativity—the source, he argues, of our remarkable imaginational capacity. How is it, he asks, that a story can evoke a whole world inside of us? How are we able to rehearse a skill, a speech, or even an entire scenario simply by thinking about it? How does creativity go beyond experience and help us make something completely new? And how does our moral imagination help us sculpt a better society? As he shows, we live in a world that is only partly happening in reality. Huge swaths of our cognitive experiences are made up by “what-ifs,” “almosts,” and “maybes,” an imagined terrain that churns out one of the most overlooked but necessary resources for our flourishing: possibilities. Considering everything from how imagination works in our physical bodies to the ways we make images, from the mechanics of language and our ability to tell stories to the creative composition of self-consciousness, Asma expands our personal and day-to-day forms of imagination into a grand scale: as one of the decisive evolutionary forces that has guided human development from the Paleolithic era to today. The result is an inspiring look at the rich relationships among improvisation, imagination, and culture, and a privileged glimpse into the unique nature of our evolved minds.

Author: Alain Frogley
Publisher: Cambridge University Press
ISBN: 0521197686
Category : Biography & Autobiography
Languages : en
Pages : 361

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Book Description
A comprehensive reassessment of this towering figure of twentieth-century music, examining works, cultural context and reception in Britain and beyond.