Keyboard transcriptions from the Bach circle PDF Download

Author: Russell Stinson
Publisher: A-R Editions, Inc.
ISBN: 0895792699
Category : Music
Languages : en
Pages : 154

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Author: Shinʼichi Suzuki
Publisher: Alfred Music Publishing
ISBN: 9780739048177
Category : Music
Languages : en
Pages : 32

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Book Description
Teach violin with the popular Suzuki Violin School. The Suzuki Method(R) of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book & CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: * Revised editing of pieces, including bowings and fingerings * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Text in English, French, Spanish, and German. * Musical notation guide * Fingerboard position * CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in SmartMusic. The International editions include an updated title page that designates the book as the International Edition.

Author: Walter S. Reiter
Publisher: Oxford University Press
ISBN: 0197525148
Category : Juvenile Nonfiction
Languages : en
Pages : 336

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Book Description
In the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume II provides a comprehensive exploration of the period's rich and varied repertoire. The lessons in Volume II cover the early seventeenth-century Italian sonata, music of the French Baroque, the Galant style, and the sonatas of composers like Schmelzer, Biber, and Bach. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.

Author: Walter Reiter
Publisher: Oxford University Press
ISBN: 0190922710
Category : Music
Languages : en
Pages : 496

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Book Description
In the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume I provides a comprehensive exploration of the period's rich and varied repertoire. Volume I covers the basics of choosing a violin, techniques to produce an ideal sound, and sonatas by Vivaldi and Corelli. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.

Author: Leah Jo Wilson-Velasco
Publisher:
ISBN:
Category : Viola music
Languages : en
Pages : 114

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Author: Hsiaopei Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 99

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Book Description
The purpose of this thesis is to discuss the transcription of Beethoven's Violin Sonata Op. 30, No. 1 in A major into a work for viola and piano. This transcription will add greatly to the lacking solo viola literature by transitional composers of Classical to Romantic period, increase the viola repertoire for performers, and give viola instructors more choices to help their students learn the style of early nineteenth-century music. Furthermore, the performance of this transcription will enhance violists' understanding of one of the most important composers in music history. The crux of this thesis contains a history of viola transcriptions, the relevance of transcription, the difficulties encountered when transcribing a work for viola using specific examples both from my own transcription and other arrangements, and a discussion of the methodology behind these kinds of transcriptions with particular emphasis on my own transcription of Beethoven's Violin Sonata Op. 30, No. 1 in A Major. This thesis includes a complete transcription of Beethoven's Violin Sonata Op. 30, No. 1, with separate viola and piano parts. In addition, this work serves as a valuable document for the transcription of viola literature, a practical guide for choosing and arranging music, and an educational as well as artistic contribution to the viola literature.

Author: David Dalton
Publisher: OUP Oxford
ISBN: 0191039217
Category : Music
Languages : en
Pages : 259

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Book Description
`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartók and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.

Author: Walter S. Reiter
Publisher: Oxford University Press
ISBN: 0190922729
Category : Music
Languages : en
Pages : 496

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Book Description
In the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume I provides a comprehensive exploration of the period's rich and varied repertoire. Volume I covers the basics of choosing a violin, techniques to produce an ideal sound, and sonatas by Vivaldi and Corelli. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.

Author: Rachel White Galvin
Publisher:
ISBN: 9781303731136
Category :
Languages : en
Pages : 216

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Book Description
Since the viola attained soloist status in the early to mid 20th Century, violists have been faced with the never-ending task of matching the performance standards of their more agile violin brethren. Much of the violinist's technical facility comes from their study of pre-twentieth century musical offerings; yet, the development of the viola student is handicapped by the lack of original viola repertoire from that time. More repertoire of this ilk needs to be made available as transcriptions to violists. Moreover, violists should be the ones creating these transcriptions because they know best the intricacies of the instrument. This may seem a daunting task since not all violists are experienced in composing or transcribing. Further, no standard transcribing process exists in print. The aim of this document is to purpose a set of general guidelines for transcribing music from the violin to the viola, while isolating the various problems that can occur during that process. The Two Sonatas for Violin and Piano, as well as the Three Solo Sonatas for Violin of German composer, August Halm (1869-1929), will serve as the case study from which to build this method. While Halm is admittedly a Modern era composer, his compositional style leans more heavily on Bach, Beethoven, and Bruckner than his contemporaries. A secondary aim of this document is to inform the reader of Halm's pedagogical and theoretical opinions, and to demonstrate how they remain relevant for today's performers and students.

Author: Kenneth Martinson
Publisher:
ISBN:
Category : Viola and piano music, Arranged
Languages : en
Pages : 60

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