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Author: Jennifer Green-Lewis Publisher: Routledge ISBN: 1000213145 Category : Art Languages : en Pages : 200
Book Description
Analysing a broad range of texts by inventors, cultural critics, photographers, and novelists, this book argues that Victorian photography ultimately defined the concept of memory for generations to come – including our own. The book will be of interest to students of Victorian and modernist literature, visual culture and intellectual history, as well as scholars working within the emerging field of research at the intersection of photographic and literary studies.
Author: Grace Seiberling Publisher: University of Chicago Press ISBN: 9780226744988 Category : Art Languages : en Pages : 320
Book Description
"This book results from research which was begun with all the casualness, but inherent seriousness, of the nineteenth-century amateur. I had the privilege of frequent access to the archives of the International Museum of Photography at George Eastman House and began to go through the nineteenth-century photographs in a systematic way. I wanted to go beyond the clichés of the history of photography as a series of often-reproduced masterworks and to find out something about the history of seeing, or at least of thinking about, images in the nineteenth century."--Préface.
Author: Helen Groth Publisher: Oxford University Press, USA ISBN: 9780199256242 Category : Literary Criticism Languages : en Pages : 266
Book Description
"Photography symbolized the possibility of creating an ideal archive to many Victorians, an archive in which no moment or experience need be forgotten. This seductive idea had particular appeal for a generation of writers preoccupied with their own mortality and the erosion of tradition in an age distracted by the ever-changing spectacle of the present. many early photographers and publishers shared this temporal anxiety and the nostalgic archival proclivities it induced, and these mutual preoccupations resulted in the production of the early photographically illustrated books, verse anthologies, lantern shows, guide books, magazines and cartes de visite collections which are the subject of this book. Groth argues that these various early forms of photlographic illustration reflected and contributed to a growing alignment of reading with taking a moment out of time, and of literary experience with the nostalgic reinventions of an emerging heritage culture. Nostalgia operates both creatively and regressively in this context, providing the catalyst for new cultural forms and memory practices, whilst nurturing an intrinsically conservative desire to find a refuge from the exigencies of the present in an increasingly idealized world of tradition, family, nature, and community; a world where time appeared, for a moment at least, to stand still"--Dust jacket.
Author: William Henry Fox Talbot Publisher: DigiCat ISBN: Category : Photography Languages : en Pages : 66
Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Jennifer Green-Lewis Publisher: Routledge ISBN: 1000213145 Category : Art Languages : en Pages : 200
Book Description
Analysing a broad range of texts by inventors, cultural critics, photographers, and novelists, this book argues that Victorian photography ultimately defined the concept of memory for generations to come – including our own. The book will be of interest to students of Victorian and modernist literature, visual culture and intellectual history, as well as scholars working within the emerging field of research at the intersection of photographic and literary studies.
Author: Susan E. Cook Publisher: State University of New York Press ISBN: 1438475381 Category : Literary Criticism Languages : en Pages : 220
Book Description
Victorian Negatives examines the intersection between Victorian photography and literary culture, and argues that the development of the photographic negative played an instrumental role in their confluence. The negative is a technology that facilitates photographic reproduction by way of image inversion, and Susan E. Cook argues that this particular photographic technology influenced the British realist novel and literary celebrity culture, as authors grappled with the technology of inversion and reproduction in their lives and works. The book analyzes literary works by Charles Dickens, Arthur Conan Doyle, E. W. Hornung, Cyril Bennett, Robert Louis Stevenson, Oscar Wilde, Thomas Hardy, and Bram Stoker, and puts readings of those works into conversations with distinct photographic forms, including the daguerreotype, solarization, forensic photography, common cabinet cards, double exposures, and postmortem portraiture. In addition to literary texts, the book analyzes photographic discourses from letters and public writings of photographers and the nineteenth-century press, as well as discussions and debates surrounding Victorian celebrity authorship. The book's focus on the negative both illuminates an oft-marginalized part of the history of photography and demonstrates the way in which this history is central to Victorian literary culture.
Author: Jordan Bear Publisher: Penn State Press ISBN: 0271089261 Category : Photography Languages : en Pages : 398
Book Description
How do photographs compel belief and endow knowledge? To understand the impact of photography in a given era, we must study the adjacent forms of visual persuasion with which photographs compete and collaborate. In photography’s early days, magic shows, scientific demonstrations, and philosophical games repeatedly put the visual credulity of the modern public to the test in ways that shaped, and were shaped by, the reality claims of photography. These venues invited viewers to judge the reliability of their own visual experiences. Photography resided at the center of a constellation of places and practices in which the task of visual discernment—of telling the real from the constructed—became an increasingly crucial element of one’s location in cultural, political, and social relations. In Disillusioned: Victorian Photography and the Discerning Subject, Jordan Bear tells the story of how photographic trickery in the 1850s and 1860s participated in the fashioning of the modern subject. By locating specific mechanisms of photographic deception employed by the leading mid-century photographers within this capacious culture of discernment, Disillusioned integrates some of the most striking—and puzzling—images of the Victorian period into a new and expansive interpretive framework.
Author: Victoria Olsen Publisher: Palgrave MacMillan ISBN: 9781403960191 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
A depiction of the esteemed Victorian portrait photographer describes her marriage to Charles Hay Cameron, her affectionate correspondence with scientist Sir John Herschel, the technologies that shaped her career, and her work as chronicled by niece Virginia Woolf.
Author: Roddy Simpson Publisher: Edinburgh University Press ISBN: 074865464X Category : History Languages : en Pages : 225
Book Description
This is the first book to provide a full and coherent introduction to the photography of Victorian Scotland. The material has been structured and the topics organised, with appropriate illustrations, as both a readable narrative and a foundation text for
Author: PatriziaDi Bello Publisher: Routledge ISBN: 1351536435 Category : Social Science Languages : en Pages : 216
Book Description
This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Patrizia Di Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying imagesare examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies.
Author: Jennifer Green-Lewis
Author: Grace Seiberling
Author: Helen Groth
Author: William Henry Fox Talbot
Author: Jennifer Green-Lewis
Author: Susan E. Cook
Author: Jennifer Tucker
Author: Jordan Bear
Author: Victoria Olsen
Author: Roddy Simpson
Author: PatriziaDi Bello