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Author: Martha Gellhorn Publisher: Open Road + Grove/Atlantic ISBN: 0802191177 Category : History Languages : en Pages : 366
Book Description
An anthology spanning six decades of on-the-scene journalism from “one of the most eloquent witnesses of the twentieth century” (Bill Buford, Granta). For nearly sixty years, Martha Gellhorn traveled the globe to report on the tumult and extremity of life in the twentieth century. The View from the Ground, as Gellhorn explains, “is a selection of articles written during six decades; peace-time reporting. That is to say, the countries in the background were at peace at the moment of writing; not that there was peace on earth.” Included here are accounts of America during the Depression, Israel and Palestine in the 1950s, post-Franco Spain, protests at the White House, domestic life in Africa, and Gellhorn’s return to Cuba after a forty-one-year absence—among many other topics. Informed by the horrors of fascism in Spain and Germany, the modern terror in Central America, and by the courage of those who stand up to the thugs both in an out of government, The View from the Ground is a singular act of testimony that, like its companion volume, The Face of War, is “an eloquent, unforgettable history of a chaotic century” (San Francisco Chronicle).
Author: Martha Gellhorn Publisher: Open Road + Grove/Atlantic ISBN: 0802191177 Category : History Languages : en Pages : 366
Book Description
An anthology spanning six decades of on-the-scene journalism from “one of the most eloquent witnesses of the twentieth century” (Bill Buford, Granta). For nearly sixty years, Martha Gellhorn traveled the globe to report on the tumult and extremity of life in the twentieth century. The View from the Ground, as Gellhorn explains, “is a selection of articles written during six decades; peace-time reporting. That is to say, the countries in the background were at peace at the moment of writing; not that there was peace on earth.” Included here are accounts of America during the Depression, Israel and Palestine in the 1950s, post-Franco Spain, protests at the White House, domestic life in Africa, and Gellhorn’s return to Cuba after a forty-one-year absence—among many other topics. Informed by the horrors of fascism in Spain and Germany, the modern terror in Central America, and by the courage of those who stand up to the thugs both in an out of government, The View from the Ground is a singular act of testimony that, like its companion volume, The Face of War, is “an eloquent, unforgettable history of a chaotic century” (San Francisco Chronicle).
Author: Aaron Sheehan-Dean Publisher: University Press of Kentucky ISBN: 0813137616 Category : History Languages : en Pages : 272
Book Description
Civil War scholars have long used soldiers' diaries and correspondence to flesh out their studies of the conflict's great officers, regiments, and battles. However, historians have only recently begun to treat the common Civil War soldier's daily life as a worthwhile topic of discussion in its own right. The View from the Ground reveals the beliefs of ordinary men and women on topics ranging from slavery and racism to faith and identity and represents a significant development in historical scholarship -- the use of Civil War soldiers' personal accounts to address larger questions about America's past. Aaron Sheehan-Dean opens The View from the Ground by surveying the landscape of research on Union and Confederate soldiers, examining not only the wealth of scholarly inquiry in the 1980s and 1990s but also the numerous questions that remain unexplored. Chandra Manning analyzes the views of white Union soldiers on slavery and their enthusiastic support for emancipation. Jason Phillips uncovers the deep antipathy of Confederate soldiers toward their Union adversaries, and Lisa Laskin explores tensions between soldiers and civilians in the Confederacy that represented a serious threat to the fledgling nation's survival. Essays by David Rolfs and Kent Dollar examine the nature of religious faith among Civil War combatants. The grim and gruesome realities of warfare -- and the horror of killing one's enemy at close range -- profoundly tested the spiritual convictions of the fighting men. Timothy J. Orr, Charles E. Brooks, and Kevin Levin demonstrate that Union and Confederate soldiers maintained their political beliefs both on the battlefield and in the war's aftermath. Orr details the conflict between Union soldiers and Northern antiwar activists in Pennsylvania, and Brooks examines a struggle between officers and the Fourth Texas Regiment. Levin contextualizes political struggles among Southerners in the 1880s and 1890s as a continuing battle kept alive by memories of, and identities associated with, their wartime experiences. The View from the Ground goes beyond standard histories that discuss soldiers primarily in terms of campaigns and casualties. These essays show that soldiers on both sides were authentic historical actors who willfully steered the course of the Civil War and shaped subsequent public memory of the event.
Author: David A. Robertson Publisher: Penguin ISBN: 0735266115 Category : Juvenile Fiction Languages : en Pages : 217
Book Description
Narnia meets traditional Indigenous stories of the sky and constellations in an epic middle grade fantasy series from award-winning author David Robertson. Morgan and Eli, two Indigenous children forced away from their families and communities, are brought together in a foster home in Winnipeg, Manitoba. They each feel disconnected, from their culture and each other, and struggle to fit in at school and at their new home -- until they find a secret place, walled off in an unfinished attic bedroom. A portal opens to another reality, Askí, bringing them onto frozen, barren grounds, where they meet Ochek (Fisher). The only hunter supporting his starving community, Misewa, Ochek welcomes the human children, teaching them traditional ways to survive. But as the need for food becomes desperate, they embark on a dangerous mission. Accompanied by Arik, a sassy Squirrel they catch stealing from the trapline, they try to save Misewa before the icy grip of winter freezes everything -- including them.
Author: Julia Frey Publisher: Gatekeeper Press ISBN: 1662912803 Category : Biography & Autobiography Languages : en Pages : 273
Book Description
Very quietly Ron said, “You know, I think the Towers are going to go. Maybe we’d better get out of here.” ßWe suddenly realized that if either of the Towers fell at a certain angle, our building was directly in the line of fall. Above the raging flames, the perpendicular steel I-beams were beginning to bulge out, softening in the heat. Again his unnaturally quiet voice, “I can’t stay here. If the Towers fall on us, I’ll die of fright.” (BALCONY VIEW - a 9/11/ Diary ) Julia Frey’s account begins on September 11, 2001, as the couple decide that despite her husband’s illness, they must somehow flee. They abandon his wheelchair; he is too frail to climb on a boat. Later that day, covered with ashes, they struggle home through a neighborhood pitched into destruction and chaos, to look out his study window at their new view: “the stage set for Dante’s Inferno.” The domino effect of one burning, collapsing building setting fire to the next one makes it clear that their own building could still go. “The electricity was out. Ron could never go down 26 flights on his rear end. We were trapped in the sky.” That’s when Julia decides to write it all down -- if only for the people who will find their bodies. Describing the first night in the the ruins, being evacuated, then returning weeks later, to live at Ground Zero, she discovers that their world has totally changed, yet finally not changed at all. “Our previous problems didn’t magically disappear. They were just waiting for us to come back in the door.” This powerful narrative of double coping -- with Ron’s progressing disability and with the after-effects of 9/11 -- describes a situation the manuals don’t cover -- caregiving in a disaster. Julia Frey’s intense, wryly humorous ‘you are there’ style buoys up the diary and moves it swiftly along, catching us in a gripping, touching, brave, tender, funny story of falling towers, a failing husband and a floundering ménage à trois. “Nothing happens in a vacuum,” she says, weaving in the leitmotif of a long-term love affair. Unflinchingly, she faces the ruins out the window and her own disturbing ambivalence as she sacrifices her creative and professional life to become a full-time caregiver. Ron is no angel, either. He’s a self-centered, willful novelist who after convincing her to take a lover, now wants her to give him up. “What makes him think he can turn us off and on like televisions?” she wonders. Ron’s own writing creates an important counterpoint to Julia’s voice, as she weaves into her diary quotations from his posthumous novel, Last Fall (FC2, 2005). In a poignant Coda, another tale comes to light -- the almost supernatural coincidences between Ron’s last short story and a series of events that occur after Ron dies. There is even a happy ending. Now, twenty years later, Julia's experience is no longer an extraordinary occurrence. This historical diary is important not only to historians, sociologists and psychologists helping patients recover from PTSD, but above all, to those who find themselves unexpectedly plunged into similar catastophic situations: becoming caregivers during a major emergency. The international Covid-19 pandemic and regional climate-change disasters like wildfires, tornadoes, hurricanes, repeated Gulf Coast flooding and the 2021 Texas freezes have left many unprepared peopleto deal with a very ill family member, without electricity, gas or clean water. Julia's dilemma unfortunately is no longer rare. Many people will find it comforting to know that even unheroic people manage to get through such times. Book Review: “An intimate memoir of love and loss in the shadow of 9/11 (...) Engaging and candid; an insightful look at how one woman copes with personal and national trauma.” -- Kirkus Indie
Author: Martha Gellhorn
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