Author: Robert TearPublisher:
ISBN:
Category : Music
Languages : en
Pages : 132
Book Description
Victorian Songs & Duets
Author: Robert TearVictorian Epic Burlesques
Author: Rachel Bryant DaviesPublisher: Bloomsbury Publishing
ISBN: 1350027197
Category : History
Languages : en
Pages : 299
Book Description
This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad! or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypso by J.R. Planché (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865). Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliad and Odyssey to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs. In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history. Resources for further study are available online.
The Victorian Railways Magazine
Author: Gabriel Fauré: The Songs and their Poets
Author: Graham JohnsonPublisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489
Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
Fingerstyle Duets for Ukulele
Author: Mark Kailana NelsonPublisher: Mel Bay Publications
ISBN: 1619114682
Category : Music
Languages : en
Pages : 93
Book Description
From the author of Mel Bay's best selling Learn to Play Fingerstyle Solos for Ukulele and Favorite Fingerstyle Solos for Ukulele, we are proud to presentFingerstyle Duets for Ukulele.This book and accompanying audio offer 21 great songs arranged in 18 duets for fingerstyle ukulele. The songs come from around the world: European waltzes, classic Hawaiian songs, folksongs, Victorian parlor pieces and classical guitar and piano transcriptions. Nothing in this book will be out of reach of the advancing beginner or intermediate player. Even advanced players will find something to tickle their fancy. The book includes tips on technique and fingerpicking exercises. Many of the songs include lyrics, adding to the flexibility of the arrangements. Included are four etudes - basic duets featuring scaled down melodic parts for the lead ukulele and simple pattern picking for the accompaniment. More advanced duets feature modulations, chord inversions up the neck, and different rhythmic approaches forthe right hand in both parts. The book concludes with an arrangement of Erik Satie's haunting solo piano piece Gymnopedie #1
Fanny Hensel
Author: R. Larry ToddPublisher: Oxford University Press
ISBN: 0199884528
Category : Music
Languages : en
Pages : 455
Book Description
Granddaughter of the philosopher Moses Mendelssohn and sister of the composer Felix Mendelssohn Bartholdy, Fanny Hensel (1805-1847) was an extraordinary musician who left well over four hundred compositions, most of which fell into oblivion until their rediscovery late in the twentieth century. In Fanny Hensel: The Other Mendelssohn, R. Larry Todd offers a compelling, authoritative account of Hensel's life and music, and her struggle to emerge as a publicly recognized composer.
The Song Index of the Enoch Pratt Free Library
Author: Ellen LuchinskyPublisher: Routledge
ISBN: 1135659265
Category : Music
Languages : en
Pages : 1384
Book Description
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.
Victorian Vocalists
Author: Kurt GanzlPublisher: Routledge
ISBN: 1351593668
Category : Performing Arts
Languages : en
Pages : 763
Book Description
Victorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt Gänzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.
The Arts and the American Home, 1890-1930
Author: Jessica H. FoyPublisher: Univ. of Tennessee Press
ISBN: 9780870499074
Category : Architecture
Languages : en
Pages : 228
Book Description
Between 1890 and 1930, the domestic arts, as well as the daily life of the American family, began to reflect rapid advances in technology, aesthetics, and attitudes about American culture. Pictorial, literary, musical, and decorative arts from this era all reveal a shift from clutter to clarity and from profusion to restraint as modern conveniences, ranging from pre-stamped needlework patterns to central heat, were introduced into the domestic environment. However, the household arts were also affected by an enduring strain of conservatism reflected in the popularity of historically inspired furnishing styles. In this collection of essays, ten experts in turn-of-the-century popular and material culture examine how the struggle between modernity and tradition was reflected in various facets of the household aesthetic. Their findings touch on sub-themes of gender, generation, and class to provide a fascinating commentary on what middle-class Americans were prepared to discard in the name of modernity and what they stubbornly retained for the sake of ideology. Through an examination of material culture and prescriptive literature from this period, the essayists also demonstrate how changes in artistic expression affected the psychological, social, and cultural lives of everyday Americans. This book joins a growing list of titles dedicated to analyzing and interpreting the cultural dimensions of past domestic life. Its essays shed new light on house history by tracking the transformation of a significant element of home life - its expressions of art.
The Musical Life of Nineteenth-Century Belfast
Author: Roy JohnstonPublisher: Routledge
ISBN: 1351542117
Category : Music
Languages : en
Pages : 400
Book Description
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast‘s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast‘s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast‘s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.