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Author: Poul Vad Publisher: ISBN: 9780300049565 Category : Art Languages : en Pages : 462
Book Description
Vilhelm Hammershoi was a leading Danish painter of his generation. In this illustrated book - winner of the Amelienborg Prize in its Danish version - the author examines the life and work of Hammershoi.
Author: Poul Vad Publisher: ISBN: 9780300049565 Category : Art Languages : en Pages : 462
Book Description
Vilhelm Hammershoi was a leading Danish painter of his generation. In this illustrated book - winner of the Amelienborg Prize in its Danish version - the author examines the life and work of Hammershoi.
Author: Vilhelm Hammershøi Publisher: Royal Academy Books ISBN: Category : Art Languages : en Pages : 184
Book Description
This comprehensive survey, published to coincide with a major exhibition, explores the work of the Danish painter Vilhelm Hammersh�i (1864-1916). In haunting interior scenes, Hammersh�i dispensed with anecdotal detail, transforming his apartment into a series of disturbingly empty spaces. The same strange stillness can be seen in his portraits, landscapes, and city views of his native Copenhagen and of London, in all of which the passage of time appears to have been inexplicably suspended. Expertly produced, Hammersh�i explores the singularity of the artist’s vision, placing his achievement in the context of ?n-de-si�cle Symbolist art and examining his links with Dutch masters of the seventeenth century. Widely revered in Europe during his lifetime, Hammersh�i is now ripe for rediscovery.
Author: Kate S. Simpson Publisher: Union Square & Co. ISBN: 145494384X Category : Juvenile Fiction Languages : en Pages : 190
Book Description
In a world where paper is obsolete and magic is all but forgotten, Lydia has moved into the Paper Museum with her Uncle Lem following the disappearance of her parents. Convinced the key to finding them lies in the museum’s book collection, Lydia spends her days digitally scanning her way through the museum’s library. But when Uncle Lem is called away and her Uncle Renald is put in charge of the museum, Lydia’s scanning project comes to an abrupt halt. Uncle Renald takes her aer reader—the personal device that everybody uses for reading, shopping, messaging, and more—but not before Lydia makes a desperate attempt at filing a missing persons report for her parents. The report activates a countdown, and now with nothing but a secret typewriter in her dogwood fort and a cryptic message, Lydia has thirty days to find her parents and stop the mayor from commandeering the museum. Otherwise, both her family home and the Paper Museum itself will be reassigned to someone else. With aer readers on the fritz and the town descending into chaos, Lydia needs to find her parents before the Paper Museum—and her parents—are lost for good. The Paper Museum is a story of family and friendship with a hint of magic.
Author: Patricia G. Berman Publisher: ISBN: 9780500290989 Category : Painting, Danish Languages : en Pages : 272
Book Description
Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.
Author: J.F. Martel Publisher: North Atlantic Books ISBN: 1583945784 Category : Philosophy Languages : en Pages : 209
Book Description
Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.
Author: Vilhelm Hammershøi Publisher: Guggenheim Museum ISBN: Category : Architecture Languages : en Pages : 200
Book Description
Danish painter Vilhelm Hammershoi (1864-1916), whose work is frequently compared to Vermeer's, has been overlooked for nearly a century. The catalogue for an exhibition that received wide acclaim at the Musee d'Orsay, Paris, and that opens at the Solomon R. Guggenheim Museum, New York, in June 1998, this handsome book presents 80 of Hammershoi's distinctive and intimate portraits, landscapes, and interiors.Hammershoi exhibited extensively throughout Europe and was recognized by his peers as the premier Danish painter; critics often included him among the French Impressionists. His reputation diminished after his death, however, and he remained relatively unknown until his recent rediscovery.Today's art lovers will immediately respond to Hammershoi's extraordinary use of line, light, and shadow, and to his interiors and landscapes punctuated with a mood of concentrated absence. His portraits, too, are compelling psychological studies, often reflecting the isolation of the long Scandinavian winter. This book restores Hammershoi's rightful place in the history of art.
Author: Gabriel P. Weisberg Publisher: ISBN: 9780300220117 Category : Art Languages : en Pages : 0
Book Description
This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershøi, Helene Schjerfbeck, Pekka Halonen, Akseli Gallen-Kallela, Gerhard Munthe, Pietro Krohn, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region's visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark gave a necessary cohesion to their existing artistic language, creating a vital balance within and among all of the decorative arts. Distributed for Mercatorfonds Exhibition Schedule: Ateneum Art Museum, Finnish National Gallery, Helsinki (02/18/16-05/15/16) National Museum of Art, Architecture and Design, Oslo (06/16/16-10/16/16) Statens Museum for Kunst, Copenhagen (01/19/17-04/23/17)
Author: Vilhelm Hammershøi Publisher: Ordrupgaard ISBN: 9780892072088 Category : Painting, Danish Languages : en Pages : 191
Book Description
This book - the catalogue accompanying a widely acclaimed exhibition at Ordrupgaard, Copenhagen, the Musee d'Orsay, Paris, and the Solomon R. Guggenheim Museum, New York - reveals the mysterious, melancholy world evoked in Hammershoi's works. Hammershoi's originality was recognized by his peers, but his work was too controversial to gain much support in Denmark during his lifetime. However, it was appreciated by collectors and institutions in England, France, Germany, and Italy, where it became known in exhibitions from the 1890s until his death. Frequently compared to Vermeer in his extraordinary use of line, light, and shadow, Hammershoi punctuates his hallmark interiors and landscapes with a mood of concentrated solitude. His remarkable portraits of friends and family become psychological studies, often revealing the isolation and loneliness of long, dark Scandinavian Winters.
Author: Quentin Buvelot Publisher: ISBN: 9783777435879 Category : Languages : en Pages : 288
Book Description
An investigation into the art of a mysterious Dutch painter who left no written records behind. His paintings are curious, his figures introverted, and his street scenes strangely stage-like. Jacobus Vrel recorded everyday life in Holland during the seventeenth century and conjured his own idiosyncratic world at the same time. This volume presents the fascinating complete oeuvre of a painter whose works were thought in the nineteenth century to have been painted by Vermeer. Jacobus Vrel is like a phantom. No written sources describing the artist or his work have ever been discovered. His existence is documented only by some fifty surviving works which can hardly be compared with those of his contemporaries. His works, in their austerity and sometimes oppressive silence, seem unexpectedly modern, and have been compared to the paintings of Vilhelm Hammershøi. With detective-like investigative flair, and drawing on extensive technical examinations of the paintings, this book explores the mysterious pictures of this recently rediscovered painter.
Author: Poul Vad
Author: Poul Vad
Author: Vilhelm Hammershøi
Author: Hanne Finsen
Author: Kate S. Simpson
Author: Patricia G. Berman
Author: J.F. Martel
Author: Vilhelm Hammershøi
Author: Gabriel P. Weisberg
Author: Vilhelm Hammershøi
Author: Quentin Buvelot