Author: Poul Vad
Publisher:
ISBN: 9780300049565
Category : Art
Languages : en
Pages : 462
Book Description
Vilhelm Hammershoi was a leading Danish painter of his generation. In this illustrated book - winner of the Amelienborg Prize in its Danish version - the author examines the life and work of Hammershoi.
Vilhelm Hammershøi and Danish Art at the Turn of the Century
Author: Poul Vad
Publisher:
ISBN: 9780300049565
Category : Art
Languages : en
Pages : 462
Book Description
Vilhelm Hammershoi was a leading Danish painter of his generation. In this illustrated book - winner of the Amelienborg Prize in its Danish version - the author examines the life and work of Hammershoi.
Publisher:
ISBN: 9780300049565
Category : Art
Languages : en
Pages : 462
Book Description
Vilhelm Hammershoi was a leading Danish painter of his generation. In this illustrated book - winner of the Amelienborg Prize in its Danish version - the author examines the life and work of Hammershoi.
Hammershøi
Author: Vilhelm Hammershøi
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
This comprehensive survey, published to coincide with a major exhibition, explores the work of the Danish painter Vilhelm Hammersh�i (1864-1916). In haunting interior scenes, Hammersh�i dispensed with anecdotal detail, transforming his apartment into a series of disturbingly empty spaces. The same strange stillness can be seen in his portraits, landscapes, and city views of his native Copenhagen and of London, in all of which the passage of time appears to have been inexplicably suspended. Expertly produced, Hammersh�i explores the singularity of the artist’s vision, placing his achievement in the context of ?n-de-si�cle Symbolist art and examining his links with Dutch masters of the seventeenth century. Widely revered in Europe during his lifetime, Hammersh�i is now ripe for rediscovery.
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
This comprehensive survey, published to coincide with a major exhibition, explores the work of the Danish painter Vilhelm Hammersh�i (1864-1916). In haunting interior scenes, Hammersh�i dispensed with anecdotal detail, transforming his apartment into a series of disturbingly empty spaces. The same strange stillness can be seen in his portraits, landscapes, and city views of his native Copenhagen and of London, in all of which the passage of time appears to have been inexplicably suspended. Expertly produced, Hammersh�i explores the singularity of the artist’s vision, placing his achievement in the context of ?n-de-si�cle Symbolist art and examining his links with Dutch masters of the seventeenth century. Widely revered in Europe during his lifetime, Hammersh�i is now ripe for rediscovery.
Talk to Me
Author: T.C. Boyle
Publisher: HarperCollins
ISBN: 0063052849
Category : Fiction
Languages : en
Pages : 343
Book Description
From bestselling and award-winning author T.C. Boyle, a lively, thought-provoking novel that asks us what it would be like if we could really talk to the animals When animal behaviorist Guy Schermerhorn demonstrates on a TV game show that he has taught Sam, his juvenile chimp, to speak in sign language, Aimee Villard, an undergraduate at Guy's university, is so taken with the performance that she applies to become his assistant. A romantic and intellectual attachment soon morphs into an interspecies love triangle that pushes hard at the boundaries of consciousness and the question of what we know and how we know it. What if it were possible to speak to the members of another species—to converse with them, not just give commands or coach them but to really have an exchange of ideas and a meeting of minds? Did apes have God? Did they have souls? Did they know about death and redemption? About prayer? The economy, rockets, space? Did they miss the jungle? Did they even know what the jungle was? Did they dream? Make wishes? Hope for the future? These are some the questions T.C. Boyle asks in his wide-ranging and hilarious new novel Talk to Me, exploring what it means to be human, to communicate with another, and to truly know another person—or animal…
Publisher: HarperCollins
ISBN: 0063052849
Category : Fiction
Languages : en
Pages : 343
Book Description
From bestselling and award-winning author T.C. Boyle, a lively, thought-provoking novel that asks us what it would be like if we could really talk to the animals When animal behaviorist Guy Schermerhorn demonstrates on a TV game show that he has taught Sam, his juvenile chimp, to speak in sign language, Aimee Villard, an undergraduate at Guy's university, is so taken with the performance that she applies to become his assistant. A romantic and intellectual attachment soon morphs into an interspecies love triangle that pushes hard at the boundaries of consciousness and the question of what we know and how we know it. What if it were possible to speak to the members of another species—to converse with them, not just give commands or coach them but to really have an exchange of ideas and a meeting of minds? Did apes have God? Did they have souls? Did they know about death and redemption? About prayer? The economy, rockets, space? Did they miss the jungle? Did they even know what the jungle was? Did they dream? Make wishes? Hope for the future? These are some the questions T.C. Boyle asks in his wide-ranging and hilarious new novel Talk to Me, exploring what it means to be human, to communicate with another, and to truly know another person—or animal…
The Symbolist Roots of Modern Art
Author: Professor Michelle Facos
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472419626
Category : Art
Languages : en
Pages : 265
Book Description
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472419626
Category : Art
Languages : en
Pages : 265
Book Description
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Rooms with a View
Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
ISBN: 1588394131
Category : Art
Languages : en
Pages : 206
Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
Publisher: Metropolitan Museum of Art
ISBN: 1588394131
Category : Art
Languages : en
Pages : 206
Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
Hans Von Bülow
Author: Alan Walker
Publisher: OUP USA
ISBN: 0195368681
Category : Biography & Autobiography
Languages : en
Pages : 539
Book Description
Hans von Bulow's career unfolded in at least six directions simultaneously. He was a renowned concert pianist; the first virtuoso orchestral conductor; a respected (and sometimes feared) teacher; an influential editor of works by Bach, Mendelssohn, Chopin, and above all of Beethoven, in the performance of whose music he had no rival; a scourge as a music critic; and lastly, he was himself also a composer of music. In Hans von Bulow: A Life and Times, Alan Walker, the acclaimed author of numerous award-winning books on the era's iconic composers, provides the first full-length English biography of this remarkable musical figure.
Publisher: OUP USA
ISBN: 0195368681
Category : Biography & Autobiography
Languages : en
Pages : 539
Book Description
Hans von Bulow's career unfolded in at least six directions simultaneously. He was a renowned concert pianist; the first virtuoso orchestral conductor; a respected (and sometimes feared) teacher; an influential editor of works by Bach, Mendelssohn, Chopin, and above all of Beethoven, in the performance of whose music he had no rival; a scourge as a music critic; and lastly, he was himself also a composer of music. In Hans von Bulow: A Life and Times, Alan Walker, the acclaimed author of numerous award-winning books on the era's iconic composers, provides the first full-length English biography of this remarkable musical figure.
Léon Spilliaert, 1881-1946
Impressionists in Winter
Author: Charles S. Moffett
Publisher: Philip Wilson Publishers
ISBN: 9780856674952
Category : Art
Languages : en
Pages : 240
Book Description
Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.
Publisher: Philip Wilson Publishers
ISBN: 9780856674952
Category : Art
Languages : en
Pages : 240
Book Description
Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.
Surreal Lovers
Author:
Publisher:
ISBN: 9788417048006
Category : Artists
Languages : en
Pages : 376
Book Description
This book recounts the life and loves of artists and writers, Leonora Carrington, Peggy Guggenheim, Dorothea Tanning, Leonor Fini, Meret Oppenheim, Gala, Luise Straus and Marie-Berthe Aurenche during their years with Max Ernst. Beginning in Cologne at the outbreak of war in 1914 and the eruption of Dada, it describes the birth and heyday of Surrealism in Paris in the 1920s and ends with its demise in New York in the 1940s. The years in between were a whirlwind that shredded the artists dreams and scattered them around the globe from Cologne, London and Paris, to Saigon, Marseille, Lisbon and New York. Their saga contains episodes of searing passion, madness and betrayal when they made great art and lost, found and abandoned one another in the process. AUTHOR: Margaret Hooks is an Irish writer who has written extensively on the life and work of artists among them Tina Modotti, Frida Kahlo, Leonora Carrington, Edward Weston, Max Ernst and Edward James. Her books include the award-winning biography Tina Modotti: Photographer & Revolutionary, Frida Kahlo: Portraits of an Icon and Surreal Eden: Edward James & Las Pozas. Her writing has appeared in ARTnews, BOMB, Afterimage, Vogue, Aperture, Elle, The Guardian and The Observer Magazine. 16 images
Publisher:
ISBN: 9788417048006
Category : Artists
Languages : en
Pages : 376
Book Description
This book recounts the life and loves of artists and writers, Leonora Carrington, Peggy Guggenheim, Dorothea Tanning, Leonor Fini, Meret Oppenheim, Gala, Luise Straus and Marie-Berthe Aurenche during their years with Max Ernst. Beginning in Cologne at the outbreak of war in 1914 and the eruption of Dada, it describes the birth and heyday of Surrealism in Paris in the 1920s and ends with its demise in New York in the 1940s. The years in between were a whirlwind that shredded the artists dreams and scattered them around the globe from Cologne, London and Paris, to Saigon, Marseille, Lisbon and New York. Their saga contains episodes of searing passion, madness and betrayal when they made great art and lost, found and abandoned one another in the process. AUTHOR: Margaret Hooks is an Irish writer who has written extensively on the life and work of artists among them Tina Modotti, Frida Kahlo, Leonora Carrington, Edward Weston, Max Ernst and Edward James. Her books include the award-winning biography Tina Modotti: Photographer & Revolutionary, Frida Kahlo: Portraits of an Icon and Surreal Eden: Edward James & Las Pozas. Her writing has appeared in ARTnews, BOMB, Afterimage, Vogue, Aperture, Elle, The Guardian and The Observer Magazine. 16 images
Odd Nerdrum
Author: Odd Nerdrum
Publisher: Buster Books
ISBN: 9789173535212
Category : Painting, Norwegian
Languages : en
Pages : 0
Book Description
For a painter who took his earliest bearings from Rembrandt, and who has defiantly espoused the values of old master painting, the self-portrait is a natural enough genre to pursue. For Odd Nerdrum, the attractions of self-portraiture run much deeper, however. Nerdum has frequently alluded to the "conflicted preoccupation with origins and personal identity" that his paintings express, and traces this preoccupation to his discovery that his father was not the father he had known growing up, but a previous lover of his mother's. Also abandoned by his mother at an early age, he recollects of his early years: "I was a beggar in a world ruled by others. The person I found in the mirror was myself, I saw myself reflected in my own eyes, not those of others." Nerdrum's difficult childhood and the isolation he has endured as a painter have greatly intensified the relevance of the self-portrait, a genre at which he has excelled, and for which he has become particularly well known. This volume collects Nerdum's self-portraits for the first time, with more than 100 color reproductions.
Publisher: Buster Books
ISBN: 9789173535212
Category : Painting, Norwegian
Languages : en
Pages : 0
Book Description
For a painter who took his earliest bearings from Rembrandt, and who has defiantly espoused the values of old master painting, the self-portrait is a natural enough genre to pursue. For Odd Nerdrum, the attractions of self-portraiture run much deeper, however. Nerdum has frequently alluded to the "conflicted preoccupation with origins and personal identity" that his paintings express, and traces this preoccupation to his discovery that his father was not the father he had known growing up, but a previous lover of his mother's. Also abandoned by his mother at an early age, he recollects of his early years: "I was a beggar in a world ruled by others. The person I found in the mirror was myself, I saw myself reflected in my own eyes, not those of others." Nerdrum's difficult childhood and the isolation he has endured as a painter have greatly intensified the relevance of the self-portrait, a genre at which he has excelled, and for which he has become particularly well known. This volume collects Nerdum's self-portraits for the first time, with more than 100 color reproductions.