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Author: Juliet Dusinberre Publisher: University of Iowa Press ISBN: 9780877455776 Category : Literary Criticism Languages : en Pages : 300
Book Description
Explores Virginia Woolf's affinity with the early modern period and her sense of being reborn as writer and reader through the creation of an alternative tradition of reading and writing whose roots go back to the Elizabethans and beyond. The author, a Fellow in English at Girton College, Cambridge, critiques Woolf's ideas through a discussion of particular writers--Montaigne, Donne, Pepys and Bunyan, Dorothy Osborne and Madame de Sevigne. She considers the forms traditionally associated with women, such as the essay, the personal letter and diary, in the context of printing, the body, and the relationship between amateurs and professionals. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Juliet Dusinberre Publisher: University of Iowa Press ISBN: 9780877455776 Category : Literary Criticism Languages : en Pages : 300
Book Description
Explores Virginia Woolf's affinity with the early modern period and her sense of being reborn as writer and reader through the creation of an alternative tradition of reading and writing whose roots go back to the Elizabethans and beyond. The author, a Fellow in English at Girton College, Cambridge, critiques Woolf's ideas through a discussion of particular writers--Montaigne, Donne, Pepys and Bunyan, Dorothy Osborne and Madame de Sevigne. She considers the forms traditionally associated with women, such as the essay, the personal letter and diary, in the context of printing, the body, and the relationship between amateurs and professionals. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Sally Greene Publisher: ISBN: Category : Literary Collections Languages : en Pages : 318
Book Description
The story of "Shakespeare's sister" that Virginia Woolf tells in A Room of One's Own has sparked interest in the question of the place of the woman writer in the Renaissance. By now, the process of recovering lost voices of early modern women is well under way. But Woolf's engagement with the Renaissance went deeper than that question indicates, as important as it was. Her writing reveals a lifelong conversation with the literature of the sixteenth and seventeenth centuries, from the travel narratives of Hakluyt to the works of Donne, Milton, Montaigne, and of course Shakespeare. The first collection of essays to explore Woolf's Renaissance, Virginia Woolf: Reading the Renaissance reflects an important interdisciplinary development: contributors include Renaissance as well as twentieth-century specialists. Part of a larger movement to explore the intellectual currents shaping our literary and cultural inheritance, these essays speak to a community of readers that includes, in addition to Woolf and Renaissance scholars, anyone interested in the deep roots of modernism, women's studies, or literary history itself.
Author: Alice Fox Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 210
Book Description
A study of the influence of sixteenth- and seventeenth-century literature on Virginia Woolf's novels and criticism which offers new interpretations and enriches our understanding of Woolf's creative process.
Author: Julia Briggs Publisher: Houghton Mifflin Harcourt ISBN: 9780156032292 Category : Biography & Autobiography Languages : en Pages : 548
Book Description
Julia Briggs has written a chronological exploration of Woolf's life that reads her life through her books, using the novels to create a new form of biography. Each chapter is illustrated with a sample of Woolf's original manuscript.
Author: Alice Fox Publisher: ISBN: 9780191671876 Category : Criticism Languages : en Pages : 188
Book Description
Using letters, diaries, reading-notes, drafts of essays and novels, the author considers Woolf's reactions to the English Renaissance and assesses their impact on her fiction and criticism. Each of the novels is shown to integrate some elements of Renaissance literature.
Author: Rachel Eisendrath Publisher: New York Review of Books ISBN: 1681375435 Category : Literary Criticism Languages : en Pages : 161
Book Description
A personal and critical work that celebrates the pleasure of books and reading. Largely unknown to readers today, Sir Philip Sidney’s sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as “some luminous globe” wherein “all the seeds of English fiction lie latent.” In Gallery of Clouds, the Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: “The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at sail, my mother. These clouds stay still only as long as I look at them, and then they change.” Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. Eisendrath holds out her manuscript—an infinite moment passes—and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces linked through metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne’s practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African American head librarian in the Chicago public library system; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Walter Benjamin’s “scholarly romance,” The Arcades Project. Eisendrath’s wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and abounding grace.
Author: S. P. Cerasano Publisher: Routledge ISBN: 1134711875 Category : Literary Criticism Languages : en Pages : 337
Book Description
Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.
Author: Jane de Gay Publisher: Edinburgh University Press ISBN: 0748626352 Category : Literary Criticism Languages : en Pages : 240
Book Description
The first book to explore Virginia Woolf's preoccupation with the literary past and its profound impact on the content and structure of her novels.It analyses Woolf's reading and writing practices via her essays, diaries and reading notebooks and presents chronological studies of eight of her novels, exploring how Woolf's intensive reading surfaced in her fiction. The book sheds light on Woolf's varied and intricate use of literary allusions; examines ways in which Woolf revisited and revised plots and tropes from earlier fiction; and looks at how she used parody as a means both of critical comment and homage.
Author: Tina Kronitiris Publisher: Routledge ISBN: 1134678096 Category : Literary Criticism Languages : en Pages : 196
Book Description
Oppositional Voices is a study of six women writers in the late Elizabethan period, who, ignoring Renaissance society's injunction that women should confine themselves to religious compositions, wrote and translated poetry, drama and romantic fiction. Tina Krontiris brings together their work, including at times their voiced opposition to certain oppressive ideas and stereotypes. Rather than simply glorify these voices, her study subtly probes the influence of a culture inimical to female creative activity on the writings of these women.