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Author: Jeffrey Kurtzman Publisher: Routledge ISBN: 1135600252 Category : Music Languages : en Pages : 396
Book Description
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Author: Jeffrey Kurtzman Publisher: Routledge ISBN: 1135600252 Category : Music Languages : en Pages : 396
Book Description
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Author: Jeffrey Kurtzman Publisher: Routledge ISBN: 1135618666 Category : Music Languages : en Pages : 297
Book Description
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Author: Jeffrey Kurtzman Publisher: Routledge ISBN: 113674424X Category : Music Languages : en Pages : 279
Book Description
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Author: Jeffrey Kurtzman Publisher: Routledge ISBN: 1135619018 Category : Music Languages : en Pages : 415
Book Description
First Published in 1998. A New Series Fills a Void in 17th-Century Italian Music Drawing on the riches of a largely unknown repertoire, this innovative series makes available in modern score a large selection of Italian sacred music scored from printed part-books that has never before been published in modern editions. Conveniently organized and presented in modern scoreEach genre is organized for easy accessibility. Mass settings are presented in chronological order. Vesper and compline music is arranged according to the number of voices, chronologically within each volume, beginning with works for one and two voices and progressing to compositions for multiple choirs.
Author: Jeffrey Kurtzman Publisher: Routledge ISBN: 1135625735 Category : Music Languages : en Pages : 332
Book Description
Classics of seventeenth-century Italian sacred music set in modern notation, this third part of Vesper and Compline Music for Multiple Choirs features works by Giacomo Giacobbi, Viriglio Mazzochi, Tarquinio Merula and Francesco Soriano.
Author: Anne Schnoebelen Publisher: Routledge ISBN: 1135624615 Category : Music Languages : en Pages : 473
Book Description
The purpose of this series is to provide a large repertoiry of 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
Author: Anne Schnoebelen Publisher: Routledge ISBN: 1135619298 Category : Music Languages : en Pages : 341
Book Description
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
Author: Jeffrey Kurtzman Publisher: Clarendon Press ISBN: 0191590711 Category : Languages : en Pages : 626
Book Description
This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.
Author: Jeffrey Kurtzman Publisher: Taylor & Francis ISBN: 104023349X Category : History Languages : en Pages : 356
Book Description
Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.
Author: Jeffrey Kurtzman
Author: Jeffrey Kurtzman
Author: Jeffrey Kurtzman
Author: Jeffrey Kurtzman
Author: Jeffrey Kurtzman
Author: Jeffrey Kurtzman
Author: Jeffrey Kurtzman
Author: Anne Schnoebelen
Author: Anne Schnoebelen
Author: Jeffrey Kurtzman
Author: Jeffrey Kurtzman