Villainy PDF Download

Author: Nightboat Books
Publisher: Nightboat Books
ISBN: 9781643621104
Category : Poetry
Languages : en
Pages :

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Author: Stras Acimovic
Publisher:
ISBN: 9781613171530
Category : Fantasy games
Languages : en
Pages : 360

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Author:
Publisher: BRILL
ISBN: 9401206805
Category : Literary Criticism
Languages : en
Pages : 225

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This collection of essays explores the representations, incarnations and manifestations of evil when it is embodied in a particular villain or in an evil presence. All the essays contribute to showing how omnipresent yet vastly under-studied the phenomena of the villain and evil are. Together they confirm the importance of the continued study of villains and villainy in order to understand the premises behind the representation of evil, its internal localized logic, its historical contingency, and its specific conditions.

Author: Jonathan Patterson
Publisher: Oxford University Press
ISBN: 0192576283
Category : Literary Criticism
Languages : en
Pages : 320

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Obscene poetry, servants' slanders against their masters, the diabolical acts of those who committed massacre and regicide. This is a book about the harmful, outward manifestation of inner malice—villainy—in French culture (1463-1610). In pre-modern France, villainous offences were countered, if never fully contained, by intersecting legal and literary responses. Combining the methods of legal anthropology with literary and historical analysis, this study examines villainy across juridical documents, criminal records, and literary texts. Whilst few people obtained justice through the law, many pursued out-of-court settlements of one kind or another. Literary texts commemorated villainies both fictitious and historical; literature sometimes instantiated the process of redress, and enabled the transmission of conflicts from one context to another. Villainy in France follows this overflowing current of pre-modern French culture, examining its impact within France and across the English Channel. Scholars and cultural critics of the Anglophone world have long been fascinated by villainy and villains. This book reveals the subject's significant 'Frenchness' and establishes a transcultural approach to it in law and literature. In this study, villainy's particular significance emerges through its representation in authors remembered for their less-than respectable, even criminal, activities: François Villon, Clément Marot, François Rabelais, Pierre de L'Estoile, Christopher Marlowe, Ben Jonson, John Marston, and George Chapman. Villainy in France affords legal-literary comparison of these authors alongside many of their lesser-known contemporaries; in so doing, it reinterprets French conflicts within a wider European context, from the mid-fifteenth century to the early seventeenth century.

Author: M. Gregory Kendrick
Publisher: McFarland
ISBN: 1476625336
Category : Social Science
Languages : en
Pages : 270

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Every society has its lineup of wicked, unethical characters--real or fictional--who are regarded as villainous. This book explores how Western societies have used villains to sort insiders from outsiders and establish behavioral norms to support harmony and well-being. There are three parts: nature and "barbarians" as sinister "others" bent on destroying Western civilization; tyrants, traitors and "femmes fatales" as challenges to ideals of legitimate governance, patriotism and gender roles; and gangsters, grifters and murderers as models of evil or unprincipled behavior. The author also discusses two related phenomena: the dramatic paring down of what is considered villainous in the West, and the proliferation of over-the-top villains in pop culture and mass media. Instructors considering this book for use in a course may request an examination copy here.

Author: Nizar Zouidi
Publisher: Springer Nature
ISBN: 3030760553
Category : Literary Criticism
Languages : en
Pages : 534

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Performativity of Villainy and Evil in Anglophone Literature and Media studies the performative nature of evil characters, acts and emotions across intersecting genres, disciplines and historical eras. This collection brings together scholars and artists with different institutional standings, cultural backgrounds and (inter)disciplinary interests with the aim of energizing the ongoing discussion of the generic and thematic issues related to the representation of villainy and evil in literature and media. The volume covers medieval literature to contemporary literature and also examines important aspects of evil in literature such as social and political identity, the gothic and systemic evil practices. In addition to literature, the book considers examples of villainy in film, TV and media, revealing that performance, performative control and maneuverability are the common characteristics of villains across the different literary and filmic genres and eras studied in the volume.

Author:
Publisher: BRILL
ISBN: 1848880529
Category : Social Science
Languages : en
Pages : 265

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This e-book presents the findings of the 2nd global, interdisciplinary conference on Villains and Villainy, which was held at Oriel College, Oxford in September 2010 as part of the research network Inter-Disciplinary.Net.

Author: Sara Martín
Publisher: Routledge
ISBN: 1000763315
Category : Literary Criticism
Languages : en
Pages : 244

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Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.

Author: L. Ron Hubbard
Publisher: Galaxy Press LLC
ISBN: 1592125956
Category : Fiction
Languages : en
Pages : 356

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Earth is rising in the House of Voltar . . . And there’ll be hell to pay! That’s right. The invasion is on . . . and it’s coming soon to a galaxy near you. The action couldn’t be hotter, and the plot couldn’t be more diabolical. Earth is coming to Voltar—and the Voltarians won’t know what hit them. Murder, blackmail, drugs, psychoanalysis, PR firms, sex-crazed teenyboppers, riots in the streets, women in chains. These are the powerful secret weapons of war—perfected on Earth and imported to Voltar—which are now being exploited by the ruthless Lombar Hisst, chief of the Coordinated Information Apparatus (the infamous CIA). His obsession: total domination of the Voltarian Confederacy. Can anyone stop the madness? Does anyone have the courage and charisma to crash this party? Enter Royal Officer of the Fleet, Jettero Heller. Dodging Death Battalions and death warrants, he’s racing from Earth to face the challenge. But Hisst has taken Heller’s beautiful sister hostage, and she may be the one who has to pay the ultimate price of VILLAINY VICTORIOUS. “A superlative storyteller with total mastery of plot and pacing.” —Publishers Weekly

Author: Benton L. Bradberry
Publisher: AuthorHouse
ISBN: 147723182X
Category : Germany
Languages : en
Pages : 454

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As the title "The Myth of German Villainy" indicates, this book is about the mischaracterization of Germany as history's ultimate "villain." The "official" story of Western Civilization in the twentieth century casts Germany as the disturber of the peace in Europe, and the cause of both World War I and World War II, though the facts don't bear that out. During both wars, fantastic atrocity stories were invented by Allied propaganda to create hatred of the German people for the purpose of bringing public opinion around to support the wars. The "Holocaust" propaganda which emerged after World War II further solidified this image of Germany as history's ultimate villain. But how true is this "official" story? Was Germany really history's ultimate villain? In this book, the author paints a different picture. He explains that Germany was not the perpetrator of World War I nor World War II, but instead, was the victim of Allied aggression in both wars. The instability wrought by World War I made the 1917 Bolshevik Revolution in Russia possible, which brought world Communism into existence. Hitler and Germany recognized world Communism, with its base in the Soviet Union, as an existential threat to Western, Christian Civilization, and he dedicated himself and Germany to a death struggle against it. Far from being the disturber of European peace, Germany served as a bulwark which prevented Communist revolution from sweeping over Europe. The pity was that the United States and Britain did not see Communist Russia in the same light, ultimately with disastrous consequences for Western Civilization. The author believes that Britain and the United States joined the wrong side in the war.