Author: Eóin Flannery
Publisher: Cambridge Scholars Publishing
ISBN: 1527566951
Category : Social Science
Languages : en
Pages : 201
Book Description
Versions of Ireland brings a refined postcolonial theoretical optic to bear on many of the most urgent questions within contemporary Irish cultural studies. Drawing on, and extending, the most advanced critical work within the discipline, the book offers a subtle critical genealogy of the development of Ireland’s diverse postcolonial projects. Furthermore, it reflects on the relevance and the effectiveness of postcolonial and subaltern historiographical methodologies in an Irish context, interrogating the ethical and political problematics of such discursive importation. Flannery’s work highlights the operative dynamics of imperial modernity, together with its representational agents, in Ireland, and also divines moments of explicit and implicit resistance to modernity’s rationalising and accumulative urges. The book is pioneering in the facility and ease with which it navigates the interdisciplinary terrain of Irish studies. Flannery provides enabling and challenging new readings of the poetry of the bi-lingual poet, Michael Hartnett; the politically imaginative vistas of the republican mural tradition in the North of Ireland; the gothic anxieties inherent in the fiction of Eugene McCabe and the semi-fictional writing of Seamus Deane, and the differential codes of visual surveillance apparent in Irish tourist posters and late nineteenth century photography in Ireland. Versions of Ireland does not dwell on the exclusively theoretical, but offers rich critical analyses of a range of Irish cultural artefacts in terms of Ireland’s protracted colonial history and contested postcolonial condition.
Versions Of Ireland
Author: Eóin Flannery
Publisher: Cambridge Scholars Publishing
ISBN: 1527566951
Category : Social Science
Languages : en
Pages : 201
Book Description
Versions of Ireland brings a refined postcolonial theoretical optic to bear on many of the most urgent questions within contemporary Irish cultural studies. Drawing on, and extending, the most advanced critical work within the discipline, the book offers a subtle critical genealogy of the development of Ireland’s diverse postcolonial projects. Furthermore, it reflects on the relevance and the effectiveness of postcolonial and subaltern historiographical methodologies in an Irish context, interrogating the ethical and political problematics of such discursive importation. Flannery’s work highlights the operative dynamics of imperial modernity, together with its representational agents, in Ireland, and also divines moments of explicit and implicit resistance to modernity’s rationalising and accumulative urges. The book is pioneering in the facility and ease with which it navigates the interdisciplinary terrain of Irish studies. Flannery provides enabling and challenging new readings of the poetry of the bi-lingual poet, Michael Hartnett; the politically imaginative vistas of the republican mural tradition in the North of Ireland; the gothic anxieties inherent in the fiction of Eugene McCabe and the semi-fictional writing of Seamus Deane, and the differential codes of visual surveillance apparent in Irish tourist posters and late nineteenth century photography in Ireland. Versions of Ireland does not dwell on the exclusively theoretical, but offers rich critical analyses of a range of Irish cultural artefacts in terms of Ireland’s protracted colonial history and contested postcolonial condition.
Publisher: Cambridge Scholars Publishing
ISBN: 1527566951
Category : Social Science
Languages : en
Pages : 201
Book Description
Versions of Ireland brings a refined postcolonial theoretical optic to bear on many of the most urgent questions within contemporary Irish cultural studies. Drawing on, and extending, the most advanced critical work within the discipline, the book offers a subtle critical genealogy of the development of Ireland’s diverse postcolonial projects. Furthermore, it reflects on the relevance and the effectiveness of postcolonial and subaltern historiographical methodologies in an Irish context, interrogating the ethical and political problematics of such discursive importation. Flannery’s work highlights the operative dynamics of imperial modernity, together with its representational agents, in Ireland, and also divines moments of explicit and implicit resistance to modernity’s rationalising and accumulative urges. The book is pioneering in the facility and ease with which it navigates the interdisciplinary terrain of Irish studies. Flannery provides enabling and challenging new readings of the poetry of the bi-lingual poet, Michael Hartnett; the politically imaginative vistas of the republican mural tradition in the North of Ireland; the gothic anxieties inherent in the fiction of Eugene McCabe and the semi-fictional writing of Seamus Deane, and the differential codes of visual surveillance apparent in Irish tourist posters and late nineteenth century photography in Ireland. Versions of Ireland does not dwell on the exclusively theoretical, but offers rich critical analyses of a range of Irish cultural artefacts in terms of Ireland’s protracted colonial history and contested postcolonial condition.
Are the Irish different?
Author: Tom Inglis
Publisher: Manchester University Press
ISBN: 1847799566
Category : Social Science
Languages : en
Pages : 432
Book Description
This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The essays cover topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.
Publisher: Manchester University Press
ISBN: 1847799566
Category : Social Science
Languages : en
Pages : 432
Book Description
This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The essays cover topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.
Charms, Charmers and Charming in Ireland
Author: John Carey
Publisher: University of Wales Press
ISBN: 1786834944
Category : History
Languages : en
Pages : 296
Book Description
• The first study of the full chronological range of Irish charms, from the Middle Ages until the present. • Includes survey articles, which give the reader a broad overview of major aspects of the subject. • Includes new discoveries in the field, information concerning which is not yet available elsewhere. • Includes articles dealing with folk medicine and traditional healing.
Publisher: University of Wales Press
ISBN: 1786834944
Category : History
Languages : en
Pages : 296
Book Description
• The first study of the full chronological range of Irish charms, from the Middle Ages until the present. • Includes survey articles, which give the reader a broad overview of major aspects of the subject. • Includes new discoveries in the field, information concerning which is not yet available elsewhere. • Includes articles dealing with folk medicine and traditional healing.
O'Neill's Music of Ireland
Author: Capt. Francis ONeill
Publisher: Mel Bay Publications
ISBN: 1609741420
Category : Music
Languages : en
Pages : 369
Book Description
A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle
Publisher: Mel Bay Publications
ISBN: 1609741420
Category : Music
Languages : en
Pages : 369
Book Description
A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle
Sub-versions
Author: Ciaran Ross
Publisher: Rodopi
ISBN: 9042028289
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
From Swift's repulsive shit-flinging Yahoos to Beckett's dying but never quite dead moribunds, Irish literature has long been perceived as being synonymous with subversion and all forms of subversiveness. But what constitutes a subversive text or a subversive writer in twenty-first-century Ireland? The essays in this volume set out to redefine and rethink the subversive potential of modern Irish literature. Crossing three central genres, one common denominator running through these essays whether dealing with canonical writers like Yeats, Beckett and Flann O'Brien, or lesser known contemporary writers like Sebastian Barry or Robert McLiam Wilson, is the continual questioning of Irish identity - Irishness - going from its colonial paradigm and stereotype of the subaltern in MacGill, to its uneasy implications for gender representation in the contemporary novel and the contemporary drama. A subsidiary theme inextricably linked to the identity problematic is that of exile and its radical heritage for all Irish writing irrespective of its different genres. Sub-Versions offers a cross-cultural and trans-national response to the expanding interest in Irish and postcolonial studies by bringing together specialists from different national cultures and scholarly contexts - Ireland, Britain, France and Central Europe. The order of the essays is by genre. This study is aimed both at the general literary reader and anyone particularly interested in Irish Studies.
Publisher: Rodopi
ISBN: 9042028289
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
From Swift's repulsive shit-flinging Yahoos to Beckett's dying but never quite dead moribunds, Irish literature has long been perceived as being synonymous with subversion and all forms of subversiveness. But what constitutes a subversive text or a subversive writer in twenty-first-century Ireland? The essays in this volume set out to redefine and rethink the subversive potential of modern Irish literature. Crossing three central genres, one common denominator running through these essays whether dealing with canonical writers like Yeats, Beckett and Flann O'Brien, or lesser known contemporary writers like Sebastian Barry or Robert McLiam Wilson, is the continual questioning of Irish identity - Irishness - going from its colonial paradigm and stereotype of the subaltern in MacGill, to its uneasy implications for gender representation in the contemporary novel and the contemporary drama. A subsidiary theme inextricably linked to the identity problematic is that of exile and its radical heritage for all Irish writing irrespective of its different genres. Sub-Versions offers a cross-cultural and trans-national response to the expanding interest in Irish and postcolonial studies by bringing together specialists from different national cultures and scholarly contexts - Ireland, Britain, France and Central Europe. The order of the essays is by genre. This study is aimed both at the general literary reader and anyone particularly interested in Irish Studies.
In Search of Ireland
Author: Brian Graham
Publisher: Routledge
ISBN: 1134749171
Category : Science
Languages : en
Pages : 258
Book Description
In Search of Ireland argues that Ireland's political problems are created by conflicts and confusions of identity. It brings together a number of distinguished contributors, each of whom examines a particular aspect of Ireland's diverse cultural geography and history. Issues covered include: the changing definitions of Irishness the roles of class and gender in constructing traditional alignments of identity the role of ethnicity in Irish society the invention and imagining of Irish 'place' the political implications of a pluralistic Ireland The contributors demonstrate that many people both inside and outside of Ireland continue to define themselves and their conflicts through simple sectarian stereotypes. The authors argue that politicians and others must reject these outdated either/or representations and accommodate instead the fluidity of Irish identity. James Anderson, University of Newcastle-Upon-Tyne S.J. Connolly, Queens's University, Belfast Neville Douglas, Queen's University, Belfast Brian Graham, University of Ulste
Publisher: Routledge
ISBN: 1134749171
Category : Science
Languages : en
Pages : 258
Book Description
In Search of Ireland argues that Ireland's political problems are created by conflicts and confusions of identity. It brings together a number of distinguished contributors, each of whom examines a particular aspect of Ireland's diverse cultural geography and history. Issues covered include: the changing definitions of Irishness the roles of class and gender in constructing traditional alignments of identity the role of ethnicity in Irish society the invention and imagining of Irish 'place' the political implications of a pluralistic Ireland The contributors demonstrate that many people both inside and outside of Ireland continue to define themselves and their conflicts through simple sectarian stereotypes. The authors argue that politicians and others must reject these outdated either/or representations and accommodate instead the fluidity of Irish identity. James Anderson, University of Newcastle-Upon-Tyne S.J. Connolly, Queens's University, Belfast Neville Douglas, Queen's University, Belfast Brian Graham, University of Ulste
Routledge Revivals: Medieval Ireland (2005)
Author: Sean Duffy
Publisher: Taylor & Francis
ISBN: 1351666177
Category : History
Languages : en
Pages : 579
Book Description
First published in 2005 Medieval Ireland: An Encyclopedia brings together in one authoritative resource the multiple facets of life in Ireland before and after the Anglo-Norman invasion of 1169, from the sixth to sixteenth century.
Publisher: Taylor & Francis
ISBN: 1351666177
Category : History
Languages : en
Pages : 579
Book Description
First published in 2005 Medieval Ireland: An Encyclopedia brings together in one authoritative resource the multiple facets of life in Ireland before and after the Anglo-Norman invasion of 1169, from the sixth to sixteenth century.
A Companion to the Fairy Tale
Author: Hilda Roderick Ellis Davidson
Publisher: DS Brewer
ISBN: 9781843840817
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This title discusses the characteristics of the traditional fairy tale in Europe and North America, and various theories of its development and interpretation.
Publisher: DS Brewer
ISBN: 9781843840817
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This title discusses the characteristics of the traditional fairy tale in Europe and North America, and various theories of its development and interpretation.
Irish Theatre in the Twenty-First Century
Author: Nicholas Grene
Publisher: Oxford University Press
ISBN: 0198893086
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and ANU, plays by Owen McCafferty, Stacey Gregg, and David Ireland, dramatizing the legacy of the Troubles, and adaptations of Greek tragedy by Marina Carr and others reflecting the conditions of modern Ireland. From 2015, the movement #WakingTheFeminists led to a sharpened awareness of gender. While male playwrights showed a toxic masculinity on the stage, a generation of female dramatists including Carr, Gregg, and Nancy Harris gave voice to the experiences of women long suppressed in conservative Ireland. For three separate periods, 2006, 2016, 2020-2, the author served as one of the judges for the Irish Times Irish Theatre Awards, attending all new productions across the island of Ireland. This allowed him to provide the detailed overview of the 'state of play' of Irish theatre in each of those times which punctuate the book as one of its most innovative features. Drawing also on interviews with Ireland's leading theatre makers, Grene provides readers with a close-up understanding of Irish theatre in a period when Ireland became for the first time a fully modernized, secular, and multi-ethnic society.
Publisher: Oxford University Press
ISBN: 0198893086
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and ANU, plays by Owen McCafferty, Stacey Gregg, and David Ireland, dramatizing the legacy of the Troubles, and adaptations of Greek tragedy by Marina Carr and others reflecting the conditions of modern Ireland. From 2015, the movement #WakingTheFeminists led to a sharpened awareness of gender. While male playwrights showed a toxic masculinity on the stage, a generation of female dramatists including Carr, Gregg, and Nancy Harris gave voice to the experiences of women long suppressed in conservative Ireland. For three separate periods, 2006, 2016, 2020-2, the author served as one of the judges for the Irish Times Irish Theatre Awards, attending all new productions across the island of Ireland. This allowed him to provide the detailed overview of the 'state of play' of Irish theatre in each of those times which punctuate the book as one of its most innovative features. Drawing also on interviews with Ireland's leading theatre makers, Grene provides readers with a close-up understanding of Irish theatre in a period when Ireland became for the first time a fully modernized, secular, and multi-ethnic society.
Of Irish Descent
Author: Catherine Nash
Publisher: Syracuse University Press
ISBN: 9780815631590
Category : History
Languages : en
Pages : 370
Book Description
What does it mean to be of Irish descent? What does Irish descent stand for in Ireland? In Northern Ireland? In the United States? How are the categories of “native” and “settler” and accounts of ethnic origin being refigured through popular genealogy and population genetics? Of Irish Descent addresses these questions by exploring the contemporary significance of ideas about ancestral roots, origins, and connections. Moving from the intimacy of family stories and reunions to disputed state policies on noble titles and new applications of genetic research, Nash traces the place of ancestry in interconnected geographies of identity—familial, ethnic, national, and diasporic. Underlying these different practices and narratives are potent and profoundly political questions about who counts as Irish and to whom Ireland belongs. Examining tensions between ideas of plurality and commonality, difference and connection that run through the culture and science of ancestral origins, Of Irish Descent is an original and timely exploration of new configurations of nation and diaspora as communities of shared descent.
Publisher: Syracuse University Press
ISBN: 9780815631590
Category : History
Languages : en
Pages : 370
Book Description
What does it mean to be of Irish descent? What does Irish descent stand for in Ireland? In Northern Ireland? In the United States? How are the categories of “native” and “settler” and accounts of ethnic origin being refigured through popular genealogy and population genetics? Of Irish Descent addresses these questions by exploring the contemporary significance of ideas about ancestral roots, origins, and connections. Moving from the intimacy of family stories and reunions to disputed state policies on noble titles and new applications of genetic research, Nash traces the place of ancestry in interconnected geographies of identity—familial, ethnic, national, and diasporic. Underlying these different practices and narratives are potent and profoundly political questions about who counts as Irish and to whom Ireland belongs. Examining tensions between ideas of plurality and commonality, difference and connection that run through the culture and science of ancestral origins, Of Irish Descent is an original and timely exploration of new configurations of nation and diaspora as communities of shared descent.