Virtues of the Horror Film PDF Download

Author: Paul Counelis
Publisher:
ISBN: 9781300658337
Category :
Languages : en
Pages :

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Author: Steven Jay Schneider
Publisher: Cambridge University Press
ISBN: 1139453688
Category : Performing Arts
Languages : en
Pages : 319

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Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.

Author: André Loiselle
Publisher: Anthem Press
ISBN: 1785271296
Category : Performing Arts
Languages : en
Pages : 132

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The horror film generally presents a situation where normality is threatened by a monster. From this premise, Theatricality in the Horror Film argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism of normality in the form of monstrous theatricality. Theatricality in the horror fi lm expresses itself in many ways. For example, it comes across in the physical performance of monstrosity: the overthe-top performance of a chainsaw-wielding serial killer whose nefarious gestures terrify both his victims within the film and the audience in the cinema. Theatrical artifice can also appear as a stagy cemetery with broken-down tombstones and twisted, gnarly trees, or through the use of violently aberrant filmic techniques, or in the oppressive claustrophobia of a single-room setting reminiscent of classical drama. Any performative element of a film that flaunts its difference from what is deemed realistic or normal on screen might qualify as an instance of theatrical artifice, creating an intense affect in the audience. This book argues that the artificiality of the frightening spectacle is at the heart of the dark pleasures of horror.

Author: Deirdre Nansen
Publisher: University of Chicago Press
ISBN: 0226556670
Category : Business & Economics
Languages : en
Pages : 637

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For a century and a half, the artists and intellectuals of Europe have scorned the bourgeoisie. And for a millennium and a half, the philosophers and theologians of Europe have scorned the marketplace. The bourgeois life, capitalism, Mencken’s “booboisie” and David Brooks’s “bobos”—all have been, and still are, framed as being responsible for everything from financial to moral poverty, world wars, and spiritual desuetude. Countering these centuries of assumptions and unexamined thinking is Deirdre McCloskey’s The Bourgeois Virtues, a magnum opus that offers a radical view: capitalism is good for us. McCloskey’s sweeping, charming, and even humorous survey of ethical thought and economic realities—from Plato to Barbara Ehrenreich—overturns every assumption we have about being bourgeois. Can you be virtuous and bourgeois? Do markets improve ethics? Has capitalism made us better as well as richer? Yes, yes, and yes, argues McCloskey, who takes on centuries of capitalism’s critics with her erudition and sheer scope of knowledge. Applying a new tradition of “virtue ethics” to our lives in modern economies, she affirms American capitalism without ignoring its faults and celebrates the bourgeois lives we actually live, without supposing that they must be lives without ethical foundations. High Noon, Kant, Bill Murray, the modern novel, van Gogh, and of course economics and the economy all come into play in a book that can only be described as a monumental project and a life’s work. The Bourgeois Virtues is nothing less than a dazzling reinterpretation of Western intellectual history, a dead-serious reply to the critics of capitalism—and a surprising page-turner.

Author: Jen Letherer
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 267

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This introduction to media literacy from a Christian perspective provides the tools to find and assess the beneficial—or harmful—ideologies depicted in notable films, programs, and trends. Television and movies shape popular culture, with audiences often unaware of how media messages influence the way they think, act, and view the world. In this enlightening guide, author Jen Letherer interprets film and television shows from a Christian standpoint, revealing how beliefs and values portrayed on the big and small screens often impact the moral conduct of daily viewers. This book provides the tools for Christians to discern the implicit and explicit messages found within this medium, and shows how motion pictures can improve or erode religious principles and a spiritual way of life. In a conversational tone, the work combines classic film theory, an assessment of story structure, and faith-based film criticism to delve into meaning and interpretations of popular movies and shows. Highlighted television programs include Top Chef, Modern Family, Downton Abbey, and The Walking Dead. The book also features films like Citizen Kane, Thelma and Louise, Star Wars, Inception, and The Hunger Games. This fascinating critique prompts media consumers to analyze the messages that their favorite broadcast programs send, consider if those messages are in line with their own values, and align their viewing choices with their personal beliefs.

Author: Kevin Timpe
Publisher: Oxford University Press
ISBN: 0198753667
Category : Philosophy
Languages : en
Pages : 522

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Virtues and Their Vices is the only extant contemporary, comprehensive treatment of specific virtues and, where applicable, their competing vices. Each of the essays, written exclusively for this volume, not only locates discussion of that virtue in its historical context, but also advances the discussion and debate concerning the understanding and role of the virtues. Each of the first four sections focuses on a particular, historically important class of virtues: the cardinal virtues, the capital vices (or "seven deadly sins") and the corrective virtues, intellectual virtues, and the theological virtues. The final section discusses the role virtue theory and the virtues themselves play in a number of disciplines, ranging from theology and political theory to neurobiology and feminism. The treatment of the virtues in this present volume is sensitive to the historical heritage of the virtues, including their theological heritage, without paying undue attention to the historical and theological issues. Virtues and Their Vices engages contemporary philosophical scholarship as well as relevant scholarship from related disciplines throughout. It is a unique and compelling addition to the philosophical treatment of the virtues as well as their import in a wide spectrum of disciplines.

Author: Peter A. French
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 272

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"In the course of his study of vengeance as a moral concept, French exposes important distinctions between types of moral theories (karmic and non-karmic) and between people who are morally handicapped and those who are morally challenged. He examines concepts relevant to vengeance, such as honor, moral authority, and evil, and issues such as the rationality of revenge and proportionality in punishment."--BOOK JACKET.

Author: Christian Toto
Publisher: Bombardier Books
ISBN: 1637581009
Category : Political Science
Languages : en
Pages : 250

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Hollywood’s Dream Factory is now a nightmare of woke restrictions, Identity Politics run amok, and freedom-snuffing rules and regulations. The Oscars are unwatchable, as are many films and television shows thanks to the woke revolution. Virtue Bombs breaks down where Hollywood went so wrong, illustrates the slow-motion disaster infiltrating the industry, and offers a glimmer of hope for a woke-free tomorrow. Award-winning film critic Christian Toto has all the receipts, showcasing Hollywood’s virtue-signaling follies and how it could get much, much worse before it gets better.

Author: D.W. Cox
Publisher: Dorrance Publishing
ISBN: 1646103521
Category : Political Science
Languages : en
Pages : 130

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American Virtue By: D.W. Cox D.W. Cox is a 1985 graduate of Brigham Young University in Provo, Utah. He worked in many private and public sector jobs, including contract and government positions across the nation for over 30 years. After college, he progressed from clerical to supervisory, and finally to consulting level responsibilities in records and information management. Having been a “fly on the wall” in several states and in various working environments, he has witnessed the extremes of ethical and unethical (including criminal) actions of people from all walks of life and from various regions of the world. He retired from the nine-to-five grind and has quietly observed the upcoming generations in America. He now resides in Harbor, Oregon by the ocean. He feels great concern for many of the younger generations, and what they are being (or not being) taught in our various educational institutions. The book is written for their benefit, and for those who teach them...whether they be parents or professional educators

Author: Adam Hart
Publisher: Oxford University Press, USA
ISBN: 0190916230
Category : Performing Arts
Languages : en
Pages : 273

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"It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly be appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Horror offers us a connection to fears that are otherwise unspeakable, even inconceivable, so why do we seek it out? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, videogames, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or "camera" movement), jump scares, offscreen monsters--horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, videogames including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address and dissects the forms that make that address so effective. Horror, Film Studies, New Media, Digital Media, Game Studies, Television Studies, Monsters and Monstrosity, Gifs, YouTube, Netflix, Spectatorship"--