Victorian Music Covers PDF Download

Author: Doreen Spellman
Publisher: Park Ridge, N.J : Noyes Press
ISBN:
Category : Design
Languages : en
Pages : 80

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Author: Doreen Spellman
Publisher: HP Trade
ISBN:
Category : Design
Languages : en
Pages : 80

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Author: Sarah Collins
Publisher: Cambridge University Press
ISBN: 1108480055
Category : Art
Languages : en
Pages : 269

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Book Description
Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.

Author: Catherine Haill
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 40

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Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211

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Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.

Author: Nicky Losseff
Publisher: Routledge
ISBN: 1317028066
Category : Music
Languages : en
Pages : 318

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Book Description
The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.

Author: Mark Slobin
Publisher: University of Illinois Press
ISBN: 9780252065620
Category : Music
Languages : en
Pages : 260

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Book Description
"An excellent addition to . . . ethnomusicological studies of nontraditional music in America." -- Choice "A well-deserved look at the musical world of immigrant Jews, who, in finding and creating an expressive medium for self-identity, helped shape and give life to American popular culture." -- Ethnomusicology "Employing the tools of the ethnomusicologist and the social historian, Slobin has produced an important and highly readable account of the formation and function of a little-studied aspect of American popular culture." -- Journal of American Studies

Author: Derek B. Scott
Publisher: Routledge
ISBN: 1351540556
Category : Music
Languages : en
Pages : 288

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Book Description
First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women composers, and a chapter of the book is dedicated to the discussion of women songwriters and their work. The commercial success of bourgeois song through the sale of sheet music demonstrated how music might be incorporated into a system of capitalist enterprise. Scott examines the early amateur music market and its evolution into an increasingly professionalized activity towards the end of the century. This new updated edition features an additional chapter which provides a broad survey of music and class in London, drawing on sources that have appeared since the book's first publication. An overview of recent research is also given in a section of additional notes. The new bibliography of nineteenth-century British and American popular song is the most comprehensive of its kind and includes information on twentieth-century collections of songs, relevant periodicals, catalogues, dictionaries and indexes, as well as useful databases and internet sites. The book also features accompanying downloadable resources of songs from the period.

Author: John Hadfield
Publisher: Herbert Press
ISBN:
Category : Aesthetics, British
Languages : en
Pages : 136

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Book Description
The Victorian period was one in which the minor arts, as distinct from the fine arts, reflected vividly, often with delightful humor, the customs and manners, clothes, recreations, entertainments and popular music of the day. The simple pottery ornaments of cottage and farmhouse had a quaintness that now makes them eagerly sought after by collectors. The elegant fashion plates and decorative title-pages of popular music not only offered scope for the brilliant gifts of now forgotten lithographers, but held a mirror to the social life of the world of Dickens, Thackeray and Trollope. Valentine cards expressed both the sentiment and joie de vivre that broke through the traditional solemnity of the Victorian family circle. Children delighted in toy theatres, and created gems of needlework in samplers which now command fantastic prices. All these subjects are assessed and illustrated in this book, which also rescues from the past some often forgotten examples of botanical, zoological and ornithological illustration which may come as an artistic revelation to naturalists today. By contrast there are some entertaining examples of popular art such as American 'cabinet' photographs of well-known actresses, the naive engravings of famous crimes of the period, a fascinating series of the original illustrations of Sherlock Holmes, and some of the earliest (and exceedingly rare) cigarette cards, including a pair to one in the Metropolitan Museum, New York, which is now valued at $30,000.

Author: Joe Tooley
Publisher: Lulu.com
ISBN: 1471678849
Category : Art
Languages : en
Pages : 130

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Book Description
Collects 100 music sheet title-pages featuring images of women, all dating between 1832 and 1925, and published in Europe and America