Author: Robert L. May
Publisher: Blackstone Publishing
ISBN: 1609986962
Category : Juvenile Fiction
Languages : en
Pages : 20
Book Description
Fans of the greatest reindeer of all will have a double helping of Christmas fun with this collection, which includes the title story plus "Rudolph Shines Again." Near and dear to so many hearts, this is the story, the original story, of Rudolph the Red-Nosed Reindeer, written by Robert L. May in 1939. Rudolph, loveable and generous, humble and good, embodies the spirit of Christmas, and reminds us of the magical possibilities that exist within us all. In the companion story, "Rudolph Shines Again," Rudolph loses his light and is certain he is of no use to Santa now; he decides to go far away, where no one knows how bright his nose used to be. But on his journey, something magical happens. As enchanting as the original story, Robert L. May's uplifting sequel to his classic tale Rudolph the Red-Nosed Reindeer is a joyous celebration of the spirit of Christmas. Also included in the audio is a selection of holiday songs for kids to help you ring in the season: "Jingle Bells," "Up on the Housetop," "Deck the Halls," "Over the River and through the Woods," "We Wish You a Merry Christmas," and "O, Christmas Tree."
Rudolph the Red-Nosed Reindeer
Author: Robert L. May
Publisher: Blackstone Publishing
ISBN: 1609986962
Category : Juvenile Fiction
Languages : en
Pages : 20
Book Description
Fans of the greatest reindeer of all will have a double helping of Christmas fun with this collection, which includes the title story plus "Rudolph Shines Again." Near and dear to so many hearts, this is the story, the original story, of Rudolph the Red-Nosed Reindeer, written by Robert L. May in 1939. Rudolph, loveable and generous, humble and good, embodies the spirit of Christmas, and reminds us of the magical possibilities that exist within us all. In the companion story, "Rudolph Shines Again," Rudolph loses his light and is certain he is of no use to Santa now; he decides to go far away, where no one knows how bright his nose used to be. But on his journey, something magical happens. As enchanting as the original story, Robert L. May's uplifting sequel to his classic tale Rudolph the Red-Nosed Reindeer is a joyous celebration of the spirit of Christmas. Also included in the audio is a selection of holiday songs for kids to help you ring in the season: "Jingle Bells," "Up on the Housetop," "Deck the Halls," "Over the River and through the Woods," "We Wish You a Merry Christmas," and "O, Christmas Tree."
Publisher: Blackstone Publishing
ISBN: 1609986962
Category : Juvenile Fiction
Languages : en
Pages : 20
Book Description
Fans of the greatest reindeer of all will have a double helping of Christmas fun with this collection, which includes the title story plus "Rudolph Shines Again." Near and dear to so many hearts, this is the story, the original story, of Rudolph the Red-Nosed Reindeer, written by Robert L. May in 1939. Rudolph, loveable and generous, humble and good, embodies the spirit of Christmas, and reminds us of the magical possibilities that exist within us all. In the companion story, "Rudolph Shines Again," Rudolph loses his light and is certain he is of no use to Santa now; he decides to go far away, where no one knows how bright his nose used to be. But on his journey, something magical happens. As enchanting as the original story, Robert L. May's uplifting sequel to his classic tale Rudolph the Red-Nosed Reindeer is a joyous celebration of the spirit of Christmas. Also included in the audio is a selection of holiday songs for kids to help you ring in the season: "Jingle Bells," "Up on the Housetop," "Deck the Halls," "Over the River and through the Woods," "We Wish You a Merry Christmas," and "O, Christmas Tree."
A Fly Went by
Author: Mike McClintock
Publisher: Random House Books for Young Readers
ISBN: 0394800036
Category : Juvenile Fiction
Languages : en
Pages : 69
Book Description
A fly is followed by a menagerie of characters in this humorous cumulative tale edited by Dr. Seuss. When a young boy sees a frantic fly buzzing past, he asks where the fly is headed—and with that, a chase begins. The fly and the frog, the cat and the dog, the pig and the cow, the fox and the hunter . . . who is causing all the fuss? A Fly Went By will have young readers buzzing with excitement! Originally created by Dr. Seuss, Beginner Books encourage children to read all by themselves, with simple words and illustrations that give clues to their meaning. "The writing is merry and the pictures are real fun. Recommended."--School Library Journal.
Publisher: Random House Books for Young Readers
ISBN: 0394800036
Category : Juvenile Fiction
Languages : en
Pages : 69
Book Description
A fly is followed by a menagerie of characters in this humorous cumulative tale edited by Dr. Seuss. When a young boy sees a frantic fly buzzing past, he asks where the fly is headed—and with that, a chase begins. The fly and the frog, the cat and the dog, the pig and the cow, the fox and the hunter . . . who is causing all the fuss? A Fly Went By will have young readers buzzing with excitement! Originally created by Dr. Seuss, Beginner Books encourage children to read all by themselves, with simple words and illustrations that give clues to their meaning. "The writing is merry and the pictures are real fun. Recommended."--School Library Journal.
the Art of Drying Plants and Flowers
Snark
Author: David Denby
Publisher: Simon and Schuster
ISBN: 1439110085
Category : Social Science
Languages : en
Pages : 147
Book Description
What is snark? You recognize it when you see it -- a tone of teasing, snide, undermining abuse, nasty and knowing, that is spreading like pinkeye through the media and threatening to take over how Americans converse with each other and what they can count on as true. Snark attempts to steal someone's mojo, erase her cool, annihilate her effectiveness. In this sharp and witty polemic, New Yorker critic and bestselling author David Denby takes on the snarkers, naming the nine principles of snark -- the standard techniques its practitioners use to poison their arrows. Snarkers like to think they are deploying wit, but mostly they are exposing the seethe and snarl of an unhappy country, releasing bad feeling but little laughter. In this highly entertaining essay, Denby traces the history of snark through the ages, starting with its invention as personal insult in the drinking clubs of ancient Athens, tracking its development all the way to the age of the Internet, where it has become the sole purpose and style of many media, political, and celebrity Web sites. Snark releases the anguish of the dispossessed, envious, and frightened; it flows when a dying class of the powerful struggles to keep the barbarians outside the gates, or, alternately, when those outsiders want to take over the halls of the powerful and expel the office-holders. Snark was behind the London-based magazine Private Eye, launched amid the dying embers of the British empire in 1961; it was also central to the career-hungry, New York-based magazine Spy. It has flourished over the years in the works of everyone from the startling Roman poet Juvenal to Alexander Pope to Tom Wolfe to a million commenters snarling at other people behind handles. Thanks to the grand dame of snark, it has a prominent place twice a week on the opinion page of the New York Times. Denby has fun snarking the snarkers, expelling the bums and promoting the true wits, but he is also making a serious point: the Internet has put snark on steroids. In politics, snark means the lowest, most insinuating and insulting side can win. For the young, a savage piece of gossip could ruin a reputation and possibly a future career. And for all of us, snark just sucks the humor out of life. Denby defends the right of any of us to be cruel, but shows us how the real pros pull it off. Snark, he says, is for the amateurs.
Publisher: Simon and Schuster
ISBN: 1439110085
Category : Social Science
Languages : en
Pages : 147
Book Description
What is snark? You recognize it when you see it -- a tone of teasing, snide, undermining abuse, nasty and knowing, that is spreading like pinkeye through the media and threatening to take over how Americans converse with each other and what they can count on as true. Snark attempts to steal someone's mojo, erase her cool, annihilate her effectiveness. In this sharp and witty polemic, New Yorker critic and bestselling author David Denby takes on the snarkers, naming the nine principles of snark -- the standard techniques its practitioners use to poison their arrows. Snarkers like to think they are deploying wit, but mostly they are exposing the seethe and snarl of an unhappy country, releasing bad feeling but little laughter. In this highly entertaining essay, Denby traces the history of snark through the ages, starting with its invention as personal insult in the drinking clubs of ancient Athens, tracking its development all the way to the age of the Internet, where it has become the sole purpose and style of many media, political, and celebrity Web sites. Snark releases the anguish of the dispossessed, envious, and frightened; it flows when a dying class of the powerful struggles to keep the barbarians outside the gates, or, alternately, when those outsiders want to take over the halls of the powerful and expel the office-holders. Snark was behind the London-based magazine Private Eye, launched amid the dying embers of the British empire in 1961; it was also central to the career-hungry, New York-based magazine Spy. It has flourished over the years in the works of everyone from the startling Roman poet Juvenal to Alexander Pope to Tom Wolfe to a million commenters snarling at other people behind handles. Thanks to the grand dame of snark, it has a prominent place twice a week on the opinion page of the New York Times. Denby has fun snarking the snarkers, expelling the bums and promoting the true wits, but he is also making a serious point: the Internet has put snark on steroids. In politics, snark means the lowest, most insinuating and insulting side can win. For the young, a savage piece of gossip could ruin a reputation and possibly a future career. And for all of us, snark just sucks the humor out of life. Denby defends the right of any of us to be cruel, but shows us how the real pros pull it off. Snark, he says, is for the amateurs.
Bread and Circuses
Author: Patrick Brantlinger
Publisher: Cornell University Press
ISBN: 1501707639
Category : History
Languages : en
Pages : 379
Book Description
Lively and well written, Bread and Circuses analyzes theories that have treated mass culture as either a symptom or a cause of social decadence. Discussing many of the most influential and representative theories of mass culture, it ranges widely from Greek and Roman origins, through Marx, Nietzsche, Freud, Ortega y Gasset, T. S. Eliot, and the theorists of the Frankfurt Institute, down to Marshall McLuhan and Daniel Bell, Brantlinger considers the many versions of negative classicism and shows how the belief in the historical inevitability of social decay—a belief today perpetuated by the mass media themselves—has become the dominant view of mass culture in our time. While not defending mass culture in its present form, Brantlinger argues that the view of culture implicit in negative classicism obscures the question of how the media can best be used to help achieve freedom and enlightenment on a truly democratic basis.
Publisher: Cornell University Press
ISBN: 1501707639
Category : History
Languages : en
Pages : 379
Book Description
Lively and well written, Bread and Circuses analyzes theories that have treated mass culture as either a symptom or a cause of social decadence. Discussing many of the most influential and representative theories of mass culture, it ranges widely from Greek and Roman origins, through Marx, Nietzsche, Freud, Ortega y Gasset, T. S. Eliot, and the theorists of the Frankfurt Institute, down to Marshall McLuhan and Daniel Bell, Brantlinger considers the many versions of negative classicism and shows how the belief in the historical inevitability of social decay—a belief today perpetuated by the mass media themselves—has become the dominant view of mass culture in our time. While not defending mass culture in its present form, Brantlinger argues that the view of culture implicit in negative classicism obscures the question of how the media can best be used to help achieve freedom and enlightenment on a truly democratic basis.
Abraham Lincoln, President-elect
Author: Larry D. Mansch
Publisher: McFarland
ISBN: 9780786420261
Category : History
Languages : en
Pages : 246
Book Description
"This work utilizes newspaper accounts from across America, journals and diaries of his contemporaries, and correspondence. Lincoln's speeches also appear here as they did in newspapers in 1860 and 1861; crowd reactions and Lincoln's occasional banter with individuals who called out to him are faithfully reproduced, as well"--Provided by publisher.
Publisher: McFarland
ISBN: 9780786420261
Category : History
Languages : en
Pages : 246
Book Description
"This work utilizes newspaper accounts from across America, journals and diaries of his contemporaries, and correspondence. Lincoln's speeches also appear here as they did in newspapers in 1860 and 1861; crowd reactions and Lincoln's occasional banter with individuals who called out to him are faithfully reproduced, as well"--Provided by publisher.
Misinterest
Author: M. H. Bowker
Publisher: punctum books
ISBN: 1950192296
Category : Literary Collections
Languages : en
Pages : 171
Book Description
The term "interest" lacks a precise antonym. In English, we have "disinterested" and "uninteresting," but we want for a term that denotes robust opposition to interest. The same appears to hold true in every other language (as far as we know). Interest's missing antonym reflects not merely a widespread lexical oversight, but a misrecognition of interest's complete and exact meaning. More importantly, the idea that interest has no opposite expresses a certain refusal to acknowledge the power of the impulse to extinguish interest, for the self and for others. Why then do we foreclose interest's possibility, degrade our (and others') capacities to experience interest, and destroy interest's objects? Why do we decline what interest proffers - which includes creative and subjective being, thinking, and relating - in favor of more primitive modes of survival, thoughtlessness, and nonbeing? Why do relationships - with ourselves, with others, with objects - toward which genuine interest draws us seem sometimes, if not often, unbearable? These questions are difficult. Their answers, even more so. MISINTEREST: Essays, Pensées, and Dreams attempts to approach them in an honest way, without making them fascinating, mysterious, boring, obscurantist, or fascinatingly mysteriously boringly obscurantist. Outwardly, MISINTEREST is concerned with dreams and forgetting and Eros and soaring dogs and groups and suicidal suburban teenagers and sex and jury duty and Nazis and fathers and hatred and holy parrots and fundamentalists and plagues and other things that may or may not be interesting. Ultimately, however, it seeks, like Jules Renard, "en restant exact" (in remaining true/real), to shed light on the establishment of misinterest, missingness, and mystery where and when they need not be, and, thus, on the psychic, familial, and political forces that compel us not to be when and where we ought. M.H. BOWKER is the author of ten books - including "Ostranenie: On Shame and Knowing" and "Escargotesque, or, What is Experience?" (both published with punctum) - and numerous papers in the areas of psychoanalytic theory, social and political philosophy, literary criticism, and critical pedagogy. He is a professor at a small college in upstate New York. Educated at Columbia University and the University of Maryland, College Park, he edits the Psychoanalytic Political Theory book series at Routledge and is the (North American) Editor of the Journal of Psycho-Social Studies. He is a recent Fulbright grant recipient and has taught approximately one hundred courses in a wide array of disciplines, including Political Science, Philosophy, Psychology, English, and more.
Publisher: punctum books
ISBN: 1950192296
Category : Literary Collections
Languages : en
Pages : 171
Book Description
The term "interest" lacks a precise antonym. In English, we have "disinterested" and "uninteresting," but we want for a term that denotes robust opposition to interest. The same appears to hold true in every other language (as far as we know). Interest's missing antonym reflects not merely a widespread lexical oversight, but a misrecognition of interest's complete and exact meaning. More importantly, the idea that interest has no opposite expresses a certain refusal to acknowledge the power of the impulse to extinguish interest, for the self and for others. Why then do we foreclose interest's possibility, degrade our (and others') capacities to experience interest, and destroy interest's objects? Why do we decline what interest proffers - which includes creative and subjective being, thinking, and relating - in favor of more primitive modes of survival, thoughtlessness, and nonbeing? Why do relationships - with ourselves, with others, with objects - toward which genuine interest draws us seem sometimes, if not often, unbearable? These questions are difficult. Their answers, even more so. MISINTEREST: Essays, Pensées, and Dreams attempts to approach them in an honest way, without making them fascinating, mysterious, boring, obscurantist, or fascinatingly mysteriously boringly obscurantist. Outwardly, MISINTEREST is concerned with dreams and forgetting and Eros and soaring dogs and groups and suicidal suburban teenagers and sex and jury duty and Nazis and fathers and hatred and holy parrots and fundamentalists and plagues and other things that may or may not be interesting. Ultimately, however, it seeks, like Jules Renard, "en restant exact" (in remaining true/real), to shed light on the establishment of misinterest, missingness, and mystery where and when they need not be, and, thus, on the psychic, familial, and political forces that compel us not to be when and where we ought. M.H. BOWKER is the author of ten books - including "Ostranenie: On Shame and Knowing" and "Escargotesque, or, What is Experience?" (both published with punctum) - and numerous papers in the areas of psychoanalytic theory, social and political philosophy, literary criticism, and critical pedagogy. He is a professor at a small college in upstate New York. Educated at Columbia University and the University of Maryland, College Park, he edits the Psychoanalytic Political Theory book series at Routledge and is the (North American) Editor of the Journal of Psycho-Social Studies. He is a recent Fulbright grant recipient and has taught approximately one hundred courses in a wide array of disciplines, including Political Science, Philosophy, Psychology, English, and more.
Novels, Novelists, and Readers
Author: Mary F. Rogers
Publisher: State University of New York Press
ISBN: 1438417632
Category : Biography & Autobiography
Languages : en
Pages : 336
Book Description
Focusing on British and American novels, Rogers takes a sociological look at the business of literature, the book industry, and the experiences of novelists and readers. Viewing the novel as a vehicle of cultural meaning, the author shows how the literary canon overlooks substantial similarities among novels in favor of restrictive codes based on social as well as literary considerations. She emphasizes the kinship between the social sciences and humanities in her analysis, by reinvigorating affection for the novel and also establishing its rich cultural significance.
Publisher: State University of New York Press
ISBN: 1438417632
Category : Biography & Autobiography
Languages : en
Pages : 336
Book Description
Focusing on British and American novels, Rogers takes a sociological look at the business of literature, the book industry, and the experiences of novelists and readers. Viewing the novel as a vehicle of cultural meaning, the author shows how the literary canon overlooks substantial similarities among novels in favor of restrictive codes based on social as well as literary considerations. She emphasizes the kinship between the social sciences and humanities in her analysis, by reinvigorating affection for the novel and also establishing its rich cultural significance.
Re-Covering Modernism
Author: David M Earle
Publisher: Routledge
ISBN: 1317070119
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.
Publisher: Routledge
ISBN: 1317070119
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.
Dear Abigail
Author: Diane Jacobs
Publisher: Ballantine Books
ISBN: 0345549848
Category : Biography & Autobiography
Languages : en
Pages : 530
Book Description
For readers of the historical works of Robert K. Massie, David McCulough, and Alison Weir comes the first biography on the life of Abigail Adams and her sisters. “Never sisters loved each other better than we.”—Abigail Adams in a letter to her sister Mary, June 1776 Much has been written about the enduring marriage of President John Adams and his wife, Abigail. But few know of the equally strong bond Abigail shared with her sisters, Mary Cranch and Elizabeth Shaw Peabody, accomplished women in their own right. Now acclaimed biographer Diane Jacobs reveals their moving story, which unfolds against the stunning backdrop of America in its transformative colonial years. Abigail, Mary, and Elizabeth Smith grew up in Weymouth, Massachusetts, the close-knit daughters of a minister and his wife. When the sisters moved away from one another, they relied on near-constant letters—from what John Adams called their “elegant pen”—to buoy them through pregnancies, illnesses, grief, political upheaval, and, for Abigail, life in the White House. Infusing her writing with rich historical perspective and detail, Jacobs offers fascinating insight into these progressive women’s lives: oldest sister Mary, who became de facto mayor of her small village; youngest sister Betsy, an aspiring writer who, along with her husband, founded the second coeducational school in the United States; and middle child Abigail, who years before becoming First Lady ran the family farm while her husband served in the Continental Congress, first in Philadelphia, and was then sent to France and England, where she joined him at last. This engaging narrative traces the sisters’ lives from their childhood sibling rivalries to their eyewitness roles during the American Revolution and their adulthood as outspoken wives and mothers. They were women ahead of their time who believed in intellectual and educational equality between the sexes. Drawing from newly discovered correspondence, never-before-published diaries, and archival research, Dear Abigail is a fascinating front-row seat to history—and to the lives of three exceptional women who were influential during a time when our nation’s democracy was just taking hold. Advance praise for Dear Abigail “In a beautifully wrought narrative, Diane Jacobs has brought the high-spirited, hyperarticulate Smith sisters, and the early years of the American republic, to rich, luminous life. . . . A stunning, sensitive work of history.”—Stacy Schiff, Pulitzer Prize–winning author of Cleopatra “Jacobs is a superb storyteller. In this sweeping narrative about family and friendship during the American Revolution, Abigail Adams emerges as one of the great political heroines of the eighteenth century. I fell in love with her all over again.”—Amanda Foreman, New York Times bestselling author of A World on Fire “Beauty, brains, and breeding—Elizabeth, Abigail, and Mary had them all. This absorbing history shows how these close-knit and well-educated daughters of colonial America become women of influence in the newly begotten United States. Jacobs’s feel for the period is confident; so is her appreciation of the nuances of character.”—Daniel Mark Epstein, author of The Lincolns: Portrait of a Marriage
Publisher: Ballantine Books
ISBN: 0345549848
Category : Biography & Autobiography
Languages : en
Pages : 530
Book Description
For readers of the historical works of Robert K. Massie, David McCulough, and Alison Weir comes the first biography on the life of Abigail Adams and her sisters. “Never sisters loved each other better than we.”—Abigail Adams in a letter to her sister Mary, June 1776 Much has been written about the enduring marriage of President John Adams and his wife, Abigail. But few know of the equally strong bond Abigail shared with her sisters, Mary Cranch and Elizabeth Shaw Peabody, accomplished women in their own right. Now acclaimed biographer Diane Jacobs reveals their moving story, which unfolds against the stunning backdrop of America in its transformative colonial years. Abigail, Mary, and Elizabeth Smith grew up in Weymouth, Massachusetts, the close-knit daughters of a minister and his wife. When the sisters moved away from one another, they relied on near-constant letters—from what John Adams called their “elegant pen”—to buoy them through pregnancies, illnesses, grief, political upheaval, and, for Abigail, life in the White House. Infusing her writing with rich historical perspective and detail, Jacobs offers fascinating insight into these progressive women’s lives: oldest sister Mary, who became de facto mayor of her small village; youngest sister Betsy, an aspiring writer who, along with her husband, founded the second coeducational school in the United States; and middle child Abigail, who years before becoming First Lady ran the family farm while her husband served in the Continental Congress, first in Philadelphia, and was then sent to France and England, where she joined him at last. This engaging narrative traces the sisters’ lives from their childhood sibling rivalries to their eyewitness roles during the American Revolution and their adulthood as outspoken wives and mothers. They were women ahead of their time who believed in intellectual and educational equality between the sexes. Drawing from newly discovered correspondence, never-before-published diaries, and archival research, Dear Abigail is a fascinating front-row seat to history—and to the lives of three exceptional women who were influential during a time when our nation’s democracy was just taking hold. Advance praise for Dear Abigail “In a beautifully wrought narrative, Diane Jacobs has brought the high-spirited, hyperarticulate Smith sisters, and the early years of the American republic, to rich, luminous life. . . . A stunning, sensitive work of history.”—Stacy Schiff, Pulitzer Prize–winning author of Cleopatra “Jacobs is a superb storyteller. In this sweeping narrative about family and friendship during the American Revolution, Abigail Adams emerges as one of the great political heroines of the eighteenth century. I fell in love with her all over again.”—Amanda Foreman, New York Times bestselling author of A World on Fire “Beauty, brains, and breeding—Elizabeth, Abigail, and Mary had them all. This absorbing history shows how these close-knit and well-educated daughters of colonial America become women of influence in the newly begotten United States. Jacobs’s feel for the period is confident; so is her appreciation of the nuances of character.”—Daniel Mark Epstein, author of The Lincolns: Portrait of a Marriage