Author: Linda Nochlin
Publisher: Harvard University Press
ISBN: 9780674021167
Category : Art
Languages : en
Pages : 364
Book Description
"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
Bathers, Bodies, Beauty
Author: Linda Nochlin
Publisher: Harvard University Press
ISBN: 9780674021167
Category : Art
Languages : en
Pages : 364
Book Description
"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
Publisher: Harvard University Press
ISBN: 9780674021167
Category : Art
Languages : en
Pages : 364
Book Description
"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
Visceral Bodies
Author: Daina Augaitis
Publisher:
ISBN: 9781895442823
Category : Art, Modern
Languages : en
Pages : 63
Book Description
Publisher:
ISBN: 9781895442823
Category : Art, Modern
Languages : en
Pages : 63
Book Description
Visceral
Author: Maia Dolphin-Krute
Publisher: punctum books
ISBN: 1947447262
Category : Medical
Languages : en
Pages : 150
Book Description
Memoirs about being sick are popular and everywhere and only ever contribute to pop narratives of illness as a single event or heroic struggle or journey. Visceral: Essays on Illness as Metaphor is not that. Visceral, to the extent that it is a memoir, is a record not of illness but of the research project being sick became. While rooted firmly in critical disability and queer practices, the use of personal narratives opens these approaches up to new ways of writing the body-ultimately a body that is at once theoretical and unavoidably physical. A body where everything is visceral, so theory must be too. From the gothic networks of healthcare bureaucracy and hospital philanthropy to the proliferation of wellness media, off-label usage of drugs, and running off to live a life with, these essays move fluidly through theoretical and physical anger, curiosity and surprise. Arguing for disability rights that attend to the theoretical as much as the physical, this is Illness Not As Metaphor, Being Sick and Time, and The Body in Actual Pain as one. A sick body of text that is-and is not-in direct correspondence to an actual sick body, Visceral is an unrelenting examination of chronic illness that turns towards the theoretical only to find itself in the realms of the biological and autobiographical: because how much theory can a body take?
Publisher: punctum books
ISBN: 1947447262
Category : Medical
Languages : en
Pages : 150
Book Description
Memoirs about being sick are popular and everywhere and only ever contribute to pop narratives of illness as a single event or heroic struggle or journey. Visceral: Essays on Illness as Metaphor is not that. Visceral, to the extent that it is a memoir, is a record not of illness but of the research project being sick became. While rooted firmly in critical disability and queer practices, the use of personal narratives opens these approaches up to new ways of writing the body-ultimately a body that is at once theoretical and unavoidably physical. A body where everything is visceral, so theory must be too. From the gothic networks of healthcare bureaucracy and hospital philanthropy to the proliferation of wellness media, off-label usage of drugs, and running off to live a life with, these essays move fluidly through theoretical and physical anger, curiosity and surprise. Arguing for disability rights that attend to the theoretical as much as the physical, this is Illness Not As Metaphor, Being Sick and Time, and The Body in Actual Pain as one. A sick body of text that is-and is not-in direct correspondence to an actual sick body, Visceral is an unrelenting examination of chronic illness that turns towards the theoretical only to find itself in the realms of the biological and autobiographical: because how much theory can a body take?
Circus Bodies
Author: Peta Tait
Publisher: Routledge
ISBN: 1134331215
Category : Art
Languages : en
Pages : 198
Book Description
Examining photographs, illustrations, films and live performances, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the cultural identities that are presented by bodies in fast, physical aerial movement.
Publisher: Routledge
ISBN: 1134331215
Category : Art
Languages : en
Pages : 198
Book Description
Examining photographs, illustrations, films and live performances, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the cultural identities that are presented by bodies in fast, physical aerial movement.
Body Show/s
Author:
Publisher: BRILL
ISBN: 9004485864
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Body Show/s: Australian Viewings of Live Performance asks: in what ways do physical bodies in live performance present vital and compelling expressions of ideas? This collection contains critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners. It discusses and describes bodies in contemporary performance, theatre, visual art and dance; in circus and ethnographic shows; in performance training, butoh and wrestling; at gay and lesbian dance parties; and in relation to digital images. It explores historical and theoretical issues of gender and postcoloniality, technology, and the location of bodies in architectural, social and virtual spaces. Artistes and groups discussed include Sydney Front, Open City, The Performance Space, Meryl Tankard’s Australian Dance Theatre, Chrissie Parrott, the Bell Shakespeare Company, Tess De Quincey, Yumi Umiumare, Gilgul Theatre, Lyndal Jones, Stelarc, Death Defying Theatre, colonial circus, ethnographic displays, the horse as performer, and wrestling legends Gorgeous George and Ravishing Ricky Rude.
Publisher: BRILL
ISBN: 9004485864
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Body Show/s: Australian Viewings of Live Performance asks: in what ways do physical bodies in live performance present vital and compelling expressions of ideas? This collection contains critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners. It discusses and describes bodies in contemporary performance, theatre, visual art and dance; in circus and ethnographic shows; in performance training, butoh and wrestling; at gay and lesbian dance parties; and in relation to digital images. It explores historical and theoretical issues of gender and postcoloniality, technology, and the location of bodies in architectural, social and virtual spaces. Artistes and groups discussed include Sydney Front, Open City, The Performance Space, Meryl Tankard’s Australian Dance Theatre, Chrissie Parrott, the Bell Shakespeare Company, Tess De Quincey, Yumi Umiumare, Gilgul Theatre, Lyndal Jones, Stelarc, Death Defying Theatre, colonial circus, ethnographic displays, the horse as performer, and wrestling legends Gorgeous George and Ravishing Ricky Rude.
Plastic Bodies
Author: Emilia Sanabria
Publisher: Duke University Press
ISBN: 0822374196
Category : Social Science
Languages : en
Pages : 236
Book Description
In Plastic Bodies Emilia Sanabria examines how sex hormones are enrolled to create, mold, and discipline social relations and subjectivities. She shows how hormones have become central to contemporary understandings of the body, class, gender, sex, personhood, modernity, and Brazilian national identity. Through interviews with women and doctors; observations in clinics, research centers and pharmacies; and analyses of contraceptive marketing, Sanabria traces the genealogy of menstrual suppression, from its use in population control strategies in the global South to its remarketing as a practice of pharmaceutical self-enhancement couched in neoliberal notions of choice. She links the widespread practice of menstrual suppression and other related elective medical interventions to Bahian views of the body as a malleable object that requires constant work. Given this bodily plasticity, and its potentially limitless character, the book considers ways to assess the values attributed to bodily interventions. Plastic Bodies will be of interest to all those working in medical anthropology, gender studies, and sexual and reproductive health.
Publisher: Duke University Press
ISBN: 0822374196
Category : Social Science
Languages : en
Pages : 236
Book Description
In Plastic Bodies Emilia Sanabria examines how sex hormones are enrolled to create, mold, and discipline social relations and subjectivities. She shows how hormones have become central to contemporary understandings of the body, class, gender, sex, personhood, modernity, and Brazilian national identity. Through interviews with women and doctors; observations in clinics, research centers and pharmacies; and analyses of contraceptive marketing, Sanabria traces the genealogy of menstrual suppression, from its use in population control strategies in the global South to its remarketing as a practice of pharmaceutical self-enhancement couched in neoliberal notions of choice. She links the widespread practice of menstrual suppression and other related elective medical interventions to Bahian views of the body as a malleable object that requires constant work. Given this bodily plasticity, and its potentially limitless character, the book considers ways to assess the values attributed to bodily interventions. Plastic Bodies will be of interest to all those working in medical anthropology, gender studies, and sexual and reproductive health.
Body Modification
Author: Mike Featherstone
Publisher: SAGE
ISBN: 9780761967965
Category : Social Science
Languages : en
Pages : 360
Book Description
This fascinating collection explores the growing range of body modification practices such as piercing, tattooing, branding, cutting and inserting implants, which have sprung up recently in the West. It asks whether this implies that we are returning to traditional tribal practices of inscribing identities onto bodies on the part of 'modern primitives', or is body modification better understood as purely cosmetic and decorative with body markings merely temporary signs of transferable loyalties? Contributors address the question of the permanence of body transformation through fitness regimes and body building; look at the French performance artist Orlan and the Australian performance artist Stelarc who explored Western standard o
Publisher: SAGE
ISBN: 9780761967965
Category : Social Science
Languages : en
Pages : 360
Book Description
This fascinating collection explores the growing range of body modification practices such as piercing, tattooing, branding, cutting and inserting implants, which have sprung up recently in the West. It asks whether this implies that we are returning to traditional tribal practices of inscribing identities onto bodies on the part of 'modern primitives', or is body modification better understood as purely cosmetic and decorative with body markings merely temporary signs of transferable loyalties? Contributors address the question of the permanence of body transformation through fitness regimes and body building; look at the French performance artist Orlan and the Australian performance artist Stelarc who explored Western standard o
The Quantum Body
Author: Antonio Ricardo Nahas, I.m.d., D.n.m. And Ph.d.
Publisher: Clube de Autores
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 272
Book Description
This book is about the revolutionary therapeutic approaches that are emerging today, all based on the findings of Quantum Physics and Physics of the Scalar Fields. The revelation of the existence of the Quantum Body is promoting profound changes in Medicine, Psychology and Integrative and Complementary Therapies.
Publisher: Clube de Autores
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 272
Book Description
This book is about the revolutionary therapeutic approaches that are emerging today, all based on the findings of Quantum Physics and Physics of the Scalar Fields. The revelation of the existence of the Quantum Body is promoting profound changes in Medicine, Psychology and Integrative and Complementary Therapies.
The Absent Body
Author: Drew Leder
Publisher: University of Chicago Press
ISBN: 0226470008
Category : Philosophy
Languages : en
Pages : 228
Book Description
The body plays a central role in shaping our experience of the world. Why, then, are we so frequently oblivious to our own bodies? We gaze at the world, but rarely see our own eyes. We may be unable to explain how we perform the simplest of acts. We are even less aware of our internal organs and the physiological processes that keep us alive. In this fascinating work, Drew Leder examines all the ways in which the body is absent—forgotten, alien, uncontrollable, obscured. In part 1, Leder explores a wide range of bodily functions with an eye to structures of concealment and alienation. He discusses not only perception and movement, skills and tools, but a variety of "bodies" that philosophers tend to overlook: the inner body with its anonymous rhythms; the sleeping body into which we nightly lapse; the prenatal body from which we first came to be. Leder thereby seeks to challenge "primacy of perception." In part 2, Leder shows how this phenomenology allows us to rethink traditional concepts of mind and body. Leder argues that Cartesian dualism exhibits an abiding power because it draws upon life-world experiences. Descartes' corpus is filled with disruptive bodies which can only be subdued by exercising "disembodied" reason. Leder explores the origins of this notion of reason as disembodied, focusing upon the hidden corporeality of language and thought. In a final chapter, Leder then proposes a new ethic of embodiment to carry us beyond Cartesianism. This original, important, and accessible work uses examples from the author's medical training throughout. It will interest all those concerned with phenomenology, the philosophy of mind, or the Cartesian tradition; those working in the health care professions; and all those fascinated by the human body.
Publisher: University of Chicago Press
ISBN: 0226470008
Category : Philosophy
Languages : en
Pages : 228
Book Description
The body plays a central role in shaping our experience of the world. Why, then, are we so frequently oblivious to our own bodies? We gaze at the world, but rarely see our own eyes. We may be unable to explain how we perform the simplest of acts. We are even less aware of our internal organs and the physiological processes that keep us alive. In this fascinating work, Drew Leder examines all the ways in which the body is absent—forgotten, alien, uncontrollable, obscured. In part 1, Leder explores a wide range of bodily functions with an eye to structures of concealment and alienation. He discusses not only perception and movement, skills and tools, but a variety of "bodies" that philosophers tend to overlook: the inner body with its anonymous rhythms; the sleeping body into which we nightly lapse; the prenatal body from which we first came to be. Leder thereby seeks to challenge "primacy of perception." In part 2, Leder shows how this phenomenology allows us to rethink traditional concepts of mind and body. Leder argues that Cartesian dualism exhibits an abiding power because it draws upon life-world experiences. Descartes' corpus is filled with disruptive bodies which can only be subdued by exercising "disembodied" reason. Leder explores the origins of this notion of reason as disembodied, focusing upon the hidden corporeality of language and thought. In a final chapter, Leder then proposes a new ethic of embodiment to carry us beyond Cartesianism. This original, important, and accessible work uses examples from the author's medical training throughout. It will interest all those concerned with phenomenology, the philosophy of mind, or the Cartesian tradition; those working in the health care professions; and all those fascinated by the human body.
Touched Bodies
Author: Mara Polgovsky Ezcurra
Publisher: Rutgers University Press
ISBN: 1978802048
Category : Art
Languages : en
Pages : 291
Book Description
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
Publisher: Rutgers University Press
ISBN: 1978802048
Category : Art
Languages : en
Pages : 291
Book Description
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.